Qool Marv Aural Memoirs and Buttamilk Archives // MusiQuarium Of Wonder // Instruments Of Mass Construction // Music4Winners // Intelligence'n'Music // Notes To Self // Low Profile International

Cover tunes

Buttarchive: Beats, Jazz, & Soul #10 - Love Is The Message

Making Music Washing Away People Makes The World Go Round Come Close Makeda Bohemian Rhapsody Who's World Is This? Passing Me By Mood Swings Lazy Afternoon Cloud 9 Holiday Surely http://www.djspinna.com/

Making Music Washing Away People Makes The World Go Round Come Close Makeda Bohemian Rhapsody Who's World Is This? Passing Me By Mood Swings Lazy Afternoon Cloud 9 Holiday Surely http://www.djspinna.com/

If You Can't Say No Girl Next Door When Are You Gonna Learn If I Could Cruisin (Wet Mix) ? - Aaliyah Young, Sad, & Blue ? - Left Eye I Try (Attica Blues Mix) Everyday ? - Sade Mama/Thinking Of You Mama Said Ain't No Stopping Us Now Respect Set Me Free Ask Of You ? - Lina It's Love

ButtaLiveArchive: Live @ the Jimi Hendrix Tribute Party @ Moe's in Brooklyn | November 2003

ButtaLiveArchive: Live @ the Jimi Hendrix Tribute Party @ Moe's in Brooklyn | November 2003

Hold It Down Manhood Baby I'm Scared Of You Got To Be Me Don't Change He Loves Me Flying Saucer Raider Du Watch Them Come The Poem Ain't No Love Tears (sorry, it fades out in the middle)

3 minutes short of 4 hours of 'remember when they used to make them like this'? Equivalent to the Jazz age or any of the artistic renaissance eras, some call this the golden era. Certainly, this was the era of lyricism and point of view. Juxtapose the 90s Hip Hop attitude next to today's and the difference is not only in the music. Then, clever couplets, now, product placement and 1000 reminders about how much more they have than you & me. Hip Hop didn't really sell out, but it did get bought by the powers of money, and those powers now give it back to you to promote fashion, automobiles, alcohol & hipster lifestyles. So when people reflect on golden eras, they reflect mostly on the intent. Nobody wants to wish broke-ness on anybody, however, many, attuned to this sound of Hip Hop, wish that new hip hop would get paid off of music and lyrics that include more ideas than product placements. We miss quality control and the artist that sits down, writes a rap, collaborates with a producer, and makes a song that people FIND and spread, thus that artist is rewarded for his or her unique vision. Now, there is the intent of the capitalistic 'artist' to get paid from popular hip hop trends and not necessarily create music that transcends, touches, and has staying power. More colloquialisms and less commercials in my music please. What do you buy into? The commercials? Or the music? You bought into the art of commerce or the art of musical imagination? Nonetheless, mine is the minority opinion/concern and the majority rules. http://youtu.be/dGJClaFMysU http://www.6lyrics.com/dance_on_glass1-lyrics-q-tip.aspx Wasn't it a shock, NYC/Philly/East Coast people, back in the 90s, when you realized that there were way more people in the U.S. who DID relate to the rappers that we thought were country & corny? The dirty south & west coast = (apparently) real (more marketable) black America. No offense folks from those areas, after all, you have had the last laugh and are doing so all the way to the bank. Fading stereotypes & epithets revived and now thrive for the sake of commerce and fame. In rap we look like the way that people think that we should, thus, an easy and logical sell to those people based on the way that those people generally reference the black character. Interpolating American Football coach Dennis Green's great rant, maybe those people with the power and $ to saturate us with perpetuating perpetrators think, "They are who we thought they were." http://www.youtube.com/watch?v=NMO3m5k4GcY Not necessarily. But when you need to sell it to wider audiences, you also need to simplify it by thinning the scope of topic to maximize corroborating corporation's cross promotions: http://online.wsj.com/article/SB20001424052748704029304575526193896894212.html I always joke that Manhattan's an island and when you look across the Hudson at New Jersey, I often think, 'Here's New York and then, over there, is the rest of the U.S.' Not so mutually exclusive. Hearkening back to the times of hanging out with your friends and rhyming for rhyming sake. Watching Ralph McDaniel's Video Music Box, Fab Five Freddy On Yo MTV Raps, and the pre-"drug dealer rap" influx Rap City on B.E.T. A blend of head nod cyphers, fun, a tad bit street with wordplay galore. If I'm going to be a part of selling, then I'm going to respect your discerning taste and sell you using quality. The Spawns of the Genesis thrive in this mix. Dig a little deeper and you'll realize that I reference the name of a song on Nas 1st album (I met Nas before his 1st LP at the Stretch Armstrong & Bobbito radio show way back in 1992 when I was studying for my Master's at New York's Columbia University - they mentioned my hanging out with them at their show on this http://filthyspeakeraddict.com/2010/10/the-stretch-and-bobbito-show-20th-anniversary-on-wkcr-899-fm/). Words from the wise... De La Soul - Biz Markie - Big Daddy Ka(continued)

