You're Wrong About

Mike tells Sarah how a false rape allegation became a right-wing rallying cry and a left-wing conspiracy theory. Digressions include JonBenet Ramsay, “24” and “The Vagina Monologues." Mike regrets not commenting on the metaphorical significance of being trapped in the closet throughout the episode. Continue reading →

Sarah tells Mike how a case of marital rape and spontaneous mutilation became a national punchline. Digressions include Ron Jeremy, Alan Dershowitz, Motörhead and the tortures of self-reflection. Sarah reviews John Wayne Bobbitt's later works.   Continue reading →

How inflated statistics, cultural anxieties and moral crusaders turned a tiny number of missing children into a decade-long political project. Digressions include 1870s parenting, “E.T.” and the lack of parks in Los Angeles. Both co-hosts secretly believe that the popularity of TV movies in the 1980s explains all of America’s social problems. Continue reading →

Razorblades in apples, babysitters on acid, killers in backseats and "rainbow parties": In this episode, Mike and Sarah investigate the scary stories Americans tell each other and discover the actual anxieties behind them. Turn on your high beams for this one.  Continue reading →

Sarah tells Mike how Ed Gein became one of America’s most famous serial killers despite not actually being one. Plus, the cinematic villains Gein inspired and what the slasher movies of the 1980s were really about. Digressions include Freud, summer camp logistics and the T-1000. Mike continues to awkwardly insert his teenage crushes into every conversation. Continue reading →

Mike tells Sarah how an over-simplified diagnosis, over-confident doctors and over-zealous prosecutors combined to get thousands of innocent parents thrown in prison. Digressions include food poisoning, Sherlock Holmes and 1950s medical ethics. Mike wanted to mention Louise Woodward but he forgot.  Continue reading →

Sarah tells Mike how pop culture created a two-decade-long obsession with multiple personality disorder and repressed memories. Digressions include Dead Poets Society, restless leg syndrome and the low editorial standards of the American publishing industry. The Satanic Panic makes a cameo appearance. Continue reading →

Mike tells Sarah that America has sent the wrong messages and done the wrong things about obesity for more than half a century. Digressions include height (again), sweatshops and Julianne Moore. Sarah and Mike’s mothers both make extended appearances.  Continue reading →

Special guest Rachel Monroe (re-)joins Mike and Sarah to talk about all the myths surrounding the second-biggest news event of the 1990s. Digressions include car crashes, September 11, Diane Sawyer and the terrors of teenage journaling.  Continue reading →

Mike tells Sarah why the biggest scandal of Reagan's presidency provides more (depressing) lessons about current politics than Watergate. Digressions include Mormons, Top Gun and the X-Files. Both co-hosts have considered what they will name their deliberately boring tax-shelter corporations. Continue reading →

Sarah tells Mike that shoddy policing (and Milwaukee generally) are responsible for one of America's most prolific serial killers. Digressions include panel vans, Anita Bryant, early man and Hannibal Lector. Mike struggles, as usual, not to cry during the gross parts. Continue reading →

Mike tells Sarah that the D.A.R.E. program did not, in fact, keep kids off drugs. But that’s just the beginning of the debunking. Digressions include Martin Scorsese, Iceland and control groups. Neither co-host was cool enough to be offered drugs in high school. Continue reading →

Sarah tells Mike that animal behavior is an imperfect template for human society. Digressions include rabbits, Bob’s Burgers and online dating. Mike makes an awkward observation about locker rooms. Continue reading →

Special guest Candace Opper tells Mike and Sarah about how the death of a rock star changed the field of suicidology (which is a thing). Digressions include eating disorders, car crashes and the insane grimness of the term “family annihilation.” The cringe-worthiness of Mike’s teenage years reaches new depths.  Continue reading →

Sarah tells Mike about how America's favorite gangster movie is really its favorite killing-the-American-Dream movie. Digressions include the Mona Lisa, Bruce Springsteen and the tyranny of height-ism. The sound quality continues to worsen.  Continue reading →