Movie Trailer Reviews

We're back for part two of our Little Fires Everywhere chat. This time around, Shanna decided to jump in the mix. We're picking back up with the discussion expanding beyond dragging Pearl - although there's still a bit of that - and into the themes and moments that kept us engaged, made us pause so to think, and the mess that still has us puzzled.  We give reasons to add Hulu's Little Fires Everywhere to your watch-list Little Fires Everywhere turned out to be the perfect balance of mess, emotional turmoil, and family drama. In a time when television adaptations seem to leave out the core elements that made the book work, showrunner Liz Tigelaar and the Little Fires writers' room not only preserved Celeste Ng's narrative, it cut to the heart and soul expanding on its themes and making great television.  So tune in while we chop it up and remember at the end of the day. minding your business is always free. If you haven't added    All Episodes Streaming on Hulu  Reese Witherspoon (Elena Richardson), Kerry Washington (Mia Warren), Joshua Jackson (Bill Richardson), Rosemarie DeWitt (Linda McCullough), Jade Pettyjohn (Lexie Richardson), Jordan Elsass (Trip Richardson), Gavin Lewis (Moody Richardson), Megan Stott (Izzy Richardson), Lexi Underwood (Pearl Warren), and Huang Lu (Bebe)   Like what you hear? Subscribe so you don't miss an episode!   Follow Ro on Twitter: @BookBlerd   @TheMTRNetwork  

We're Here is a six-part unscripted series that follows three former Rupaul's Drag Race favorites, Bob the Drag Queen, Eureka O’Hara, and Shangela Laquifa Wadley as they travel to small towns staging drag shows with local recruits. Yes. Three of the biggest personalities in the drag world are bringing drag culture to small town USA. The local participants bring a mixed bag of motives. Some want to celebrate themselves, others want to make amends for past homophobia, many hope to foster tolerance and inclusion by standing up to take a walk in someone else's shoes...literally.  Connection and Community  Right out the gate, you know We're Here intends to be very on brand for it's three queens. Arriving in town in unforgettable buses and dressed to make the populous gag, Bob, Eureka and Shangela are on a mission to discover what lies at the hearts and in the minds of the town's people while inviting them to share in the fun. But it's not all hearts and rainbows. Some of these towns are confederate flag waving, civil war monument celebrating, evangelical "silent majority" strongholds. Pain and discomfort often lies just beneath the surface. We're Here gives faces and stories to the awkwardness and isolation that daring to live as your best self can cause. Leading up to a one-night-only drag show, this trio of drag queens guide their newly minted drag daughters through crafting an image, selecting a name, and learning choreography. At the same time, viewers will learn more about the participants home lives and communities. Dancing aside, these participant profiles will keep you invested and wondering about these towns long after the last scene fades to black.  A New Day In the Life One Hour at a Time  With just the right touch of Queer Eye, but stripped down to the essence of what makes television shows like this really interesting, We're Here advocates for greater community and love by highlighting the struggle to accept family members, friends, neighbors and often one's self. The documentary-style format is familiar. The stories unique. The participants willingness to pull back the veil on their lives captivating. We're Here is one hell of a teaching moment wrapped in diva attitude, humor, unsettling encounters, and much needed emotional honesty.  Tune In Because This is a Ride Worth Taking  We're Here premieres on Thursday, APRIL 23 (9:00-10:00 p.m. ET/PT). Viewers can catch the premiere episode for free to all via the YouTube Premieres platform. This is the first time that HBO will make debut content available for free. Ro and Joi sat down to discuss the new series, what sets it a part and what about it has them set to tune in until the end.  Like what you hear? Subscribe so you don't miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic. 

