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This is Part 3 in a 3-Part Limited Series of conversations I'll be releasing between the legendary screenwriter James V. Hart, the writer of Hook, Contact, Bram Stroker's Dracula, and Tomb Raider and some of the top screenwriters in the game. Today on the show we have Bo Burnham, the director and screenwriter of Eighth Grade. It is a RAW and HONEST look at growing up as a young person today. The film was a run away hit and distributed by A24. Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school—the end of her thus far disastrous eighth grade year—before she begins high school. James and Bo discuss how he wrote and structured Eighth Grade, his life as a YouTuber/Stand Up comedian and much more. Enjoy this conversation between James V. Hart and Bo Burnham.

It's been a hell of a year so far. I've been blessed to have had the honor of speaking to some amazing filmmakers and man today's guest is high on that list. On the show we have writer/director Joe Carnahan. Joe directed his first-feature length film Blood, Guts, Bullets and Octane. which was screened at the 1998 Sundance Film Festival, and won some acclaim. In 2002, Joe directed the neo-noir crime film Narc starring Ray Liota and Jason Patric. The film caught the eye of the biggest movie star in the world Tom Cruise, who jumped on as an executive producer. His involvement helped propel the film and Joe's career. Narc went on to earn about 13 million dollars in the worldwide box office, and launch Joe's career. Narc: When the trail goes cold on a murder investigation of a policeman an undercover narcotics officer is lured back to the force to help solve the case. Tom Cruise asked Joe to write and direct Mission Impossible III. The dream slowly became a nightmare as Joe was run through the Hollywood machine at the highest level. He left the project soon after. As a response to his Hollywood experience he wrote and directed the high octane, insane masterpiece that is Smokin' Aces, starring Ben Affleck, Ryan Reynolds, Ray Liotta, Andy Garcia, Chris Pine, Common, Jason Bateman, Wayne Newton. The film is about a Las Vegas performer-turned-snitch named Buddy Israel who decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing. In 2010, Carnahan directed the action thriller The A-Team, a film adaptation of the hit television series from the 8os. It was a worldwide box office hit, becoming Joe's highest-grossing film. THE A-TEAM follows the exciting and daring exploits of Hannibal Smith and his colorful team of former Special Forces soldiers who were set up for a crime they did not commit. Going rogue, they utilize their unique talents and eccentricities to try and clear their names and find the true culprit. Liam Neeson (Taken), Bradley Cooper (The Hangover), mixed martial arts champ Quinton Rampage Jackson, and District 9 sensation Sharlto Copley, are The A—Team. (read less) THE A-TEAM follows the exciting and daring exploits of Hannibal Smith and his colorful team of former Special Forces soldiers who were set up for a crime they did not commit. Joe and I had a ball discussing his early career, working in and outside the studio machine, superhero films, meeting Hollyweird dirt bags, writing for other directors, the Colombian government and much, much more. Getting ready to take an adrenaline-fueled ride with Joe Carnahan.

Today on the show we have two filmmakers that shot a sci-fi feature film with a $600 camera, three lights, no-budget, no stars and a dream. Amazingly they were still able to get worldwide distribution. The film is called COSMOS and the filmmakers are brothers Elliot Weaver & Zander Weaver. COSMOS is a no-budget sci-fi feature film directed and self-produced by brothers Elliot Weaver & Zander Weaver, taking on all key crew roles throughout production, with the exception of writing the score. The film is a contemporary sci-fi mystery following three amateur astronomers who accidentally intercept what they believe is a signal from an alien civilization. Realising they may have just stumbled across Mankind’s greatest discovery, they must race to document their finding, prove its authenticity and share it with the world before it is lost forever. But the truth they uncover is even more incredible than any of them could have imagined. Inspired by Amblin-era adventure, set over one night and against the backdrop of a World changing discovery, COSMOS offers spectacle and thrills but reminds us success is nothing without people to share it with. You can see the insanity that they went through to make this film. They started pre-production in 2013 and production in 2015. They shot it on my favorite camera the Blackmagic Pocket Cinema Camera 1080p, the same camera I shot my indie feature On the Corner of Ego and Desire with. Their soundstage was built in their garage where they would build up and breakdown the set every night. The film took 5 years to complete. The pure insanity of these filmmakers is awe inspiring. The brothers and I discuss what it took to make COSMOS, the tech they used, how they keep the actors for years and so much more. Enjoy my inspiring conversation with Elliot and Zander Weaver.