3 minutes short of 4 hours of 'remember when they used to make them like this'? Equivalent to the Jazz age or any of the artistic renaissance eras, some call this the golden era. Certainly, this was the era of lyricism and point of view. Juxtapose the 90s Hip Hop attitude next to today's and the difference is not only in the music. Then, clever couplets, now, product placement and 1000 reminders about how much more they have than you & me. Hip Hop didn't really sell out, but it did get bought by the powers of money, and those powers now give it back to you to promote fashion, automobiles, alcohol & hipster lifestyles. So when people reflect on golden eras, they reflect mostly on the intent. Nobody wants to wish broke-ness on anybody, however, many, attuned to this sound of Hip Hop, wish that new hip hop would get paid off of music and lyrics that include more ideas than product placements. We miss quality control and the artist that sits down, writes a rap, collaborates with a producer, and makes a song that people FIND and spread, thus that artist is rewarded for his or her unique vision. Now, there is the intent of the capitalistic 'artist' to get paid from popular hip hop trends and not necessarily create music that transcends, touches, and has staying power. More colloquialisms and less commercials in my music please. What do you buy into? The commercials? Or the music? You bought into the art of commerce or the art of musical imagination? Nonetheless, mine is the minority opinion/concern and the majority rules. http://youtu.be/dGJClaFMysU http://www.6lyrics.com/dance_on_glass1-lyrics-q-tip.aspx Wasn't it a shock, NYC/Philly/East Coast people, back in the 90s, when you realized that there were way more people in the U.S. who DID relate to the rappers that we thought were country & corny? The dirty south & west coast = (apparently) real (more marketable) black America. No offense folks from those areas, after all, you have had the last laugh and are doing so all the way to the bank. Fading stereotypes & epithets revived and now thrive for the sake of commerce and fame. In rap we look like the way that people think that we should, thus, an easy and logical sell to those people based on the way that those people generally reference the black character. Interpolating American Football coach Dennis Green's great rant, maybe those people with the power and $ to saturate us with perpetuating perpetrators think, "They are who we thought they were." http://www.youtube.com/watch?v=NMO3m5k4GcY Not necessarily. But when you need to sell it to wider audiences, you also need to simplify it by thinning the scope of topic to maximize corroborating corporation's cross promotions: http://online.wsj.com/article/SB20001424052748704029304575526193896894212.html I always joke that Manhattan's an island and when you look across the Hudson at New Jersey, I often think, 'Here's New York and then, over there, is the rest of the U.S.' Not so mutually exclusive. Hearkening back to the times of hanging out with your friends and rhyming for rhyming sake. Watching Ralph McDaniel's Video Music Box, Fab Five Freddy On Yo MTV Raps, and the pre-"drug dealer rap" influx Rap City on B.E.T. A blend of head nod cyphers, fun, a tad bit street with wordplay galore. If I'm going to be a part of selling, then I'm going to respect your discerning taste and sell you using quality. The Spawns of the Genesis thrive in this mix. Dig a little deeper and you'll realize that I reference the name of a song on Nas 1st album (I met Nas before his 1st LP at the Stretch Armstrong & Bobbito radio show way back in 1992 when I was studying for my Master's at New York's Columbia University - they mentioned my hanging out with them at their show on this http://filthyspeakeraddict.com/2010/10/the-stretch-and-bobbito-show-20th-anniversary-on-wkcr-899-fm/). Words from the wise... De La Soul - Biz Markie - Big Daddy Ka(continued)

This is the 1st mix that Marv made to stream on the web on a now defunct site called Five Grand Stereo. Every song's another genre - bringing it all together with a universal vibe. A lo-fi archival classic.

This is the 1st mix that Marv made to stream on the web on a now defunct site called Five Grand Stereo. Every song's another genre - bringing it all together with a universal vibe. A lo-fi archival classic.