  Tayraisaha Poe's feature debut, Selah and the Spades, premieres on Amazon Prime Video today (April 17). This is one the MTR crew's been anticipating. This project centers Black characters taking on some of the most classic tropes and trials in coming-of-age dramas have to offer. You can find out how we really feel in greater, non-spoiler detail, in the full written and audio review. Interview with Celeste O'Connor Recently, Brandon and Ro had an opportunity to chat with up-and-coming newcomer, Celeste O'Connor about her starring role as Paloma in Selah and the Spades. Celeste O'Connor was born on December 2, 1998 in Nairobi, Kenya and raised in Baltimore, MD for the majority of her life. She lives in Baltimore with her mother, father, and younger brother. She attends college, studying Public Health, Islamic Studies and Pre-Medicine. Listen in as she shares about building her character, the vibe on set, and where she thinks she and her character differ.  Selah and the Spades Watch Party:  Follow along today at 4:00pm PT / 7:00pm ET for a Virtual Watch Party with director Tayarisha Poe and stars Lovie Simone and Celeste O'Connor, who will be live tweeting using the hashtag #SelahWatchParty.  And be sure to RSVP to join director Tayarisha Poe, Lovie Simone and Celeste O’Connor for a virtual Q&A with  Women’s Weekend Film Challenge directly following the Live Watch Party. Like what you hear? Subscribe so you don't miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  

Selah and the Spades writer and director Tayarisha Poe created something special. And not just because her film left Joi, Ro and Shanna collectively thinking Rian Johnson's Brick and Roger Kumble's Cruel Intentions had a baby. And that kid's a special kind of rowdy. Selah and the Spades has style, movement, and grace. It reorients common issues like, power and loyalty, into a contemporary high school setting perfect for playing out its themes.  Selah and the Spades, "the kids party different now"  Set in an elite Pennsylvania boarding school, Selah and the Spades introduces its audience to a high school underworld fraught with dangers; seen and unseen. This boarding school has five dominant factions within its student body, The Prefects, The Sea, The Skins, The Bobbies, and The Spades, that control the social strata. Selah Summer (Lovie Simone) leads the Spades with her second-in-command, Maxxie (Jharrel Jerome). With a the market on illegal drugs and alcohol, the Spades feed the student body's need to indulge it's vices. At seventeen years old, this outwardly poised young woman runs the most powerful faction in the school.  Lovie Simone stars in SELAH AND THE SPADES Photo: Courtesy of Amazon Studios The Spades rule through a liberal application of fear and strategic displays of power planned by Selah. Maxxie balances her edge with physical enforcement and building inter-faction relationships. Their efforts keep the Spades at the top of the social pyramid. She's proud of her achievements and had no intention of slipping.  (L-R) Lovie Simone and Jharrel Jerome star in SELAH AND THE SPADES Photo: Courtesy of Amazon Studios But it's her senior year and the time's come to pick a successor to her thrown. She's determine to secure her legacy and ensure the future dominance The Spades.  After meeting Paloma (Celeste O'Connor), a new-to-the school sophomore, Selah think's she's found a worthy protege. Now, if she could just commit to giving up power, everything will stay on track.   Celeste O'Connor stars in SELAH AND THE SPADES Photo: Courtesy of Amazon Studios Dirty Business Everywhere After quickly acclimating to this close environment, viewers are set for a ride through teenage angst that is likely to change the narrative landscape for these stories. Selah's struggling internally with unwanted changes in her future, her combative relationship with her mother, and a escalating conflict between the factions, Paloma watches and learns. What begins as a simple matter of grooming slowly changes as the sharp-witted Selah realizes her influence on Paloma isn't as complete as she'd like.  And as Maxxie's commitment and loyalty come into question as  he focus shifts, Selah's surface charm cracks and her unabashed ruthlessness comes to the forefront. Feeling threatened, Selah takes steps to tighten her hold. Used to doing as she pleases, being forced to confront her limitations trigger to dire consequences for the people around her. This Ain't the Wonder Years Although there may be fair comparisons between Selah and the predecessor films of its ilk, particularly Cruel Intentions, this is truly a character study unlike any other.  Poe developed a narrative that leaves room for thought provoking examination even as it lures you in with its high drama and messiness. The dynamics in this school highlight a social imbalance that creates a unique vacuum where strength of will can make you a power broker. No one fits the mold or falls into a stereotype. It makes for intrigue and underhandedness in ways that are unsettlingly contemporary. There's almost too much to unpack; which, of course, is good since there's currently a series in development.

