SDCF Podcast Series

At its 2013 Emerging Artist Symposium on Musicals, Robyn Goodman, Commercial Producer and Founder of Second Stage Theatre, spoke with SDCF Producing Director Ellen Rusconi about discovering talent and developing new work in today's dynamic theatre climate. Goodman (Rodgers and Hammerstein's Cinderella, Avenue Q, In the Heights, Altar Boyz) infuses her perspective as an actor turned producer with a well-rounded view of a production from page to stage and everything in between. Listen to her as she discusses her transition from the art of theatre to the business of theatre, gives advice for producing within both non-for-profit and for-profit organizations, and how she finds her collaborators. The conversation includes valuable insights on keeping up with trending audience interest and younger sensibilities, procuring a strong design team, giving a memorable meeting, and recognizing commercial viability in specific material. Originally recorded - June 1, 2013. Running Time - 1:10:06 © 2013 SDCF

On July 13, 2013, Stage Directors and Choreographer Foundation hosted a One-on-One Conversation with acclaimed Director, Choreographer, and Movement Director Steven Hoggett (Blackwatch, Peter and the Starcatcher, Once), discussing his artistic vision, career trajectory, and rehearsal processes. Moderated by Ryan Donovan, the conversation explores Steven's journey from his beginnings as a self-sustaining artist in Wales with Frantic Assembly to his big-budget ventures on Broadway and around the world. Listen to him discuss his choreographic process of fusing his concept with his actors' natural instincts to create choreography in a highly organic manner. This focused discussion will enlighten the listener on staging musical transitions, influences - both budgetary and spatial - on artistic freedom, the unique aspects of the American theatre industry, and the necessity of deep collaboration when creating theater and its educational benefits. This is an insightful conversation with an artist who thrives on exploration and collaboration.Originally recorded - July 13, 2013. Running Time - 1:19:02 © 2013 SDCF

On June 12, 2013, award-winning directors Pam MacKinnon and Kathleen Marshall spoke with SDCF Producing Director Ellen Rusconi about their work and career. They discuss the nuts and bolts of the rehearsal process from the Illuminating qualities of auditions and early design meetings to the continuous evolution of a piece as gauged by audience, producers, and associates. Both speak to theatre as an apprentice art and the significance of mentor relationships when transitioning to different phases of career. Listen as they unveil where to find worthwhile material to direct and how one man's dramatic trash can be another's theatrical gold. These directors discuss the impact of geography on a production and the trust they place in their actors when shaping a piece. This candid conversation offers practical knowledge about creating career inroads, aligning collaborators and continuously developing craft. Originally recorded - June 12, 2013. Running Time - 1:37:25 © 2013 SDCF

Director/Founder: On May 6th, 2013, Oliver Butler of The Debate Society and Jack E. Cummings III of Transport Group spoke with SDCF Producing Director Ellen Rusconi on their experiences simultaneously managing a directing career and theatrical company. The in-depth discussion follows the ebb and flow of two singular directing careers each affected by a loyalty to their own growing theatre companies. Each recounts the arduous yet fulfilling relationship that comes with being a founder and artistic director through personal anecdotes largely focused on the importance of realistic and forward thinking visions. Listen as they explore how changing cultural and economic trends affect a theatre company's ability to sustain itself and the dichotomy that exists when looking for work outside of the company. The conversation also includes valuable advice on how to manage the drama between an emerging director's overall body of work and attitudes towards current projects in addition to balancing a theatre director's artistic freedom with a non-for-profit production's financial restraint. Originally recorded - May 6, 2013. Running Time - 1:20:16 © 2013 SDCF

Fight Direction: On April 8, 2013, Fight Directors Erica Gould and Rick Sordelet spoke with SDCF Producing Director Ellen Rusconi to discuss the responsibilities and roles of theatre's fight directors. Listen in as Rick and Erica share their approaches to working with a director, to assessing actors' skills and potential for fight direction, and to creating a variety of fights for the course of one play to avoid "battle fatigue" in the audience. They share their experiences of working with particular directors and actors on specific productions and on how that artist's preparation and communication elevated the resulting production. By hearing their thoughts on building character through weapon choice and fight style and on the importance of early communication and collaboration with the creative team the listener will gain a better understanding of the role of the fight director and the support a master fight director provides in storytelling on stage. Originally recorded - April 8, 2013. Running Time - 1:31:53 © 2013 SDCF

Running Regional Theatres: On January 7, 1987, Artistic Directors Nagle Jackson (of Hartford Stage) and Mark Lamos (of McCarter Theatre) sat down with director Mary Robinson to speak about leadership in regional theatre. Jackson and Lamos discuss the challenges they face throughout their day-to-day routines and the struggle to balance the administrative and artistic aspects of the job. These artistic directors offer insight into the politics of and logistics behind choosing a season and the effective means to attract new audiences while continuing to appeal to current subscribers. For both Jackson and Lamos, risk and experimentation are paramount to feeling artistically fulfilled. They find that the younger generation does not respond to the tradition of season subscriptions, and both strive to alter the expectations of their audiences and spontaneous single-ticket buyers. At the end of the night it is about that communal catharsis -- and that is why audiences go to the theatre. This practical conversation is an intimate peak at the life of the artistic leaders behind Hartford Stage and McCarter Theatre's success and growth over the years. The listener will gain a richer understanding of what it is like to maintain and nourish experimentation within the administrative and artistic departments of regional theatres. Originally recorded - January 7, 1987. Running Time - 1:22:36 © 1987 SDCF