In Season 2 we will be deconstructing the work and career of film director David Fincher on The Directors Series Podcast hosted by Cameron Beyl. Proud Member of the IFH Podcast Network http://www.ifhpodcastnetwork.com

So many times we hear those mythical stories of a filmmaker who makes a short film and uploads it to Youtube in hopes of a big time film producer sees to and comes down from Mount Hollywood and offers him or her a deal to turn that short into a studio feature. Today's guest had that happen to him and then some. On the show is writer/director David F. Sandberg. David's story is the "lottery ticket" moment I speak about so often on the show. His journey in Hollywood is remarkable, inspiring and scary all at the same time.  He created a short film called Lights Out. That short was seen by famed filmmaker and producer James Wan (Furious 7, Aquaman, The Conjuring) who offered to produce a feature film version at New Line Cinema. The feature version of the film was made for $5 million and grossed $150 million at the box office. Here's what the film is about. When Rebecca left home, she thought she left her childhood fears behind. Growing up, she was never really sure of what was and wasn’t real when the lights went out…and now her little brother, Martin, is experiencing the same unexplained and terrifying events that had once tested her sanity and threatened her safety. A frightening entity with a mysterious attachment to their mother, Sophie, has reemerged. But this time, as Rebecca gets closer to unlocking the truth, there is no denying that all their lives are in danger…once the lights go out. The film stars Teresa Palmer (“Triple 9”) as Rebecca; Gabriel Bateman (“Annabelle”) as Martin; Billy Burke (the “Twilight” franchise) as Martin’s father, Paul; Alexander DiPersia (“Forever”) as Rebecca’s boyfriend, Bret; and Maria Bello (“Prisoners”) as Sophie. After the success of Lights Out he tackled the horror prequel Annabelle Creation. That film went on to make over $300 million at the box-office with a $15 million budget. Several years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into their home, soon becoming the target of the dollmaker’s possessed creation, Annabelle. The studio Gods were pleased with David because he was offered New Line Cinema’s Shazam!, the origin story that stars Zachary Levi (TV’s “Chuck”) as the titular DC Super Hero, along with Asher Angel (TV’s “Andi Mack”) as Billy Batson, and Mark Strong (the “Kingsman” movies) in the role of Super-Villain Dr. Thaddeus Sivana. Shazam! was a box office smash. David and I discuss his days making short films, which he still makes on the side, working in the studio system, his filmmaking philosophy, how he could afford a place to stay in Los Angeles while he was in pre-production on Lights Out and what it takes to make it as a filmmaker in today's world. Enjoy my conversation with David F. Sandberg.

Today on the show we have a filmmaker that was able to crack the Amazon code and actually make money self-distributing his low-budget film on the platform. His name is Ismael Gomez. Ismael Gomez is a Cuban-American filmmaker. In 2009, he received an Artist Fellowship grant to pursue his B.A in Film Production. After completing his studies, he began to work as lead editor on several motion pictures and commercials for theatrical and TV release. Some of his projects have screened at Cannes, Starz Denver, Tribeca, and Miami International film festivals. His film is Death of a Fool.  A teenager and his dying grandfather conduct afterlife investigations in Miami when a mysterious man hires them to find the secret to immortality. Ismael was able to generate close to $75,000 in rentals and sales on Amazon using about $9000 in Facebook Ads. In this conversation, I dig in deep on how he did this, his techniques, and how he used the Filmtrepreneur Method to create additional revenue outside of TVOD. Enjoy my conversation with Ismael Gomez. 