Sometimes, there's a book that catches your attention because it takes a popular trope (reincarnation) and builds a story around that feels like a fresh approach especially when it's main characters are under 21. Cries from the Lost Island certain fit the bill. I had the opportunity to sit down and ask Kathleen O'Neal Gear some questions about her latest stand alone novel (and solo project) Cries from the Lost Island.  Bio: Kathleen O'Neal Gear is an archaeologist and historian. She lives in and raises bison (yes, you read that correctly) in the Owl Creek Mountains in northern Wyoming. She began writing full-time in 1986 and has been prolific (non-fiction and fiction) pretty much ever since. She's authored 10 novels under her name and 37 international bestsellers with her husband W. Michael Gear.  What started out as a pretty straightforward curiosity about what made her want to write about Cleopatra turned into an interesting discussion about her inspiration, process, and random facts I discovered while prepping for the interview.  Like what you hear? Subscribe so you don't miss an episode!   Follow Ro on Twitter: @BookBlerd   @TheMTRNetwork  

Little Fires Everywhere is the Messy Drama/Mystery You Didn't Know You Needed... Welcome back to another I Talk Sh*t & Read Book-to-Screen chat. This time, Ro and Joi are kicking off  a new one and the topic's Hulu Original series, Little Fires Everywhere. Hulu's Series is an Adaptation that Elevates the Source Material   Adapted from the novel by acclaimed writer Celeste Ng, Little Fires Everywhere is the story of two different worlds (we're talking class difference folks) colliding when a nomadic artist Mia Warren (Kerry Washington) and her daughter (Lexi Underwood) arrive in Shaker Heights, Ohio and meet Elena Richardson (Reese Witherspoon) and her picture perfect family.  In the hands of showrunner (and executive producer) Liz Tigelaar, this adaptation of Little Fires Everywhere masterfully adds depth and contemporary nuance to both the overall story arc and each character.  The writing, directing, and production teams bring it all together with irresistible visuals and perfectly time irreverence.  Questions At Every Turn... What starts as just another a story about two women and their journey as mothers is now moody mystery with a subtly addictive narrative in the hands of actors giving masterful performances. There's emotional complexity, clashes of privilege, angst, and dangerous upheaval. Thus far, the writing and direction seamlessly (despite the varied creators) blends shifting perspectives and dramatic highs and lows together in a way certain to keep attention. To start things off we limited our discussion to topics arising out of episodes one through four respectively. The first four episodes, 'The Spark', 'Seeds and All', 'Seventy Cents', and 'The Spider Web' set the stage for what's shaping out to be an exciting second half. We've got opinions, theories, and serious gratitude for the realness buried in all this glorious mess.  Directors: Lynn Shelton (The Spark, The Spider Web) and Michael Weaver (Seeds and All, Seventy Cents)  Writers: Liz Tigelaar (The Spark), Nancy Won (Seeds), Raamla Mohamed (Seventy Cents), Attica Locke (The Spider Web) New Episodes  Wednesdays on Hulu (Eight Episodes)              Like what you hear? Subscribe so you don't miss an episode!   Follow Ro on Twitter: @BookBlerd   @TheMTRNetwork  

The Doctor is joined by Allegra from the Core Temp Arts Podcast Network to discuss season 1 of the original 21st century appointment television series, Nip/Tuck.  The show follows two Miami-Dade plastic surgeons through their professional and private lives.  Season 1 on rewatch was still soap opera, but we were amazed at the amount of social commentary that the show addressed in a way that was progressive for 2003.  Nip/Tuck is currently available for viewing on Hulu.   Find Allegra over at Core Temp Arts (https://coretemparts.com/)     Like what you hear? Subscribe so you don't miss an episode! Follow us on Twitter: @The Doctor   @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  

