Imaginary Worlds

This week, I team up with Helen Zaltzman of The Allusionist podcast to help me figure out why one set of poorly understood pseudo-scientific terms can sink a scene, while another set of pseudo-scientific phrases can sell a sci-fi concept. We'll hear from physicist Katie Mack -- who hates technobabble -- and Jennifer Ouellette who plays matchmaker between scientists and Hollywood directors that want to sell their mumbo jumbo with real science. And "Timescape" author Gregory Benford tells the story of tachyons, and how an obscure theoretical particle became a technobabble meme. 

This week, I'm playing one of my favorite episodes of the podcast 99% Invisible where host Roman Mars and producer Sam Greenspan look at control panels in science fiction -- the clunky, the elegant, and the just plain baffling. But those user interfaces have one thing in common: they're mostly blue. Chris Noessel and Nathan Shedroff also discuss the real-world lessons that designers should take from science fiction, and they come up with an intriguing theory as to why some of the most risible sci-fi user interfaces may not be so absurd. http://99percentinvisible.org/episode/future-screens-are-mostly-blue/

If the previous episode was all about villains, this one looks at the other side of that equation. In 2014 I interviewed the writer Scott Snyder whose run on Batman comics is considered one of the best in long history of the Dark Knight. It was a difficult interview to pare down, and a lot of good material ended up on the proverbial cutting room floor. So this week, I'm playing a fuller version of that conversation, which has always been one of my favorites. I was interested in Scott's approach to Batman because it's so personal to him -- not just as a longtime fan that finally got his dream job but in the way he infuses Bruce Wayne with his own hopes and fears. 

They've tried to take over the world. They've tried to take away our free will. They've gone after ancient artifacts with vaguely defined magical properties. But they almost always fail. The evil plan has become a meta-joke to the point where even the villains themselves can't help but comment on all the tropes. Yet we keep watching movies and TV shows to see more evil plans hatched.. Honest Trailers head writer Spencer Gilbert and Vulture.com writer Abraham Riesman talk about why super villains shouldn't try so hard to be evil geniuses, and how the best evil plans make us wonder if we'd do the same thing in the villain's situation.   

Frank Herbert's 1965 novel Dune and its sequels tackled a lot of big themes. The books are about ecology. They're about journeys of self-realization through mind-altering substances. But religion is at the core of the series, since the main character Paul Atreides transforms from a teenage aristocrat into a messianic revolutionary leader of a nomadic desert tribe. And the real world religion that Frank Herbert borrows from the most is Islam. Khalid Baheyeldin, Salman Sayyid, and Sami Shah discuss why the book resonated deeply with them, despite the fact that Frank Herbert wasn't Muslim. And Liel Liebowitz explains why the novel even spoke to him as an Israeli.

EVE Online is a massive multi-player online role playing game, which means it's a game where there are no rules -- just a galaxy where you build space ships, form alliances and go to war. The Icelandic company CCP that created the game even attracted players with the motto: "Build Your Dreams. Wreck Theirs." And the war stories of EVE players are remarkable, like the Bloodbath of B-R5RB, where over $350,000 worth of digital spaceships were destroyed in a single day. So why do half a million people invest so much time and money into EVE, to the point where they're living a double life in a virtual galaxy?Also highly recommended reading -- Andrew Groen's book "Empires of Eve" -- which was about how the early wars in EVE were just as much a battle over what kind of game it's supposed to be. 

We were promised flying cars but we got Twitter instead. That's the common complaint against science fiction writers and the visions of the future they presented us in the 20th century. But many sci-fi authors did envision something like the Internet and social media -- and we might be able to learn something about our time from the people who tried to imagine it. Cory Doctorow, Ada Palmer, Jo Walton and Arizona State University professor Ed Finn look at the cyberpunks and their predecessors, and artist Paul St. George talks about why he's fascinated by a Skype-like machine from the Victorian era. Featuring readings by Erik Bergmann.

