BOOTH ONE - Celebrating Culture and Conversation

Gary welcomes actor, director, producer, choreographer, casting and teaching professional Stephen Schellhardt to the co-host chair of Booth One this week. Longtime listeners to the program may remember Stephen as a panel guest when we recorded our all-things Sondheim Episode 38 before a live audience at Writers Theatre. His recent production of Urinetown received glowing notices. See a review here. Stephen will next be seen as Melman the Giraffe in Madagascar The Musical at Chicago Shakespeare Theatre, directed by friend of the show, episode 57 guest Rachel Rockwell. More details. Stephen is about to begin a position at Northwestern University where he'll be teaching Musical Theatre. We're going to put that knowledge to the test in this Episode 60! Gary and Producer Betsy just returned from a whirlwind trip to New York City where they saw 6 Broadway shows in 5 days! Here's a rundown of the cavalcade: Sweat - Terrific play with a fine ensemble cast. Khris Davis! This show will have a lot of legs on the regional circuit with one set and important timely subject matter. Sadly, the 2017 Pulitzer Prize-winning play just closed in NY, but it will have a long and profitable life after Broadway. Natasha, Pierre & The Great Comet of 1812 - Lavish, interactive spectacle of a production, but we found it curiously un-engaging, despite having the best seats of our trip. Gary never found the emotional heart of the piece, though the last 20 minutes are very moving. Still, it's a long slog to get to those final moments and it's not a show we can highly recommend, except for the fact that you'll not see anything else as lavish as this anywhere, and Josh Groban is exceptional as Pierre. A Doll's House, Part 2 - Laurie Metcalf deserves all the acclaim she's received for this performance in Lucas Hnath's imaginative sequel to Ibsen's classic. The rest of the cast - Jane Houdyshell, Chris Cooper and Condola Rashad, all nominated for Tony's - round out this genuinely entertaining and thought-provoking dramedy. Maybe a bit too short and some unexplored themes, but it's for Metcalf that one should see this particular production. Gary likens her star turn to what it might have been like to see Hepburn or Davis on the stage in their heyday. A true American theater treasure! The Little Foxes - Seeing Laura Linney and Cynthia Nixon in this searing Lillian Hellman play was to see acting at it's finest. Perfectly cast and superbly staged, Gary and Betsy were also very impressed by Richard Thomas and Michael McKean's performances. We saw the version for which Linney and Nixon were nominated - Regina and Birdie respectively. Stephen comments that the two actresses believe this combination plays against their types. That's what acting is all about, and what a pair of powerhouse actors they are! As of this publication, this show is also now closed, but it's a theater-going memory that will live in our minds for ...

Gary interviews playwright Antoinette Nwandu and director Danya Taymor during rehearsals of Nwandu's play Pass Over, on site at the Steppenwolf Theatre. We are attending a press performance on June 13 and cannot wait! They share fascinating insights about the process of creating a world premiere, with Antoinette developing the script throughout the rehearsal period. These two are absolutely inspiring as artistic collaborators. So much mutual respect, affection, and humor. Booth One would love to be in the rehearsal room! Antoinette describes Pass Over: “At its core, this play asks us collectively to consider the value of black lives, specifically the lives of young black men who are not extraordinary, who are not entertainers, they’re not athletes, they’re not secret math geniuses. They're young men who might never get better, who might never be different. This play challenges us to envision a society that does not ask these young men to prove their worth.” Inspired in part by two young black men Antoinette taught in community college, she riffs on ideas and themes from both Samuel Beckett's Waiting for Godot and the Book of Exodus. The cast includes friend of the show, Jon Michael Hill; co-founder of Definition Theatre Company, Julian Parker; and Ryan Hallahan, from the acclaimed cast of Straight White Men, also at Steppenwolf. Ms. Nwandu tells us the Cinderella story about how this play came to be produced at Steppenwolf. Thrilling! Not only a great director, Danya is also a translator. Her story about the translating partners she works with is fascinating. Antoinette also tells us Danya has "world class knowledge of all theater." Our producer is wanting a trivia contest between Danya and Gary... A couple of our favorite quotes from the interview: Danya: "The truth of this play can shift on a dime." Antoinette: "I write with a lot of jagged tonal shifts." When asked who they would like to spend a month being mentored by, Danya chooses European director extraordinaire Romeo Castellucci. Antoinette chooses the remarkable playwright Caryl Churchill. Good calls! Danya and Antoinette are two theatre artists that are without a doubt "going places". Booth One is so excited to follow their skyrocketing careers.        