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling. Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)

Today on the show we have commercial filmmaking guru and all-around nice guy Jordan Brady. Jordan Brady began as a stand-up comedian touring nightclubs and colleges across America. A 100% self-taught filmmaker, he’s directed four narrative feature films, three full documentaries and over 1200 national & regional commercials and Maria Bamford’s acclaimed Netflix Comedy Special. Click for more about my feature films. Jordan directs advertising campaigns for brands and agencies from all over the world. Given his background, it’s no surprise he has directed comedy giants as Will Ferrell, Kevin Hart, Keegan-Michael Key, Rory Scovel and more. Other notable celebrities include international star Arnold Schwarzenegger and country music legend Brad Paisley, campaigns starring actress Kathryn Hahn for Chrysler and Lamorne Morris for Buick. Equally as nimble with visual effects, he’s shot over 50 sleight-of-hand magic trick spots for Toyota Saatchi Los Angeles that effortless combine in-camera and digital trickery. Notable advertising awards include multiple Clios, National Gold, ADDY’s, Gold Promax Award, One Show, D Show, Pencil, AICP Awards, and more. Mr. Brady’s work is routinely spotlighted on AdWeek, Ads of The World and Agency Spy. In 2016, Jordan completed his passion project; a feature documentary trilogy on what its takes to be a stand-up comedian. “I AM COMIC” stars Louis CK (pre-pervert) Sarah Silverman, Leslie Jones and more. 2014’s aptly titled “I AM ROAD COMIC” stars Pete Holmes and Marc Maron. The most gripping film of his career is “I AM BATTLE COMIC”. Filming took Brady to Afghanistan, Kuwait and undisclosed parts of the Middle East where he performed stand-up comedy for our troops stationed there. In his spare time, Mr. Brady hosts the popular weekly filmmaking podcast RESPECT THE PROCESS, described as “The Rosetta Stone of filmmaking” and teaches Commercial Directing Bootcamp. Enjoy my conversation with Jordan Brady.

We have all heard stories of difficult and even dangerous film shoots before but today's story tops them all. In today's episode we welcome filmmaker Jon Egustafsson. This filmmaker was in the belly of the beast as they say. His documentary Wrath of Gods documents one of the most dangerous and difficult film shoots in modern film history. When Canadian director Sturla Gunnarsson and his cast and crew, including Gerard Butler and Stellan Skarsgård, set upon Iceland to film Beowulf & Grendel in 2004, they expected the usual complications involved in making a major motion picture. What they encountered was a ruthless Icelandic winter on a foreboding landscape, financing complications and a bizarre run of bad luck that led some of them to believe they were in an epic battle with the Norse gods themselves. Filmmaker Jon Gustafsson was along for the ride. Hired to play one of Beowulf’s warriors, he’s one set with his camera as the crew battles hurricane force winds and he’s in the backroom as the producers scramble to shore up a collapsing deal, creating an intimate portrait of filmmakers fighting the odds in pursuit of a vision. I'm also honor to announce that you can watch Wrath of Gods on Indie Film Hustle TV. Plus you'll get exclusive bonus materials not available anywhere else. If you liked Lost in la Mancha or Burden of Dreams you will probably like this one. Enjoy my conversation with Jon Egustafsson.

This is Part 2 in a 3-Part Limited Series of conversations I'll be releasing between the legendary screenwriter James V. Hart, the writer of Hook, Contact, Bram Stroker's Dracula, and Tomb Raider just to name a few, and some of the top screenwriters in the game. Today on the show we have Damien Chazelle, the Oscar® Winning director and screenwriter of La La Land. He bursted on the scene with his debut film Whiplash. The film is about a young musician (Teller) struggles to become a top jazz drummer under the tutelage of a ruthless band conductor (Simmons). La La Land tells the story of Mia [Emma Stone], an aspiring actress, and Sebastian [Ryan Gosling], a dedicated jazz musician, who are struggling to make ends meet in a city known for crushing hopes and breaking hearts. Set in modern day Los Angeles, this original musical about everyday life explores the joy and pain of pursuing your dreams. James and Damien discuss how he wrote and structured La La Land and much more. Enjoy this rare conversation between James V. Hart and Damien Chazelle.

