The Art of Retouching - Adobe Photoshop & Lightroom Retouching Tutorials

Welcome to Behind the Retouching, an exclusive behind-the-scenes look at what goes on in an actual photo retouching session. In this professional avenue, I will be breaking down my students’ submissions, suggesting areas for improvement, and recommending adjustments that I would have done differently in order to create a better […] (Visited 145 times, 1 visits today) The post Behind The Retouching | Felipe Buccianti appeared first on The Art of Retouching. No related posts.

When working in Photoshop, while most of it is creative, sometimes you will want to be as accurate as you possibly can. Rulers and guides come in handy because they help you create specific points in your image that you may want to refer to at a later point in time.

Aside from the Lasso-based tools, we can also use the Magic Wand when it comes to making selections in Photoshop. You can press and hold the Quick Selection Tool to choose the Magic Wand Tool. When you click on a section in your image, it selects an area based on the range of colors that your provide, limited by the value of your Tolerance in the Options bar. Photoshop’s default Tolerance is 32, but you can increase or decrease that value to grab more areas at once or less areas at once respectively.

Welcome and thank you for visiting. In this Behind the Retouching session, I sit down and take you through what goes on when I work an image. As commissioned by Advanced Photoshop Magazine for issue #126, I will show you some basic retouching combined with advanced compositing techniques in order […] (Visited 471 times, 2 visits today) The post Behind The Retouching | John Ross – Celestial appeared first on The Art of Retouching. No related posts.

The purpose of making a selection, is so that you can make changes within a limited, and controlled area.There are a variety of tools you should consider when making selections in your image. There are several that will allow you make direct selections by drawing them, and a few that let you make your selections based on color. I will preface this by saying that make generic selections like this might create what is called a Layer Mask, none of the techniques I am going to talk about are ones that I would teach to my students. they are simplistic, and will not yield optimal results. The reason I am talking about them with you now, is because they are an easy way to get you to your end goals. While they are not the best, they are simply the easiest for you to get started with.

Selective Color is the go-to tool for simple color correction. Little need for masking, and no confusing RGB sliders. You just need someone to give you a little direction, and you will find how easy this tool can be. As with the other Adjustment Tools, you can find it with the Adjustments Palettee, which is found within Window – Adjustments. The second way is at the bottom of the Layers Palette, with the Black and White Circle icon for New Adjustment Layers. Lastly, it’s also in Layer – New Adjustment Layer – Selective Color.

Let’s say you have an image that’s looking pretty pale. When you want to adjust the saturation of an image, I normally don’t recommend using the Saturation Adjustment. Instead, what we’ll be using is the Vibrance Adjustment, because it has Saturation included, and gives you more control over your adjustments. Over at the Adjustments Palette, you can select the Vibrance icon. You can also find it at the bottom of your Layers Palette, as well as in Layer – New Adjustment Layer – Vibrance.

When you want to create tonal changes the easiest and simplest way possible, your best bet is to use Levels. Simply go over to the Adjustments palette (or if it isn’t open yet, go to Window – Adjustments). There, click on the icon that says “Levels”. Another way would be to go to the Layers palette and click on the Black/White Circle icon that says “Create new fill or adjustment layer”. Finally, a third way of doing it is to go over to Layer – New Adjustment Layer – Levels.

Adjustment Layers work like tinted sheets of glass that you overlay on top of your image one at a time. It’s kind of like a tinted or colored light bulb. You can turn on/off the effect, or adjust the values as a separate layer on top of your original image background layer. For instance, on top of your base layer (original image), we can make tone adjustments as well as color adjustments. Each of these adjustments will be placed on separate layers, on top of your original background image. Because you’re working on a separate layer for all these adjustments, you are not causing any permanent damage to your original background base image. You are effectively preserving it pixel by pixel in case you need to undo your changes later. As an example, when you click on one of the icons in the Adjustments Palette, it will automatically add a new layer in your Layers Palette, as well as open up the Properties window for that particular adjustment you chose.

The Color Picker in Photoshop is used for a variety of different reasons. At a basic level, it can be used to choose a color, and then then you can paint with that color. Once you become more familiar with how it works, it can be used to match colors, transfer color values from one program to another, for internet use, or otherwise communicate with graphic designers and pressmen. This will be a simple introduction at this point. None of that crazy stuff.

Nearly every image can benefit from Cloning or Healing. It could be removing flyaway hair, dust on the lens, skin blemishes, or any of the other hundred things I could think of. Some corrections require some skill, and knowledge to handle the various tools properly. One tool stands alone for it's absolute simplicity, the Spot Healing Brush. Older versions of this tool were pretty crappy, and gave it immediate negative feels, and no one really wanted to use it. Myself included. However, with the release of CS6 and then CC, Adobe has continued to improve upon how smart it's automatic functions work. If you are new to Photoshop, check out how easy it is to clean up your images.

Photoshop is an amazing tool. Mindblowingly complex, but nearly flawless. Recently, Adobe announced all the new 2014 features for the Creative Cloud Suite of products. While I am sure that graphic designers, 3D modelers, and video technicians have plenty to be excited about, as an Image Retoucher, I find this to be another lack-luster release.  Read More No related posts.

When it comes to navigating around your image, there are two tools and one palette that will come in really handy. This video will walk you through how to use the Navigator Palette, Hand Tool, and Zoom Tool. These are some of the most basic items in Photoshop, and they are really easy to use. Except maybe the Zoom Tool (otherwise known as the Magnifaction Tool). Adobe broke it in back in CS4, but I will show you how to make it work like it used to, in case you find that you hate it as much as I do.

Nobody is perfect. We all make mistakes, especially when it comes to perfecting our retouching. In those moments when you just can’t find the right adjustment for something, the History Palette comes to the rescue. By default, you will have 20 past steps that you can undo. The history palette basically just allows you to go back to your previous actions and correct past mistakes. Initially, when you go to the history palette, you will see your image and the label that says “Open”. This means that you haven’t really done anything yet but open the image. Start by clicking the pulldown Window - History, and it will open the History Palette.

Layers make up a huge chunk of the magic of Photoshop. It is one of the most crucial tools that you can use especially for non-destructive editing, but it is also one of the most confusing if you don’t quite know how to make your way around it. Don’t worry, I will help you master and understand just how each layer works by giving you the simplest and most basic overview.