Booth One welcomes back co-host Paul Stroili, and special guest Kevin Theis, actor, writer, director and audio book narrator, for some wild and wacky conversation. Kevin recently directed The My Way Residential, a world premiere play by Geraldine Aaron for the Irish Theatre of Chicago, running though June 25, 2017 at the Den Theatre. Can't wait to see it! In our ongoing fascination with shark stories, we discovered this: When porn star Molly Cavalli dropped down under water into a shark cage wearing a "white hot swimsuit," her presence apparently enticed a 10-foot lemon shark. The next thing you know she's screaming as she clutches her bloody foot. Check out the video. Further evidence to never get out of the boat! Kevin describes his audio narrating career reading some of the world's great books, like Jack London's Call of the Wild, the Autobiography of Charles Darwin, Sun Tzu's The Art of War, and of course the classic, Bigfoot and Frankenstein! Kevin records for Audible, and has newly formed his own audio book company, Fort Raphael Publishing Company. Booth One gets health conscious by reporting on gluteal amnesia, commonly known as Sleeping Butt Syndrome. Sitting all day can lead to a flat butt because muscles are disengaged for so long they forget how to wake up. The cures? Walk around for 30 seconds every half hour. Get a standing desk like most Scandinavians have (of course). Use a foam roller. Vary your workouts to include donkey kicks, squats and planks. Testing for sleeping butt syndrome is easy - squeeze each butt cheek to see if it engages. Keep moving and stay healthy! The world's oldest person has died....again! Emma Morano, 117, the last person known to have been born in the 1800s. Born in Piedmont, Italy in 1899, Morano credited her longevity to ending her abusive marriage in 1938 and a diet of raw eggs and cookies. She held the Guinness World Record titles for oldest living person and oldest living woman. Stay tuned for more updates on the world's oldest living humans. Paul Stroili's first feature film begins shooting in Long Beach in June. We are excited for him and will keep you posted! Gary, Paul and Kevin take a crack at 36 Questions Designed to Help You Fall in Love with Anyone. Asking thirty-six specific questions plus four minutes of sustained eye contact is purportedly a recipe for falling in love, or at least creating intimacy among complete strangers. After sampling select questions,

Booth One welcomes the amazing Rachel Rockwell to our studios amidst her action-packed schedule. Her beautiful production of Shakespeare in Love has just opened at Chicago Shakespeare Theatre, and she has about a million other irons in the fire. As a choreographer, Rachel was nominated for Joseph Jefferson Awards for The King & I (2007) and A Chorus Line (2011). As a director, she received Jeff Award nominations for Miss Saigon (2009); The 25th Annual Putnam County Spelling Bee—Best Musical (2009); Ragtime (2010) and 42nd Street (2011). For her acclaimed Drury Lane Oakbrook Theatre production of Ragtime (11 Jeff nominations and seven awards), she received the Joseph Jefferson Award as Best Director of a musical. As Director, Jeff Award nominations (2012) for Best Director and Best Musical: The Sound of Music and Sweeney Todd at Drury Lane Oakbrook Theatre; and Best Play: Enron at Timeline Theatre Company. In 2013, her production of Oliver! received a Jeff nomination for Best Musical. In 2014, she received Jeff Award nominations (Director, Choreography and Best Musical) for the revival of Brigadoon at The Goodman Theatre and Les Miserables at Drury Lane Oakbrook. Her production of Brigadoon was named Best Musical and she was named Best Choreographer for that production. She won the Jeff Award for Best Choreography for her production of Billy Eliot in 2015. In 2016, she won the Jeff Award as Best Director for her production of Ride The Cyclone at Chicago Shakespeare Theatre.[22] She has directed notable Children's Theatre productions at Chicago Shakespeare Theater. At CST, she also choreographed productions of The Merry Wives of Windsor, Romeo and Juliet, and Measure For Measure. Since the mid-nineties, Rockwell has directed and choreographed dozens of productions for such theaters as: Steppenwolf, Chicago Shakespeare Theatre, Drury Lane Theatre Oakbrook, Marriott Theatre Lincolnshire, Paramount Theatre, Noble Fool Theatricals, Fox Valley Repertory, Apple Tree, The Little Theatre on the Square, SIU Summer Theatre and McCleod Summer Playhouse. Rachel is also working on writing and developing new musicals. Look out world!!! Booth One has a couple of ideas we may be passing by her desk. Rachel is the third musical genius to come on our show who hails from Indiana. Beckie Menzie and Danni Smith, both past guests and friends of the show, cultivated their talents in the Hoosier State. We're wondering what's in the water over there!? Rachel credits her success to a long line of mentors and teachers, including Buzz Miller, who danced Bob Fosse's brilliant choreography in the seminal "Steam Heat" on Broadway and in the film of The Pajama Game. Rachel was Dance Captain in Mamma Mia on Broadway and the National Tour, and she gives us some backstage insight about what a difficult and important job this is. She choreographs in her car(!) and counter-clockwise in her living room to avoid the coffee table. So yeah, kind of a genius. Deb Acker, the production stage manager at Chicago Shakespeare, says Rachel is the most prepared director she's ever worked with. Rachel tells us why she prepares so thoroughly. Gary and Rachel talk the 2017

