Cinemaholics

The Ice Road

False Positive

F9: The Fast Saga

Summer of 85

Hitman's Wife's Bodyguard

The Sparks Brothers

Luca

Censor

Holler

Wish Dragon

In the Heights

Bo Burnham: Inside

From Super LTD, All Light, Everywhere is the latest documentary from Theo Anthony. It uncovers the abstract challenges of objectivity, specifically when it comes to using body cameras for policing. The film premiered at this past year's Sundance Film Festival, where it won the U.S. Documentary Special Jury Award for Nonfiction Experimentation.

No one made us review The Conjuring: The Devil Made Me Do It, the third entry in the main horror series of Conjuring films and eighth overall film in the “Conjuring Universe.” This time directed by Michael Chaves (The Curse of La Llorona), the supernatural film once again stars Patrick Wilson and Vera Farmiga as Ed and Lorraine Warren, the paranormal investigative duo tasked with solving a spooky conspiracy involving demonic possession, a murder trial, and even an evil cult. Also in this week’s show, we briefly discuss “Mare of Easttown” spoiler-free and review All Light, Everywhere, a new documentary from Theo Anthony about the abstract challenges of using body cameras to hold police officers accountable.

Celebrating 55 years since its release in 1966, Au Hasard Balthazar is considered by many to be one of the greatest films of all time, and yes, we’ve been long overdue to tackle a film from the one and only Robert Bresson, whose work has influenced filmmakers of all stripes for over half a century. The film stars Anne Wiazemsky a young French woman who develops a striking bond with a donkey she’s known since its birth, and we see a chronicling of her hardships as they parallel the inhumane treatment of Balthazar, a creature representing innocence in its rawest form.