The Magic Lantern
Summary: The Magic Lantern is a film podcast hosted by Ericca Long and Cole Roulain devoted to sharing our enduring cinematic memories. Join us for an ongoing, informal discussion of the classic and contemporary films we love and the things we love about them. If you've been looking for a podcast to explore old and new favorites with fellow film lovers, you've come to the right place. New episodes every other Monday.
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- Artist: Ericca Long and Cole Roulain
- Copyright: ©Copyright 2021 The Magic Lantern
Podcasts:
What happens when you take a preternatural talent and give him a gigantic crew, cast, resources, many stages, and let him loose to reimagine a work he created with his muse, another preternatural talent? In the case of Sweet Charity (1969), you get a young but experienced dynamo, Bob Fosse,…
When I first encountered Apichatpong Weerasethakul’s Uncle Boonmee Who Can Recall His Past Lives (2010), I had no idea how important to me he would become. His films mercifully allow me a window into another world. They are a method of escape, but not in the way you typically think…
Like so many of my favorite Billy Wilder films, The Apartment (1960) begins with a voiceover. Our very own buddy boy C.C. Baxter puts us firmly in the world of making a living, of rising up in the world, or being ground beneath its boot heel. He begins to show…
It’s our third annual Ants In Your Pants episode, as we close out 2017! As always, our lists were culled with much difficulty from all the wonderful films we saw this year, and we only talk about those we saw for the first time which made the biggest impressions on…
A world of pure imagination. That’s what we’re promised by Mel Stuart’s Willy Wonka & the Chocolate Factory (1971), and boy, does it ever deliver. This adaptation of Roald Dahl’s sweet satire is full to the brim with novelties and notions, some whimsical, some bittersweet. What it doesn’t advertise right…
The moment Sandra wakes up from her sleep, I knew Two Days, One Night (Jean-Pierre and Luc Dardenne, 2014) had me. I knew what that sleep meant. I have also slept during the day, clothed, while others around me worked, lived, and thrived. Maybe you have too. I knew what…
Barbara Loden is a unique figure in American independent cinema. Before directing her lone feature film, she was a Tony winner on Broadway and appeared in a couple of Hollywood productions. None of these endeavors seemed wholly satisfying, though. That was our good fortune, as she was driven to helm…
It’s that time again! In this episode, The Magic Jack O’Lantern 2017, we once again bring you our list of viewing tricks and treats to celebrate the season. We watched one Halloween inspired title every day in October and now pass the list and our impressions on to you in…
“You have to embrace the darkness,” film editor Todd Ramsay told director John Carpenter. “That’s where this movie is. In the darkness.” The Thing (Carpenter, 1982) is bathed in darkness, even though it happens to be set in a landscape of blinding whiteness. Whether it’s the black and blue palate,…
Terence Fisher and Hammer Films introduced the world to its first truly modern vampire with Horror of Dracula (1958). Known in its native UK as simply Dracula, it was a technicolor explosion of blood, sex, and fury the likes of which the world had not yet seen. It was shocking…
After repeated viewings, contemplation, and discussion, I don’t know what drives the main character of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (Akerman, 1975). And I’m not just talking about the ending. Even after feeling a deep kinship with what I see on the screen, I don’t know that…
Paul Thomas Anderson’s There Will Be Blood (2007) came to me at a difficult time in my life, and I find myself returning to it during difficult times as well. This might seem odd, because it’s not what you might think of as a comforting film. In fact, I reckon…
Rear Window (Hitchcock, 1954) has always been one of my favorites, and having too much time on one’s hands while the summer heat drives one crazy was really speaking to me. I’ve seen the film over a dozen times, and I can fall into the habit of watching it, but…
The dog days of summer are here! To celebrate, we thought we would devote a little time to my all time favorite cinematic canine, Carlos Sorín’s Bombón: El Perro (2004). I discovered this thanks to a series that Austin Film Society did back in 2008 called More Than Buenos Aires:…
Patricia Highsmith’s creation Tom Ripley has had an extensive life. In addition to her novels, many film iterations have been made, and Purple Noon (Clément, 1960) stands as my favorite (The American Friend comes in a very close apples-and-oranges second place). Purple Noon towers over the rest of the competition…