Gary and the Booth One crew are pleased to welcome award-winning artistic director of Court Theatre, Mr. Charles Newell to the program. Court is the resident professional theater company of the University of Chicago in Hyde Park. Charlie has been AD at Court since 1994. Under his leadership, Court has, in the words of playwright Tony Kushner, "developed a spectacular reputation as one of the most important theaters in the country." Charlie's directing credits span a spectrum from classic Shakespeare to world premiere dramas and comedies, from musicals to opera. He is the recipient of four Joseph Jefferson Awards for directing, and has been honored by TCG and the League of Chicago Theatres for artistic achievement. Charlie is one of the finest theatrical artists working in America today and refers to himself as "the luckiest man in show business." Newell grew up in the Washington, DC area and first fell in love with theater when he saw an Arena Stage production of Death of a Salesman as a young boy. He studied at Wesleyan University, then honed his craft through a series of professional apprenticeships with some of the country's most outstanding theater artists, including Garland Wright at the Tyrone Guthrie Theater in Minneapolis. Charlie's most recent work is a production of Tom Stoppard's The Hard Problem. The title comes from philosopher David Chalmers' term to describe scientific efforts to understand consciousness. We discuss this play in depth as well as Newell's close relationship with Mr. Stoppard. Charlie and Tom have consulted personally on a number of other Stoppard productions Charlie has directed. For this one, they had almost daily conversations about the play during rehearsals. In his early career as a stage manager, Gary had the great privilege to work on the Broadway and National touring productions of Stoppard's The Real Thing. He and Charlie trade stories about working with Stoppard and what a true man of the theater he really is. Much like Stoppard's other works, The Hard Problem is a tricky play to fully comprehend on a single viewing. Charlie talks about the way Stoppard's focus is centered on the emotional connections between the characters rather than the intellectual ideas. "If one can find the heart of it, the rest will fall into place." We think you will find the discussion illuminating and fascinating. Court Theatre takes full advantage of being part of the University of Chicago. In 2010, with the support of some very generous members of the Board of Trustees, Court created The Center for Classic Theatre. "A new way of approaching what it means for a professional theatre to be in residence at a major university. It is an approach to producing that fully accesses the amazing intellectual resources that surround the theatre. This vision influences how Court Theatre builds seasons and serves its audience and community." The results have been exciting. For instance, this season Court produced the widely acclaimed world premiere of

April Fools' Day finds us recording our 55th Episode! Returning friend of the show Paul Stroili co-hosts this toe-tapping episode with Gary in Booth One. Paul reveals that he is a motorcycle enthusiast and that his father once raced motorcycles in Europe. Riding a "Hog" is a skill that Gary has long wanted to acquire, though driving a Vespa is probably closer to his ability levels of balance and coordination. Paul gives an update on his hit interactive theatrical production of Tony n' Tina's Wedding. Some cast changes are in store, at least through the summer, and the good news is that the show continues to sell strongly and bookings are being confirmed for well into the fall of 2017. Congratulations to the entire Tony n' Tina's team and best wishes for a long and prosperous run! Our friends at Broadway In Chicago made sure that both Gary and Paul got to see the recent Circus 1903 spectacular at Chicago's Oriental Theater, and they loved both the production and the talented performers. Some of our favorites are Ringmaster Willy Whipsnade (David Williamson), aerialist Lucky Moon (Elena Gatilova), The Cycling Cyclone (Florian Blummel), Elastic Dislocationist Senayet Asefa Amare, and juggler extraordinaire Francois Borie. The highlight of the show are the life-size faux elephants, manipulated by a team of expert puppeteers and designed by the same folks who brought War Horse to life on stage. These pachyderms are so life-like and majestic that you can feel the awe and amazement from the crowd. Their presence, and the focus on the artistry and athleticism of the performers, make this nostalgic homage to the golden age of circus a wonderous experience for young and old alike. Check out the Circus 1903 website for their touring itinerary and don't miss this performance if it comes to a city near you. On a sadder note, producers of the long-running musical The Fantasticks have announced its closing in New York....again! Seems that the money from anonymous donors that has kept the show alive the past couple of years has run out and ticket sales are flagging. This is one of Gary's favorite shows, so if you plan to be in New York before June, try to catch this landmark musical before it closes. Who knows? Your ticket purchase may just contribute to another extension of this beloved show. You can buy tickets here. Speaking of contributions - if you want to support the Booth One mission of bringing you the best in the art of lively conversation and fascinating guests, go to our DONATE button on this web page and you can make a fully tax deductible donation to our cause. It's quick, it's easy, and it would be deeply appreciated by all of us at Booth One. Including Gary's imaginary teacup pig support animal. Down, Jeanette! Gary and Paul reminisce about their splendid dinner the night ...