http://www.electriks.co.uk/ http://www.xfm.co.uk/article.asp?id=191131 http://www.youtube.com/watch?v=mWkzSteCg7U Saturday 19 January 2008 23:00 Soulphiction ‘Ghana Wadada’ (Sonar Kollektiv) Soulphiction ‘Velveteens’ (Sonar Kollektiv) The Emperor Machine ‘Slap On’ (DC Recordings) NuFrequency Ft. Shara Nelson ‘Go That Deep’ (Rebirth) Wild Rumpus ‘Purple Somersault’ (Bitches Brew) Dave Gahan ‘Deeper & Deeper’ [Juan Maclean Dub] (Mute) ***Basement Classic*** Amp Fiddler ‘Eye To Eye’ (Genuine) Benji Boro ‘The Jungle V.I.P’ (Wax On) Toddla T ‘Do You Know’ [Count Of Monte Cristal & Sinden Dub] (1965) Reverend And The Makers ’18 - 30’ [Unabombers Basement Remix] (Wall Of Sound) Zero dB ‘Bongos, Bleeps & Basslines’ [Dibaba Remix] (Ninja Tune) 00:00 ***Guest Mix – Qool DJ Marv (Buttamilk NYC)*** Qool DJ Marv’s Eleqtric Intro (De La Soul/Stakes Is High, Frank Sinatra/Softly, As I Leave You, Elektrons/Interlude, Notorious B.I.G./Sky’s The Limit, Madlib/Electric Company (Voltage-Watts), TM Juke featuring Elmore Judd/Electric Chair Stephanie McKay ‘Jackson Avenue’ Timbaland ‘Come And Get Me’ [Instrumenta]l J Dilla ‘Say It’ [Instrumental] W.A.A.J.E.E.D. ‘Waajeed’ Rework ‘I Can’t Remember Anything’ Señor Coconut & His Orchestra ‘Trans Europe Express’ Art Of Noise ‘Beatbox’ Sébastien Tellier ‘La Ritournelle’ Elektrons featuring Pete Simpson ‘Wishing’ ***End of Mix*** Motor City Drum Ensemble ‘Stripped Down To The Bone’ (Compost) Shocking Pinks ‘Cutout’ [Lee Douglas Remix] (DFA) Goldfrapp ‘A & E’ [Hercules & Love Affair Remix] (Mute)

http://www.electriks.co.uk/ http://www.xfm.co.uk/article.asp?id=191131 http://www.youtube.com/watch?v=mWkzSteCg7U Saturday 19 January 2008 23:00 Soulphiction ‘Ghana Wadada’ (Sonar Kollektiv) Soulphiction ‘Velveteens’ (Sonar Kollektiv) The Emperor Machine ‘Slap On’ (DC Recordings) NuFrequency Ft. Shara Nelson ‘Go That Deep’ (Rebirth) Wild Rumpus ‘Purple Somersault’ (Bitches Brew) Dave Gahan ‘Deeper & Deeper’ [Juan Maclean Dub] (Mute) ***Basement Classic*** Amp Fiddler ‘Eye To Eye’ (Genuine) Benji Boro ‘The Jungle V.I.P’ (Wax On) Toddla T ‘Do You Know’ [Count Of Monte Cristal & Sinden Dub] (1965) Reverend And The Makers ’18 - 30’ [Unabombers Basement Remix] (Wall Of Sound) Zero dB ‘Bongos, Bleeps & Basslines’ [Dibaba Remix] (Ninja Tune) 00:00 ***Guest Mix – Qool DJ Marv (Buttamilk NYC)*** Qool DJ Marv’s Eleqtric Intro (De La Soul/Stakes Is High, Frank Sinatra/Softly, As I Leave You, Elektrons/Interlude, Notorious B.I.G./Sky’s The Limit, Madlib/Electric Company (Voltage-Watts), TM Juke featuring Elmore Judd/Electric Chair Stephanie McKay ‘Jackson Avenue’ Timbaland ‘Come And Get Me’ [Instrumenta]l J Dilla ‘Say It’ [Instrumental] W.A.A.J.E.E.D. ‘Waajeed’ Rework ‘I Can’t Remember Anything’ Señor Coconut & His Orchestra ‘Trans Europe Express’ Art Of Noise ‘Beatbox’ Sébastien Tellier ‘La Ritournelle’ Elektrons featuring Pete Simpson ‘Wishing’ ***End of Mix*** Motor City Drum Ensemble ‘Stripped Down To The Bone’ (Compost) Shocking Pinks ‘Cutout’ [Lee Douglas Remix] (DFA) Goldfrapp ‘A & E’ [Hercules & Love Affair Remix] (Mute)

Done sometime in the mid-2000s for the Museum of African Art in New York City. The Name Fela Will Always Stand For Freedom – The Jettsons & Jessica Lauren Water Get No Enemy – Fela Kuti War Is A Crime – Antibalas Go Slow – Fela Kuti N.E.S.T.A. (Never Ever Submit To Authority) - Antibalas Do Your Best (Inst) - Femi Kuti Feat Mos Def Dirt & Blood – Antibalas Grazing In The Grass - Hugh Masekela Busy Body – Not Sure Tlang Sekolong – Don Loka Hi-Life – Wally Badarou Part 2 of 2 is here: http://djqoolmarvsounds.podomatic.com/entry/2010-03-16T20_40_39-07_00