Filmmakers Podcast

In this webinar, along with showing you the good stuff of DSLRs, Peter Cote will identify the limitations of DSLRs as a filmmaking tool and how to work around them to make your project look and feel like it was produced by Hollywood.

We'll learn some simple and complex color grading techniques inside Final Cut Pro X, using some built in effects and FxFactory plug-ins. We'll take ordinary footage, grade it and give it unique looks to wow your next client.

In this webinar presented by Kevin P. McAuliffe, you'll learn the fundamental differences between Avid Media Composer and Final Cut Pro, how to get organized, how to start editing in just 20 minutes and how to do titling and VFX.

This webinar will take a look at two different asset management functions: Pre-editing and post-production. Pre-editing management includes organizing your shots, adding valuable metadata, choosing good takes, and getting the clips to Final Cut Pro.

Learn how to bring Focus (literally) to your timeline editing, perform real-time slip and slide edits, and rearrange the interface, the keyboard, the windows, and most importantly, your own perception, so that working in Final Cut Pro is as comfortable and familiar as working on the Avid.

We'll look at some of the techniques and applications that we can use with Media 100 to create an efficient post-production workflow. We will focus on the exchange of data between Media 100, Adobe After Effects, Final Cut Pro and Apple Color.

You'll learn the most valuable and essential shortcuts, and how to tie them together into organized, logical workflows. Once you become familiar with the basic shortcuts, you’ll see how the FCP interface has been designed to optimize keyboard editing.

In this webinar we will take a look at working with RED Cam footage with the most widely used Non-Linear Editors – Avid Media Composer, Apple Final Cut Pro and Adobe Premiere Pro.

Presented by award winning IMAX cinematographer James Neihouse, you will learn the basics of 3D, beginning with the terminology then stepping though the process and methods of shooting in 3D.

This webinar will show you that it's not difficult to help yourself to get the maximum amount of artistic thinking time on any editing project. The key is to set up your editing interface and your project to the way that you work and the way that you need to work with others.

In this webinar you will learn some of the most current video compression settings and trends being used, then we’ll show you how to use them to target specific users and websites. This will enable content creators to take advantage of these settings to optimize video for delivery.

You'll learn to extend your NLE into a full-blown motion graphics & compositing engine using Boris Red as well as learn to motion track, match move, vector paint, and create custom transitions – all in just 90 minutes.

Many people have a preconceived notion as to what Apple's Motion is, and what it can do. This webinar will shatter those notions and expectations by showing you simple yet powerful techniques to help take your work to the next level.

In this webinar we will show you what to look out for when shooting during production, including lighting tips, picture profiles tips, etc. We'll also reveal an efficient post-production workflow in Final Cut Pro and Apple Color that enables you to deal with the shortcomings of the media and explore how to best export using Apple Compressor.

In this webinar, you will learn how to avoid common mistakes when submitting your film and know what to do once you are given that short window of opportunity at the festival, with insider tips and visual examples that will help you make the most out of your film festival experience!