Guest co-host Frank Tourangeau joins Gary in Booth One this week. Frank is a director, educator, speech coach, and all-around performing arts aficionado, whose knowledge of Chicago and New York theater is wide-ranging and insightful. I guess we should call him "Doctor" Tourangeau, as he holds a PhD in Speech and Performance Art from Southern Illinois University, and did his dissertation on the interactions of right brain/left brain as it relates to emotional cognition in performance. Wow. One of the smartest people we know! Frank once coached our producer in high school speech competitions and relates a few stories about her performance piece and its reception at competitions. More here. Frank is retired now from his professorship at the College of DuPage in Wheaton, IL and spends much of his time supporting theater and film in and around the city of Chicago. Gary does an Academy Awards recap by reviewing his picks along with those from Roscoe and Paul Stroili. Looks like Gary was the big winner with 6 out of 9 correct picks. Roscoe: 4. Paul: 3. Prize: $0. Sally Field fares marginally well in reviews of The Glass Menagerie, but the production gets disappointing notices for its deconstructionist quality and unusual staging. We highlight the New York Daily News review as a representative example. Frank and Gary romp through what's coming to the boards on Broadway and what's "in the works" for future seasons. Select upcoming openings: Come From Away, The Play That Goes Wrong, War Paint, The Little Foxes, Hello, Dolly! and A Doll's House Part 2(!). Scheduled for later - The Prince of Broadway; The Minutes by Tracy Letts; Bombshell, the Marilyn Monroe musical from Smash; The Cher Show; The Devil Wears Prada; Gypsy(again! this time starring Imelda Staunton); To Kill a Mockingbird (adapted by Aaron Sorkin); King Kong from Australia; and The Honeymooners starring Hank Azaria. Will all these come to fruition and make it on the Big White Way? Only time will tell. We discuss the brilliant new film from Jordan Peele, Get Out, a semi-horror thriller with more than a few twists and turns. Both Frank and Gary like this picture immensely and try not to give too much away while discussing various scenes and plot points. There are elements of science fiction and some suspension of disbelief is required as the harrowing story hurtles its way forward. We encourage everyone to go see it! After you've seen it, read this excellent analysis in The Atlantic. Get Out was produced by friend of the show, Jason Blum. Congratulations, Jason and Blumhouse! Pride Films and Plays, a new local producing organization whose mission is to change lives by creating diverse new work with LGBTQ+ characters or themes, has mounted a production of Priscilla: Queen of the Desert in a 99-seat theater with as many production elements as can be created in a small space. It features Chicago legend, Honey West!

Gary welcomes 4-time Jeff Award winner Danni Smith to the Booth this week, in a lively discussion of her career,  growing up in Indiana, her recent lauded performances in Jesus Christ, Superstar, Man of La Mancha, and the currently-running Mamma Mia at the Marriott Lincolnshire Theatre. Gary and Roscoe first encountered Danni at the Theo Ubique, where she was just marvelous in the role of Mary Magdalene. Not only was she a highlight of the show, she was also our table server at the intimate space. Oh, what fine actors do to make it in this business! Danni treasures the time she spent doing five shows at Theo Ubique. The "bolt of lightning" description is a quote from a Broadway World rave review of her performance in Man of La Mancha. Ever since playing a Munchkin in a grammar school performance of The Wizard of Oz, Danni has been smitten with the theatre. She attended Ball State University to study musical theatre. (Other Ball State alumni include David Letterman, Steadman Graham and John Schnatter, founder of Papa John's Pizza.) We chat about her inspirations, aspirations and dream roles. You can view a clip of Danni's performance in Mamma Mia here. The latest news in our recurring watch of the world's elephant community is about the cold weather sweeping across northern India and threatening the health and well-being of these gentle mammals at the Wildlife SOS Elephant Conservation and Care Center. Big-hearted local villagers have begun knitting giant sweaters to keep the pachyderms warm. These colorful new duds take about 4 weeks to create. But it's well worth the effort to keep these animals happy and comfortable, especially considering all the hardships they've been through. Click here to see great photos of the locals knitting with the elephants and some of the finished products. You can knit your own sweater and send it to them! Learn about other ways to help at http://wildlifesos.org/donate-2-2/. About a year ago, Danni co-founded, with Artistic Director Harmony France, a new Chicago theatre company called Firebrand Theatre, the first "equity feminist musical theatre company" committed to employing and empowering women by expanding opportunities on and off the stage. The inaugural season includes 9 to 5 The Musical and Lizzie, a rock musical based on the true-life story of accused axe-murderess Lizzie Borden(!). Plus a kick-off benefit concert called Nothin' Like a Dame: A Celebration of Women in Musical Theatre. That February 27th performance featuring 28 singers was sold-out! Congratulations, Firebrand, and best of luck in your new exciting venture. Gary gives a shout-out to the Goodman Theatre's production of Uncle Vanya,