There's been a recent resurgence of radio dramas or audio dramas over the past 5 years. I've done a few myself on Imaginary Worlds. So I was very flattered (and a little intimidated) when the highly regarded audio drama podcast The Truth asked me to write something for them. I worked with the group for months on a story about an animation voice actress whose cartoon alter ego has a mind of his own. We'll hear the final piece, and a conversation with The Truth's founder, Jonathan Mitchell. 

Most people think of Twin Peaks as a place in their imaginations or on TV. But the show caused an identity crisis for the folks living in the towns where Twin Peaks was filmed. Kyle Twede, who owns Twede's Cafe which was a major location on the show, has to walk the line between being a real place and an imaginary one that caters to tourists. Dana Hubanks thinks David Lynch did capture something authentically dark about her hometown. And Cristie Coffing says whether the show captured the area is less important than the fact that it brought in a steady influx of tourists. But none of them were as disturbed by the show as Harry "Buzz" Teter. Not only did his hometown of Twin Peaks, CA resemble its TV counterpart -- but his late girlfriend shared many similarities with Laura Palmer, including her tragic fate.

Lisa Hanawalt had finally established herself as a freelance illustrator when her friend Raphael Bob-Wakesburg asked to borrow one of her drawings to pitch his animated series Bojack Horseman, which eventually ended up on Netflix. To Lisa's surprise, she eventually found herself in Los Angeles, overseeing a crew of dozens of artists as they tried to build a consistent world around her drawings of animal people -- which in some ways weren't that different from the stuff she used to draw as a kid. 

Steven Sheil grew up in the era of "video nasties" -- a pushback by conservatives in the UK to ban Hollywood slasher films before they could corrupt the youth. The effort backfired and made contraband films like The Evil Dead into hot commodities for impressionable youth like Steven. He grew up to become a horror filmmaker, but he never imagined the genre would help him deal with personal loss. Across the pond, Aaron Orbey wrote in The New Yorker about having a similar experience. Except in Aaron's case, he needed horror to remember a tragedy he was too young to fully experience. 

Imagine you're a New Yorker in the mid 22nd century. You have to deal with all sorts of headaches like traffic jams on the East River or brownstones collapsing into the canals. People think you're crazy to live in this Super Venice, but you wouldn't want to be anywhere else. That's the world Kim Stanley Robinson imagines in his latest novel New York 2140. It's a hopeful vision of a future where people are doing their best to live normal lives while climate change radically alters everything around them. 

Comrades! The USSR pioneered the craft of science fiction long before the decadent West. This is not an opinion - this is a scientific fact. Noted intellectuals Anindita Banerjee, Sibelan Forrester, Asif Siddiqi, Gregory Afinogenov and the author's father Steven Molinsky discuss how the glorious Soviet people brought the Revolution to Mars, and used science fiction such as Aelita and Solaris to explore existential questions. Lenin lived, Lenin lives, Lenin will live forever in outer space!

Imaginary Worlds goes live in this special presentation from the work x work on air festival. In celebration of Will Eisner's centennial, authors Paul Levitz and Bob Andelman, along with comics publisher Denis Kitchen and MAD Magazine's Al Jaffee discuss at how Eisner redefined comics as an art form, and became the "father of the graphic novel." Then comics historian and author Danny Fingeroth, editor Joan Hilty, and artist Dean Haspiel explore Eisner's legacy today in a live panel discussion.http://willeisnerweek.com/

Cosplay has gotten huge in the age of social media, but when websites feature their ComicCon slides shows, they often don't reflect the true diversity of the fans. So black Cosplayers created their own hashtag #28DaysofBlackCosplay (although it was #29DaysofBlackCosplay on the leap year.) Harry and Gina Crosland of Pop Culture Uncovered talk about why they like putting an original spins on classic characters. Cosplayers Suqi and Brittnay N. Williams of the site Black Nerd Problems talk about finding their community, and having to call out Cosplayers who don't understand why blackface shouldn't be part of any costume. Special thanks to Monica Hunasikatti.blacknerdproblems.com popcultureuncovered.cominstagram.com/BrittanyActs instagram.com/mssuqiyomifacebook.com/BishopCosplay