Filmmakers Podcast

The American Cinema Editors (ACE) is proud to bring you the 14th annual Invisible Art/Visible Artists event. The 2014 Oscar Nominated editors discussed the art of editing from the Egyptian Theater in LA. This interview features Alan Baumgarten, Jay Cassidy, and Crispin Struthers at the 14th annual Invisible Art/ Visible Artists event. All three Editors contributed to the Oscar-nominated film American Hustle (2013). The film follows a con man and his female partner along with an FBI agent played by Bradley Cooper. The con couple, played by Christian Bale and Amy Adams, are forced to dive into a world that features white-collar crime and the New Jersey mafia. Jump into this interview to see how the these Editors worked cohesively to create this dramatic piece.

27 years ago Drugstore Cowboy (1989) was released, a film featuring a group of drug addicts who rob drug stores to finance their habit. Director Gus Van Sant sat down with the Modern School of Film to revisit his process of making the film. From finding the unpublished manuscript to choosing the film format, Gus gives us a peek into his style of filmmaking. Gus was also the director for Good Will Hunting (1997), Milk (2008) and Elephant (2003). Tune in to learn more about Gus Van Sant’s directing style.

This group of interviews features Sound Editors Bobbi Banks, Greg Orloff and Glenn T. Morgan. These individuals give us a snap shot into what they do behind the scenes to create the finalized pieces we see on the screen. From recording new dialogue, sound effects, or adjusting levels, these sound editors collaborate with filmmakers to elevate the movie watching experience.

Darla Marasco talks about the thousands of hours of footage that go into each show and how Reality TV is here to stay. Darla has worked on Ice Road Truckers, Deadliest Catch, Ax Men and more.

Listen as Tatiana S. Riegel, editor of Disney's Million Dollar Arm (2014), discusses the editing process for this inspirational film. She says her editing technique on this film was dependent on pacing for emotion, holding back information from the audience and creating unique pitching montages throughout the film.

This interview delves into Tatiana S. Riegel’s editing work on Lars & the Real Girl (2007), The Way Back (2010), and Million Dollar Arm (2014). All three films are emotionally and poetically pieced together. Riegel discusses how she uses her personal insight while keeping audience perception in mind when working on a project. Tune into her interview to find out more about her established works and her editing process.

Join William Hoy and Stan Salfas as they discuss their editing work on Dawn of the Planet of the Apes (2014). The sci-fi drama illustrates a world run by genetically evolved apes, whose dominance is threatened by the humans. The two groups fight for dominance in this action packed film. Hoy and Salfas discuss the technical aspects of editing for a major motion picture, including working with visual effects, story construction, and character building. Follow these Editors as they detail how they brought Dawn of the Planet of the Apes to life.

At this special event, Editor Richard Marks talks about his experience of getting into the film business, making the transition from Hollywood and New York, and working on films like the acclaimed Apocalypse Now. The 1979 film is set during the Vietnam War. Main character, Captain Willard, is sent on a risky mission into Cambodia to kill a renegade colonel. Check out this interview to see how long-time Hollywood Editor, Richard Marks rose to his success.

Fred Savage, actor, director and producer of televisions, interviews the 2014 Emmy nominated Editors as they discuss their art and how it's shaping the best of television. The panelists are: Chris McCaleb- Breaking Bad Shannon Mitchell, ACE- Orange is the New Black Jason Bielski- Jimmy Kimmel Live Skip MacDonald- Fargo Kent Beyda, ACE- Billy Crystal: 700 Sundays John Duffy, ACE- COSMOS: A SpaceTime Odyssey Emily Hsuan- Naked and Afraid

Listen to the Editor of Interstellar, Lee Smith, discuss his process in editing this epic space journey. Interstellar, staring Matthew McConaughey, features a team of space explorers who travel through a wormhole in space in an effort to save humanity. Interstellar is a complex piece. Lee Smith talks about the arduous task of working on the stories pace, captivating audiences with sequencing and building character relationships. Watch this interview to see how Lee Smith brought Interstellar to life.

Listen to the Editors of Birdman, Stephen Mirrione and Douglas Crise, as they talk about their experience with award winning Director Alejandro González Iñárritu. Birdman follows a washed up actor, played by Micheal Keaton, working on his latest Broadway play. The film has no apparent cuts, therefore many edits happened before production even started. Iñárritu’s vision produces an emotional piece that is strikingly shot. Listen as Stephen Mirrione and Douglas Crise discuss their editing process in the acclaimed film Birdman.

This interview features Oscar-nominated Editor Sandra Adair at the 15th annual Invisible Art/Visible Artists event. Adair’s acclaim comes from her work in Boyhood. Boyhood took 12 years to film and explores the minutia of time and life of a family. Adair discusses how she went about editing the 12-year project and how she styled the piece into a cohesive story. Watch Sandra Adair’s interview to learn more about her work in Boyhood. Sandra is also known for her work on School of Rock (2003) and Before Sunset (2004).

This interview features Oscar-nominated Editors Joel Cox and Gary Roach at the 15th annual Invisible Art/ Visible Artists event. Cox and Roach have spent the majority of their careers working together, both in a mentor/mentee capacity and as partners. At this event both men explore how they brought Bradley Cooper’s performance in American Sniper to life. Joel and Gary have also worked together on Gran Torino (2008) and Million Dollar Baby (2004).

This interview features Oscar-nominated Editor Barney Pilling at the 15th annual Invisible Art/Visible Artists event. Barney’s latest work is the acclaimed film The Grand Budapest Hotel, directed by Wes Anderson. He discusses working with Anderson and the unique editing techniques employed like stop animation and editing with the music score. Anderson’s collaborative vision allowed his teammates, such as Barney Pilling, to make the fantastical product of The Grand Budapest Hotel. Barney is also known for his work on An Education (2009) and Never Let Me Go (2010).

This interview features Oscar-winning Editor Tom Cross at the 15th annual Invisible Art/Visible Artists event. He discusses how he fell into editing films and documentaries in New York. He also mentions his eventual move to Los Angeles and how it lead to significant contributions to the acclaimed feature Whip Lash. Tom Cross discusses his work on Whip Lash and the path he took to establish his career. Tom Cross is also known for his work on Two Lovers (2008) and Crazy Heart (2009)