Booth One continues its string of lively guest co-host episodes with our good friend Paul Stroili, actor, writer, director and filmmaker, sitting in the hot seat for still-recuperating Roscoe. Who has, by the way, rented a Barca Lounger to watch movies from for his convalescence. We're going to need a photo of that. Frequent Booth One listeners will remember that Paul has appeared on past episodes, talking about his long-running hit production of Tony n' Tina's Wedding and just being his hilarious, Booth One type entertaining self. He's working on writing a sequel to that outstanding piece of audience interactive theater. We can't wait! Gary and Paul take a look at the current Broadway season, highlighting Glenn Close as Norma Desmond in the new revival of Sunset Boulevard. The NY Times says that her reinvented performance after 22 years "may well guarantee its status as one of the great stage performances of this century." And "one of those rare instances where more is truly more." An actor cannot win a Tony for the same role, even in different productions. Yul Brynner was given an honorary Tony when he appeared in a revival of The King and I. Could there be a "special" Tony Award in the offing for Close? Read the full review here. We also discuss the upcoming revival of Lillian Hellman's The Little Foxes, featuring Laura Linney and Cynthia Nixon in the roles of Regina and Birdie, directed by Daniel Sullivan at the Manhattan Theatre Club. Here's the catch - the actresses will alternate parts at select performances! Now that's something worth seeing in back-to-back seatings. We'll eagerly await the notices when this show opens in mid-April. And hope to see it ourselves. A fun fact: The title of the play was suggested by Dorothy Parker. One of our favorite theater reviewers, Charles Isherwood, is leaving his post at the New York Times for points unknown. Isherwood not only reviewed Broadway and off-Broadway fare, but he was a frequent viewer and critic of Chicago and other regional theater productions. Booth One has always enjoyed his insight and candor. There's a wonderful opportunity here for the up-and-coming new generation of cultural art critics. If you or a loved one are interested in pursuing this position, American Theatre has published the full job description. See how many of the requirements you qualified for. Who knows? We might be quoting from your review some day on Booth One! It's that time of year again....OSCAR time! Gary and Paul handicap their favorites in the major categories alongside picks received from Roscoe! Will La La Land make a sweep? Or is Hidden Figures the dark horse for best picture? Natalie Portman, Emma Stone or Meryl Streep as Best Actress? Denzel or Casey? What to say about Mahershala Ali in Moonlight! Play along with the guys by downloading your own