Ro Thinks: Tales From the Loop Aims For the Feels Amazon's new sci-fi show Tales from the Loop is an anthology based on the work of Swedish artist Simon Stålenhag. His work blends the futuristic, long forgotten, into suburban/rural 1980s settings. It is evocative yet creepily nostalgic. If you've never seen his pair of art books, Tales From the Loop and Things from the Flood now's a perfect time because the images and moments selected to create the world of "the Loop" in this sci-fi series are visually stunning, unsettling, and eerily comforting. This show is not your ordinary dystopian fare.  Executive produce by Matt Reeves, Tales from the Loop enters a dystopian world via a town and various people who live and work above a powerful machine, known as "The Loop", that's as mysterious as the parts of the universe it seeks to explore. Unlike most stories of its ilk, Tales focuses on the human actors and the emotional aspects of life in the future. Amidst the fallen machinery and abandon tech lies despair, confusion, turmoil but ultimately hope.  Slow and Steady Cinematic Experience  Don't expect flash and fireworks in this future-world. Tales from the Loop is a universe of stories connected less by the tech than the people but that's a good thing. There are sweeping vistas of farmland and sleepy suburbs fanning out from the town built around "The Loop." Random machines and interesting devices anchor the plot but don't directly drive the stories. It's all beautifully immersive, weirdly compelling and yet deliberately incomplete.  A haunting score aids the plot is provoking as many questions about this world as the story answers about the people living in it. There's deliberate drag built into the second act of each short story intended to draw out and linger in the moments of these lives. Ultimately it (pacing) is the one element that's truly inconsistently successful in the series.  Big Talent for Big Themes  The visuals infuse Stålenhag's color palette with life and a slightly off-kilter sense of normalcy. As this world weaves in and out of the lives of it's inhabitants, each turn of events is riddled with emotional land mines. Every cinematographer, set and production designer attached to this project brought their a game. His artwork lives and breathes from frame to frame.  Written by Nathaniel Halpern Tales features top-tier talent like, Jodie Foster, Charlie McDowell, Tim Mielants and Mark Romanek in the director's chair. Series opener, Loop, marks Romanek's (long awaited) return to sci-fi storytelling and sets a somber yet inquisitive tone. Each story revolves around a simple theme, love, truth, fear, protecting one's family etc. As a result, each successive story adds clarity to how this world works. With each story coming in just under an hour, Tales from the Loop isn't designed for a binge-watch. That doesn't mean wandering through these living paintings and exploring this world isn't worth the time.  Listen in as Ro and Kriss discuss Tales from the Loop and what they thought after finishing the series. Then tune in to their spoiler chat for Premium members.  This is MTR Premium Network content. If you are already a subscriber please log in to view/download episode. If you aren't currently a subscriber, you can sign up here. Like what you hear? Subscribe so you don't miss an episode!

Ro and Joi sit down to chat about new release from Oscilloscope Films, Saint Frances a film about a messy thirty-four year old woman trying to manage her chaotic life while being nanny to a precocious six year old girl.

