Imaginary Worlds

A few years ago, I reported a story about a safe house program for vampires in New Haven, CT. The city supplied the vampires with blood if they agreed to live under police supervision. But the funding for the program got cut and the vampires were sent to live with relatives or descendants. I revisit Trudy Manetti, who is under the care of her old childhood friend Frances O'Connor as they take stock of their past, present and future together. (This is a radio drama featuring actors Jean Richards, Nicole Greevy and Dan Truman.) 

Ed Skoudis built a different kind of imaginary world. It's a three-dimensional model of a town that the military uses for cyber war games. Ed's team plays the role of the terrorists who keep trying to hijack a train or contaminate the water supply, while cyber warriors stationed at bases around the world try to stop them. But at some point, CyberCity became more than just a project for Ed. He fell in love with this town -- its simulated people and their Truman Show existence. 

Game of Thrones is huge in every way. Why does this medieval fantasy with knights and castles speak to our time? Politics. There are a surprising number of international relations experts that see parallels between the the jockeying for power in Westeros and our post-Cold War landscape. I talk with Dan Drezner from the Fletcher School of Law and Diplomacy and Tim Westmyer from The Rising Powers Initiative about how Daenerys Targaryen wields her trio of dragons like a nuclear triad, and why King Joffrey was like Kim Jong Un. 

Zombies. I hate them the way Indiana Jones hates snakes. I know it's a ridiculous phobia -- they're not real, and zombies are a classic genre full of rich ideas. So I decide to undergo zombie immersion therapy. My friend Patrick O' Connor forces me to watch The Walking Dead. And I talk with psychiatrist Steven Schlozman, author of "The Zombie Autopsies: Secret Notesboks from the Apocaplypse."

Science fiction writer James Tiptree Jr. wouldn't talk on the phone or appear in person. He developed friendships with contemporaries like Ursula le Guin and Philip K. Dick purely through letters. And he became a mentor to Chelsea Quinn Yarbro when she was an up-in-coming writer. But James Tiptree Jr. didn't really exist. He was the pen name of a 60-year old suburban housewife named Alice Sheldon. Biogrpaher Julie Philips says Sheldon's real life story was even more surreal than her alter ego. With readings by Erik Bergmann. 

A French philosopher is certain his ideas will help human beings evolve -- not just emotionally or psychologically. We will start to grow tails. And that inspires his disciples to start a socialist commune in the Wild West of 1850s Texas. Were utopians the first science fiction thinkers? Featuring Julia Barton and Eric Rabkin. 

They say you shouldn't meet your heroes because you might be disappointed.  What happens when you're told from now on you are your childhood hero? For many people that would be a metaphor but that actually happened to Scott Snyder when DC Comics assigned him to write Batman. It was hard to avoid emulating the other versions of Batman he loved, so he decided to pretend that he made up the character by himself. Scott's fears and anxieties became Bruce Wayne's.

The desirable robot has been a trope in science fiction for almost a century. American University professor Despina Kakoudaki (author of "Anatomy of a Robot") says watching actors play robots is a wish fulfillment -- imagining what it would be like to not feel emotions or deal with the messiness of the human body. I also talk with playwrights Mariah MacCarthy and Leah Nanako Winkler about their off-Broadway festival, "Sex with Robots," which explores the dark desires behind an impossible fantasy. 

"The Golem and The Jinni" by Helene Wecker is one of my favorite novels in recent years. It's about two mythological characters meeting in late 19th century New York -- one from Arab culture and the other from Jewish folklore. The inspiration for the book came from real life. She's Jewish and her husband is Arab-American.

In April 2007, I interviewed Joss Whedon for a public radio story about how he was continuing Buffy The Vampire Slayer as a comic book. I only got to use a few sound bytes for that piece, but I always liked the interview itself, which has been sitting on my desktop until now.  

Kids may be aging out of action figures earlier than ever, but action figure collectables for adults is booming. I visit two of the leading toy shops, NECA and Sideshow Collectables, and I talk with psychologist David Shim, who has an impressive man cave of vintage heroes and villains.

Peter Pan is never supposed to grow up, but Illinois State University professor Karen Coats says the character has grown over time from a Victorian symbol of immaturity to a celebration of the inner-child. Either way, Captain Hook got a raw deal. He told me so himself over the phone. Featuring voice actor Erik Bergmann as a drunk-dialing Captain Hook, and actress Lily Dorment reading from the J.M. Barrie book.

What exactly is the role of the love interest in a superhero story? Is she just the emotional stakes for the hero? Can she ever be anything more? I talk with screenwriting guru Pilar Alessandra, and screenwriters Craig Fernandez and Carr D'Angelo. It turns out even male fans get frustrated when their favorite heroes can tackle villains head on but flee romantic relationships.  

Salem is like something out of a Grimm fairy tale for many people -- it’s not a real place. But Salem always felt visceral to me growing up in Massachusetts. I love the ancient graveyards and the colonial houses flush up against the sidewalks. Historian Mary Beth Norton says to truly understand what happened, we have to delve into the imaginary world the Puritans believed in – where witches and Indians were both agents of the devil conspiring against them. 

The Wonderful Wizard of Oz started as a perfect partnership between writer L. Frank Baum and illustrator W. W. Denslow. But they became bitter rivals, with each owning half the copyright to the 1900 book. Baum put his nose to the grindstone trying to build a franchise while Denslow took a more colorful and ultimately self-destructive path. I talk with Michael Patrick Hearn, who wrote biographies of both men.