Our special guest in the Booth this week is Sean Graney, the highly acclaimed Artistic Director of one of our favorite Chicago off-Loop theater companies, The Hypocrites. While Roscoe continues to recover from his health condition, Gary goes one-on-one with Sean in a lively and informative discussion of Graney's background, his founding of The Hypocrites 20 years ago, his experiences with acting, playwriting, adapting and directing, and a host of other theatre-related topics. Sean began his theatrical life in Boston. After school, he chose Chicago as the place to lay down his creative roots. Sean has received wide recognition for his vibrant and forceful productions of Gilbert & Sullivan's The Mikado, Pirates of Penzance and HMS Pinafore, and his ground-breaking All Our Tragic, a tour de force adaptation of the 32 extant Greek tragedies, performed in one 12-hour cycle (with meal breaks, of course!). Gary asks Sean about his approach to running a theater company, the nature of collaboration, and his style of working to adapt classic pieces of the theater canon. We also discuss the recent developments within The Hypocrites that have led Sean to cease current operations and to reorganize the company under a different business model. It's fascinating conversation and a must-listen for anyone who is considering starting a theater company or is struggling to remain viable in this rapidly changing cultural environment. Sean reveals what he's working on now and how this new show - related to All Our Tragic - will be developed and work-shopped in several environments. Cannot wait... Along the way, Gary mentions another long-running operation that has recently announced it is ceasing its presentations - Ringling Bros. and Barnum & Bailey circus, The Greatest Show on Earth. Declining attendance and low ticket sales, attributed in part to the removal of the elephant acts from the show, have led the Feld Corporation to pull up the tent stakes and call it a day, after 146 years of bringing live circus entertainment to millions of young and old alike. Grateful to have seen the show this past November and will always have fond memories of watching the childrens' delight at the spectacle. Gary relates his experience seeing the documentary film, "The Best Worst Thing That Ever Could Have Happened," an account of the making of, and untimely demise of, the Sondheim/Prince musical Merrily We Roll Along. This fine film from director Lonny Price is a treasure trove of original production footage, audition tapes, and interviews with all the leading participants, including original cast members and Sondheim himself. It's not in wide release so you'll have to seek out your favorite art house or local film forum. But it is well worth the effort. A must-see for all theatre fans or musical geeks - like us! Finally, Sean and Gary discuss the recent benefit performance of their award-winning production of Our Town, directed by and featuring David Cromer, in a staged reading at the Steppenwolf Theatre. It was an emotional evening, and the Chicago theater community was out in force to show their affection and solidarity for a struggling company of brothers and sisters. To support The Hypocrites in their reorganization,

We celebrate Booth One's 50th! episode with guest co-host, Jim Reho. For the past several years, Jim has resided in the Brighton Park neighborhood on the South Side and joins us to give a great tour. Learn more facts about Chicago's South Side. Jim reports on some of the highlights in his part of Chicago. For starters, check out some of the best thin crust pizza anywhere at Vito & Nick's, 84th & Pulaski. They have been around for 90 years! Another Reho favorite is a place that serves Korean/Polish cuisine. We are planning a "Roscoe at Large" visit to check out this great concept at Kimski! Read a 4 star review here. For excellent musical programming in a beautiful setting, hear a concert at Thalia Hall. Built in the 1890's as a replica of the Prague Opera House, it was one of the most ornate theaters of its time. Located in the Pilsen neighborhood, it has wonderful acoustics and you can even rent part of the balcony. Talk about Booth One! Check out the fascinating history. We are planning to see a show there and will report back. Between Christmas and New Years was the highest grossing week in Broadway history. 359,495 people saw a Broadway show that week. Jim talks about his favorite classic American musicals, including Carousel, a Booth One favorite. Listening to the original cast album the other night, Jim says there are 4 indelible songs he can list off the top of his head. He asks Gary if there are any songs in Hamilton that will live throughout history. Gary's response is there are probably half a dozen. Jim reveals that while he majored in English, his undergraduate minor was in - get this, the History of the American Musical Theatre! Gary reports on his trip to Writers Theatre to see East Texas Hot Links and says, "You will not see better acting anywhere...It is a powerful, bold and troubling statement. I couldn't recommend it more highly." Read one of the many rave reviews here. This Pulitzer Prize finalist was written by Eugene Lee and directed splendidly by Ron OJ Parson. Speaking of Ron, he's directed a production of Blues for An Alabama Sky, running now at the Court Theatre in Hyde Park. We are looking forward to a featuring the marvelous Court Theatre on an upcoming episode. Gary talks about the Kennedy Center Honors, which featured a stunning tribute to Mavis Staples by Bonnie Raitt and Andra Day, backed by a gospel choir. Read details here.  And watch President Obama's introduction here. Jim and Gary discuss Bonnie Raitt's lovely relationship with her father, John, who was the original Billy Bigalow in Carousel in 1945! See John and Bonnie sing a gorgeous duet of Hey There with the Boston Pops when he was 85. Another highlight of our winter theater season on Booth One was seeing The Christians at Steppenwolf. Gary and Jim talk about the fascinating questions the show raises about faith, death and forgiveness. Again, with crazy good acting - across the board!