Sundance Roundup: Downhill and The Assistant Joi and Ro sit down to discuss two  films showcased during the 2020 Sundance Film Festival. Each film's central theme, gaslighting, plays out subtly and in real time. Both film open the door to a discussion that ultimately ends up about relationships and the care you take of you while in them.  Joi On: The Assistant  Written and directed by Kitty Green, The Assistant follows Jane (Julia Garner), a young assistant at a film production company with aspirations to rise in the industry. While doing her daily tasks, she gradually notices the inappropriate behavior of her boss. Motivated to speak up, her concerns reveal the complicit nature of the company she works for.  Green leverages her expertise in documentaries to edit and direct the story in a succinct manner. Explorative, we begin with Jane's daily routine as an assistant. Most of her duties are what you expect from an assistant. But scenes like Jane deep cleaning her boss' office and throwing out syringes set the tone that something is off in this work culture. The story is crafted based on implication versus "cold hard facts." This is not to diminish the severity of the actions, but rather confront the sobering truth that many sexual assault and harassment cases lack evidence for "believability."  The first twenty minutes of the film moves at a snail's pace. But it's deliberate in it's messaging: in the crawl of the day-to-day, we sometimes miss the red flags. Jane eventually can no longer ignore the signs and approaches Human Resources rep Wilcock (Matthew Macfadyen) in the climactic scene of the film. What proceeds is an uncomfortable moment of gaslighting, where Jane is made to feel unsure of the behavior she's seen. Shocked, she returns to her desk and is forced to email her boss an apology for reporting him. The realization of this shady workplace weighs heavily on Jane. But in the end, we assume that Jane will clock into work tomorrow, to fight another day. Open about the inspiration from Weinstein and the #MeToo era, Green has stated her goal was to "make a project that tackles not just this misconduct, but these broader themes of a system that’s inherently structured against women[.]" She succeeds in taking these meaty themes and streamlining them, without undercutting the impact. Simple, yet effective in its delivery, The Assistant is a cautionary tale of how easy it is to ignore abusive structures. And once you're sucked in, how hard it is to speak up. Downhill An American remake of the 2014 Swedish dramedy Force Majeure, Downhill - directed by Nat Faxon and Jim Rash - follows the Staunton family, led by the father Pete (Will Ferrell) and the mother Billie (Julia Louis-Dreyfus). While on a ski vacation with their children in the Alps, the couple experience what they assumed to be an avalanche. Pete's reaction to flee versus protecting his family causes problems for his relationships with his wife and sons. The cinematography juxtaposes the dark family dynamics with bright sweeping shots. Danny Cohen has an easy muse in the beautiful, white Alps background. But being the cinematographer for films such as The Kings Speech, The Danish Girl, Room, and much more certainly helps. Cohen's eye is utilized best on the slopes, with stock photo shots of skiers enjoying the sport. He brings a lightness that marries well to this black comedy. It puts a spotlight on how even in the most beautiful places, families can crumble.  Even with such a stunning backdrop, the story hones in on how Pete and Billie aren't on one accord after the avalanche incident. Unfortunately, the written lack of chemistry of the characters is overshadowed by the actual lack of chemistry be...

We love a good satire. Sometimes, the best way to talk about society when it's gotten too full of itself is by lampooning it. But in order to pull that off, writers (Damon Lindelof and Nick Cuse) and director (Craig Zobel)  need a deft hand a clear understanding of where the irony lies. In The Hunt, the creative forces did not quite align. But where the message conveyed is rather lackluster, the method is downright enjoyable.  The Hunt would've done better to lean into the complaints when first slated to release. The occupant of the White House clearly hadn't see the movie. If he had, he may have just had an entirely different opinion. More importantly the big picture look what you made me do would've had a whole other layer of and benefited the story. Besides, it's never a good idea to give into a bully or a blowhard. Which given the ultimate conclusion, is so much extra irony.  The Hero The Hunt Needed  Betty Gilpin (Glow, Nurse Jackie) plays Crystal, one of the involuntary participants in "the hunt." Crystal is not here for explanations she's here to survive and take out as many people coming for her as possible. Gilpin bring the perfect off-kilter energy to this low key killer in waiting. Her performance coupled with the madcap murder spree are the film's saving grace.  Listen to Brandon and Ro's spoiler-free review of The Hunt and when it's safe to return to theater fun, get your laugh on.  Like what you hear? Subscribe so you don't miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  

Director Benh Zeitlin tries to recreate the youthful magic of Beast of the Southern Wild with his latest film. Unfortunately Wendy is more dud than magically. This reimagining of the tale of Peter Pan can't figure out if it wants to be grounded in reality or be a tale about magic and youthful imagination.  For this review there was a wide range of opinions from those of us that loved the film to those of us who couldn't stand it. The truth is probably somewhere in the middle. There are emotional beats and adorable kids that many will connect with. Others will be put off by the disjointed story, the inability to be grounded or magical and a poorly placed score.   Like what you hear? Subscribe so you don't miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  

BLACK RAGE! That is the best way to sum up this episode-a LOT of Black Rage.  The concept of The Doctor being the Gallifreyan version of Lucy was interesting, but this season was crammed together in a way that made us think that they did not believe they were going to get a subsequent season.  The idea of Cybermen Time Lords works-but not when it is shoved in last minute.  The Master was an excellent add, but they didn't utilize him fully.  The Doctor crosses her previous unknown self in the timeline in the Fugitive of the Judoon-and yet nothing is done with that until the last episode.  Finally, why now did the Judoon arrest our Doctor now and not when they encountered her searching for Ruth?  The episodes were lackluster and largely forgettable, the companions, whose stories they already fulfilled essentially (or dropped altogether in the case of Yaz) were after thoughts, and the season just lacked...the usual magic.  Be prepared for a 30 minute rant. Follow us on Twitter: @TheMTRNetwork @TheDrIsIn2015   Want more podcast greatness? Sign up for a MTR Premium Account!