In Season 2 we will be deconstructing the work and career of film director David Fincher on The Directors Series Podcast hosted by Cameron Beyl. Proud Member of the IFH Podcast Network http://www.ifhpodcastnetwork.com

I believe that most indie filmmakers have a dream of making a feature film, getting accepted to the Sundance Film Festival, and that film would be fought over in a massive bidding war that generates millions of dollars for the filmmakers. I've called this dream the lottery ticket mentally. I always say that someone wins wins the lottery every week somewhere. Well today's guest is that lottery ticket winner. Today on the show we have writer/director Max Barbakow, the filmmaker behind the largest sale at Sundance in history. His film Palm Springs sold for a record-breaking $17.5 million and .69¢. Those last cents is what broke the record. The film stars Andy Samberg, Cristin Milioti, and J.K. Simmons and was acquired by NEON and Hulu at the festival. When carefree Nyles and reluctant maid of honor Sarah have a chance encounter at a Palm Springs wedding, things get complicated when they find themselves unable to escape the venue, themselves, or each other. I've always wanted to know what it was like to be a fly on the wall durning a bidding war at Sundance. In today's episode I take you through the improbable journey of this first-time feature filmmaker and his adventures of getting his film Palms Springs from the page to the Sundance record books. Enjoy my conversation with Max Barbakow.

Today on the show we have producer Bradley Gallo. His production company, Amasia Entertainment, behind the upcoming Wild Mountain Thyme, starring Emily Blunt, Christopher Walken, Jon Hamm, and Jamie Dornan. His 2019’s Official Sundance Selection Them That Follow, starring Olivia Coleman, Jim Gaffigan, Walton Goggins, Kaitlyn Dever, Lewis Pullman, Alice Englert, and Thomas Mann is now on Showtime. Amasia has also recently acquired the rights to the Green Hornet franchise.Bradley's other credits include Mr. Right with Anna Kendrick and Sam Rockwell (available on Netflix); The Call with Halle Berry; and Careful What You Wish For with Nick Jonas and Dermot Mulroney. Bradley and I discuss the ever-changing film marketplace, how he is positioning his new project to adapt to the new rules of the game and much more. Enjoy my conversation with Bradley Gallo.

Today on the show we have returning champion Linda Nelson from Indie Rights. Linda and her partner Michael Madison have been a shinning light for filmmakers in the dark world of film distribution. With the distribution landscape changing almost weekly, I wanted to bring Linda on to shed some light on the ever shifting marketplace. Nelson Madison Films/Indie Rights was founded by Michael Madison and Linda Nelson because they believed that the future was bright for independent artists and that there was a better way to produce and distribute movies.  They have been in business since 2000, when they produced their first film, NSYNC BIGGER THAN LIVE a Giant Screen Movie that played to sold-out crowds worldwide. Known for innovation.  SHIFTED, their first digital feature,  was the first movie on Amazon’s UnBox (the predecessor of Amazon Video)  and was used by Amazon to promote their platform for over five years. Partnerships were forged early on with the leading digital platforms including Amazon, Google, Cinedigm, MGo and Adrise, and these partnerships ensure that Indie Rights can offer the very best audience opportunities for their own films, as well as the more than 300 other filmmakers they work with. We discuss the realities of film distribution, what filmmakers need to know, and what is selling today. We also throw a cold-bucket of water on filmmaker so they can snap out of delusion and better position themselves for success. Enjoy my eye-opening conversation with Linda Nelson.

Today on the show we have award-winning screenwriter, actor, director, producer, sketch comedian Rick Najera. Rick is also an author, playwright, coach and national speaker with an expansive portfolio of credits in all forms of entertainment. From starring in films with Sidney Poitier, George Clooney and most recently Mario Lopez, to writing sketch comedy for Jim Carrey and Jamie Foxx, Najera is best known for starring on Broadway in his award-winning, self-penned stageplay, Latinologues, directed by comedy legend Cheech Marin. Najera is only one of three Latinos to ever write and star in their own play on Broadway. As a screenwriter, Najera has written dozens of scripts for TV, film and the stage, starting out in the industry as a staff writer on the groundbreaking urban comedy series, In Living Color, for which he wrote more than 30 episodes. Najera went on to write for Townsend TV (10 episodes), MAD TV (47 episodes), East Los High – a Hulu original (21 episodes) and more. He penned the feature film Nothing Like the Holidays starring Debra Messing, Alfred Molina, John Leguizamo and Luis Guzman, which won him an ALMA Award. Najera learned from great writers like Spike Lee, Quentin Tarantino and Scorsese to “write what you know’ and has been a pioneer in Hollywood telling his American experience, from a Latino perspective. Rick and I discuss the raw truth about working in Hollywood, writing comedy, working with greats like Jim Carrey and Jamie Foxx and much more. This is a entertaining and informative episode. Get ready to take notes. Enjoy my conversation with Rick Najera.