Gary and Roscoe wrap up 2016 - and good riddance to a challenging year - with an episode of year-end theater going and a few fun lists. First we revisit Hamilton and our recent viewing of the new Chicago production. From our Booth One perspective in the 11th row at the PrivateBank Theatre, this sit-down company is hands down as dynamic, entertaining and exciting as the Broadway show we saw in New York in May. It's not just a traveling road company - the show's creators have put together a virtual replica of the Broadway smash and re-produced one of the great theatrical experiences of a lifetime. Yes, ticket prices are steep and seats are hard to come by, but it's worth every penny and effort to get into this show. Take the time to play the lottery. 'Nuf said.... Our first year-end list is President Obama's final Presidential Medal of Freedom recipients: Alphabetically, they are Kareem Abdul-Jabaar, Ellen DeGeneres, Robert DeNiro, Bill and Melinda Gates, Frank Gehry, Tom Hanks, Michael Jordan, Maya Lin, Lorne Michaels, Newton Minow, Robert Redford, Diana Ross, Vin Scully, Bruce Springsteen, and Cicely Tyson. A special note is made about Newt Minow, close friend of our producer and a Chicago native, who famously referred to television as a "vast wasteland". Audra McDonald's pregnancy was a surprise. But was it an accident, an illness or neither? We discuss the lawsuit brought by the producers of the marvelous Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed against Lloyds of London, claiming damages of more than $12 million. Ms. McDonald's absence from the show for maternity leave prompted not only the show's early closing, but earlier health issues forced her to miss some preview performances. Ms. McDonald, who has won six Tony awards, was the show's biggest star. Lloyd's has denied the claims, arguing that the pregnancy "and the associated medical conditions were neither an 'accident' nor an 'illness'," criteria cited in the original $14 million insurance policy. Stand by for more on this unprecedented story... Pray. Eat raw eggs. Stay single. Those are the keys to a long life, according to Emma Morano, the world's oldest person. Emma celebrated her 117th birthday this week, and is a national treasure in her native Italy, where her birthday celebration was broadcast on live state television. After the party, Morano took a well-deserved nap. God Bless, Emma. Our next list is of Golden Globe Award nominees, as Gary puts Roscoe in the hot seat for predicting the winners of the January 8 ceremony. His picks: Manchester By the Sea and La La Land for Best Motion Pictures; Denzel, Natalie Portman, Emma Stone and Ryan Gosling in the Best Acting categories. Continuing our movie musical theme, Gary tells about a new Marc Platt project based on the book "Everything's Coming Up Profits: The Golden Age of Industrial Musicals".The source book focuses on corporate musicals made by the hundreds from the 1950s to the early 1980s by companies like Coca-Cola, Westinghouse and Chevrolet.

Roscoe and Gary feel on the cusp of stardom and celebrity as they record Episode 48 in time for the holidays. Basking in the great feedback and listener response to our Charna Halpern interview on the last episode, the boys dream of Booth One seating at the great establishments of the world, particularly the Old Ebbett Grill in Washington, DC, where the shellfish is always fresh and the oysters are always briny and cold. We announce the winner of our Hamilton ticket raffle - that lucky someone who will accompany Gary and Roscoe to the Chicago production on Dec. 4. And the winner is......Fran Bernstein, long-time friend and fan of the show! Congratulations, Fran. We'll see you at the PrivateBank Theatre on the aisle! And don't forget we have the VIP Experience before curtain and at intermission. How Booth One of us.... Gary and Roscoe take a tour of the current Broadway season, noting that the aforementioned Hamilton grossed $3.3M last week, the most money ever made in a single week by a Broadway show. Natasha, Pierre and the Great Comet of 1812 also cleared the $1M mark (much to Roscoe's consternation), joining the ranks of The Lion King, Wicked and Aladdin. Another new Broadway show, Heisenberg, prompts Roscoe to share one of his great unpleasant theater-going experiences of all time. Hint: It involves a faulty hearing device and a Wednesday matinee crowd. And tickets for Sally Field in The Glass Menagerie appear to be selling briskly for a March opening. Lost footage of a filmed version of this play from the 1960's starring Shirley Booth of Hazel fame and Hal Holbrook will be aired on Turner Classic Movies during December. Gary went to the circus again. For the first time in 134 years without elephants. But it's still an experience not to be missed. Booth One tip: Sit as close as you can without being in the front row. It's worth it for the smell of the greasepaint and the roar of the crowd. As well as the snarling of the lions and tigers. Here's an image of Gary in his souvenir pachyderm hat! On a related note, Elephant Polo will now be disbanded in Nepal in the continuing and important efforts for elephant conservation and welfare. Though widely known for it's humane treatment of the animals since 1982, a spokesperson for the International Elephant Polo Championships said, "We've always been ahead of the game in the way we treat our elephants, but we prefer our elephants to remain as elephants, and elephant polo is hardly that." Live long and prosper, you great giants of the jungle. It's been a stellar season for great movies, but we rue the fact that many of the smaller films come and go so quickly in Chicago to make room for the holiday blockbusters. Some films we wish stayed around longer so we could see them are Moonlight, Loving, Birth of a Nation and Inferno. Roscoe mourns for Warren Beatty and his new film Rules Don't Apply, which received mixed notices but can only be seen at 10:00am at one theater in the city. And has per screen grosses in only the hundreds of dollars. Sad.