New Book Tuesday: March 10th Edition  My March watch list exploded. This isn't really a surprise, it's me we're talking about here. So to keep up with my reading goals and help you add to your TBR pile, Ro Recommends is now a permanent segment on I Talk Sh*t & Read. Welcome to New Book Tuesday: March 10th Edition. Twice a month, I'll share my "must reads" from the month's new releases. First up are some fantasy picks that may just satisfy that jones you've got for sibling rivalry, arranged marriages gone awry, first love, revenge, or a dangerous quest...or two.  Historical Fantasy:    Reincarnation and Reimagining history make intriguing entry points into magical worlds and dangerous journeys with questionable guides.             Young Adult Fantasy    Fairytales and Mythology in an urban fantasy setting. Chupeco's world-building style takes a bit of getting used to, there's always more to learn but the journey's ended up being worth it in the past.  Think you maybe up for discovering if a dethroned Prince can return magic and save his kingdom?        High Fantasy    Anne Bishop returns to the Black Jewel saga and doesn't miss a step. If you're already down this rabbit hole then the eleventh installment is certain to shake things up. I hit the highlights in my audio review but simply put Bishop found a new gear to shift into that promises interesting times ahead.          Short on Time? How About an Anthology: Synopsis: Filled with stories of love and betrayal, strength and resistance, this collection contains an array of complex and true-to-life characters in which you cannot help but see yourself reflected. Witches and scientists, sisters and lovers, priestesses and rebels: the heroines of A Phoenix First Must Burn shine brightly. You will never forget them. Authors include: Elizabeth Acevedo, Amerie, Dhonielle Clayton, Jalissa Corrie, Somaiya Daud, Charlotte Davis, Alaya Dawn Johnson, Justina Ireland, Danny Lore, L.L. McKinney, Danielle Paige, Rebecca Roanhorse, Karen Strong, Ashley Woodfolk, and Ibi Zoboi. Enough Said.      If you like what you hear, click on a book cover to find an independent bookstore near you to purchase from. Shopping indie when you can may just keep someone's lights on.* *this post contains affiliate links and some books were provided by publisher's in exchange for an honest assessment and/or review.  Like what you hear? Subscribe so you don't miss an episode!

Onward is a Urban Fantasy Wonderland  Two brothers who couldn't be more different must go on a quest to find a magical stone before their chance to see their father one last time is gone forever. Set in a suburban fantasy world that puts Bright to shame these two elves must band together and follow the clues if they're going to succeed. This time around Disney Pixar isn't trying to rip your heart out in the first five seconds. Instead, Onward establishes a world that can yield years worth of stories and then it starts yanking on those heartstrings. There are elves, centaurs, a spastic pet dragon and belligerent biker pixies that will having you dying for their backstory.  What Would You Do For One Day With A Long-Departed Parent? Onward has it's highs and lows. It doesn't always know what it wants you to focus on but it never forgets why the people in this world are important.  While it doesn't pack the punch of previous Pixar projects, there's something endearing about a coming of age story that recognizes that brotherly love and stumbling into adulthood is story worth watching. Ian (Tom Holland) and his older brother Barley (Chris Pratt) each come into their own and may just bring magic back into their world along the way. You'll laugh and shake your head at the outlandishness of it all.  From beginning to end, "Disney" magic and the Pixar messaging never fight each other; and that mostly a good thing. Ro and Brandon have a spoiler-free chat in which B give the most triflin' synopsis ever; now's your chance to give it a listen.  Rating: PG (for action/peril and some mild thematic elements) Genre: Action & Adventure, Animation, Kids & Family, Science Fiction & Fantasy Directed By: Dan Scanlon Runtime: 114 minutes Studio: Disney/Pixar In Theaters: Mar 6, 2020  Wide   Like what you hear? Subscribe so you don't miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!