Gary and Roscoe record Episode 47 before a live audience at Steppenwolf's 1700 Theatre as part of the 1st Annual Chicago Podcast Festival. Special guest in the Booth Charna Halpern discusses the legendary iO Theater in Chicago, and her work over a 30-year career using improvisation to develop and discover future comedy stars. Her theaters have been a prime conduit of talented performers, writers, and directors for film and television. Graduates of the iO have appeared on Saturday Night Live, The Colbert Report, The Daily Show and Late Night with Conan O'Brien, among dozens of others. Mike Myers called Charna Halpern "The Uta Hagen of comedy." And the New York Times labeled her "The Hidden Architect of Modern Comedy." Alumni of the iO include Adam McKay, Tina Fey, Amy Poehler, Stephen Colbert, Chris Farley, Bill Hader, Seth Meyers, Jason Sudeikis and Vince Vaughn. Under Halpern's direction, the iO Theaters are producing the next generation of artistic geniuses. Charna shares her insight, experiences and advice to aspiring improv performers in a delightful 45 minutes. We promote Charna and Del Close's book Truth in Comedy - The Manual of Improvisation, widely considered to be the improv "bible" for those wishing to learn the techniques, games and structures of long-form improv and "Harold". And if you want to learn more from Charna, get her latest book Art by Committee, a guide to advanced improvisation that includes a DVD showing her principles in action. In a couple of digressions, Gary announces the giveaway of a Hamilton ticket for the lucky winner of a raffle, culled from those who sign up for our A-List at Booth-One.com before November 28. And Roscoe describes his recent New York trip to see Natasha, Pierre & the Great Comet of 1812 at the Imperial Theatre. Suffice it to say that audience participation does not figure highly in Roscoe's enjoyment of theatrical entertainment. Finally, Charna shares her love of animals, particularly her efforts to rescue and find foster homes for dogs. She explains why the ACC animals need homes the most.  For more information on adopting a pet from Animal Care & Control in Chicago, go to this site. She also tells us about the fascinating work she did in Africa with orphaned elephants through David Sheldrick's Wildlife Trust. And describes what it was like to take walks with a wily giraffe named Kiku. As you know, we love elephants on Booth One!  

Peabody and Emmy Award winner Jay Martel joins us in Booth One via Skype all the way from Hollywood! It's our first long-distance interview show and the technology involved has Gary and Roscoe a bit daunted, so we've brought in our audio guru John Lisiecki to run sound for us today. Great to have John back in the studio! Jay won an Emmy this year as Executive Producer on the brilliant sketch comedy show Key & Peele, now available in full episodes at Comedy Central. One of their recurring sketches became so iconic that Luther, Barack Obama's "Anger Translator" appeared with the president at the White House Correspondents' Dinner. Jay and producing partner Ian Roberts, a co-founder of the Upright Citizens Brigade, were the show runners (Jay tells us what that entails) for Key & Peele and are now show runners for the TV Land program Teachers - featuring the actresses who performed here in Chicago as the improv group, The Katydids. Jay is also a successful playwright, essayist (The New Yorker, Rolling Stone, etc.) and novelist. His first novel, Channel Blue, is about an intergalactic alien conglomerate called Galaxy Entertainment that for decades has used the Earth as the basis of a reality TV show for billions of planetary viewers. But the viewership has become bored with our "earthle" behavior and the producing corporation of Channel Blue decides to "cancel" Earth in a spectacular series-ending finale. Only one person can prevent this disaster - out-of-work screenwriter and manic depressive Perry Bunt. And this is just the first 40 pages!! A terrific read and a very funny book. We detour into a few animal stories and talk about Shirley and Jenny, 2 former circus elephants who have an emotional reunion after 22 years when they end up at The Elephant Sanctuary in Tennessee. Watch the touching video here. Next we discuss the 100-year-old giant tortoise Diego, who single-handedly saved his species from extinction by fathering 800 babies in the past 50 years on the Galapagos Island of Espanola. Conservationists credit Diego's success with the ladies to his handsome, grizzled appearance. You be the judge. Finally, an air passenger boarded a flight recently with her "emotional support animal" - a duck wearing red shoes and a Captain America diaper. Gary, Roscoe and Jay discuss the merits and ethical implications of the emotional support animal craze - real or ruse? Gary and Roscoe are treated to Booth One experiences by being invited into the limousines of Tony and Tina on the way to their "wedding". Roscoe gets the bridal party while Gary travels with the groomsmen as they head to the church on time. Afterwards, we attend the ceremony and reception right here in Chicago....