On Tuesday, December 4, 2012, the Stage Directors and Choreographers Society hosted a panel on women directors and choreographers in Chicago with Rachel Rockwell, Joanie Schultz, Kimberly Senior, and Leigh Silverman. This informal town-hall discussion explores the positive and negative experiences women may encounter while pursuing a career as a director or choreographer. The conversation includes deliberation on the unique challenges and opportunities facing women directors and choreographers in Chicago and across the country. Together, the panel and the audience strive to answer the question, "How can all of us, our collaborators, theatres, service organizations, etc., support growth/continuance of women as directors and choreographers?" Originally recorded - December 4, 2012. Running Time - 1:20:21 © 2012 SDCF

Playwright/Director 1987: In 1987, SDCF and the Dramatists Guild jointly held a panel discussion exploring the symbiotic and complex relationship between playwright and director. Peter Stone moderates a panel of playwrights and directors including Sam Bobrick, Elizabeth Forsythe Hailey, David Henry Hwang, Bernet Kellman, Tom Moore, David Rosenak, Gene Saks, and Stephen Tobolowsky. The consensus from this riveting 90-minute discussion is that the playwright/director relationship and the process of collaborating are like a marriage, and the conversation explodes into impassioned debate about what can make a great artistic marriage. If you have ever wondered what a playwright wants from a director or vice versa, listen in as the playwrights and directors reveal their feelings. Let the marriage counseling begin! Originally recorded - January 1, 1987. Running Time - 1:29:26 © 1987 SDCF

On Tuesday, December 6, 2011, SDCF hosted a conversation between sound designers Jill BC Du Boff (Good People, Bill Maher: Victory Begins at Home), Brett Jarvis (Kiki and Herb - Alive on Broadway!, The Donkey Show), and Rob Kaplowitz (Fela!, Pumpgirl) to find out how to work with designers to maximize the creativity and productivity of sound design. Designing the sound of a production is not only about finding the right sound effects or choosing the right song - it is its own art form that shapes and contributes to the emotional storytelling of the play. These three designers demystify the sound designer's role. They parse out the common misconceptions on the difference between designing for a straight play versus musical theatre. The three speak candidly and honestly about their best and worst collaborations with directors and offer tools for directors and designers to better articulate a concept for sound. The conversation answers all questions as to why sound is an integral and important medium for the theatre and offers both designers and directors techniques to collaborate effectively to realize the full artistic potential of sound. Originally recorded - December 6, 2011. Running Time - 1:15:30 © 2011 SDCF

Understanding Automation: On January 7, 2013, SDCF spoke with Production Managers/Technical Directors David Benken and Martin Pavloff about "Understanding Automation: What Every Director Should Know Before Technical Rehearsals." This is a master class on automation from two practitioners who have supervised automated lights and scenery for Broadway and touring productions including The Lion King, Magic/Bird, Woman in White, Mary Poppins, and the 2008 - 2011 touring production of Dreamgirls. Pavloff starts by introducing critical terminology, discussing the use of pre-visualization, gives reasons to automate, and iterates the challenges of automation including safety concerns. Benken follows by illuminating concepts such as of rates of movement, the subtleties of automation, the relationships between director, set designer, and technical director, and gives real-world examples to illustrate. For the producer, director, choreographer, actor, designer, or theatre fan, this conversation offers a comprehensive overview of automation in theatre and provides the understanding necessary to maximize your working relationship with your technical director. Originally recorded - January 7, 2013. Running Time - 1:08:47 © 2013 SDCF

On December 17, 2012, SDCF and SDC hosted a discussion of Theatre for Social Change with guests Erik Ehn and Kamilah Forbes (Hip Hop Theatre Festival) moderated by SDCF Producing Director Ellen Rusconi. Erik Ehn, a playwright, director, and educator, produces the Arts in the One World conference yearly, is Current Director of Writing for Performance at Brown University, and a founder of the RAT movement. Kamilah Forbes is the Artistic Director of the Hip-Hop Theater Festival (HHTF), a non-profit presenter of new theater written by hip-hop generation artists through the lens of the urban cultural aesthetic. She is also a member of the Folger Shakespeare performance troupe, a co-founder of the Nommo Cultural Arts Camp for under-privileged youth in Kingston, Jamaica, and a director. They share thoughts on their own work, their varied audiences, the role of equitable partnerships in their work, and how they nurture emerging artists. Listen in as these passionate artists discuss their experiences in creating theatre that, at its core, is a vehicle for communication of social thought and transformation. Originally recorded - December 17, 2012. Running Time - 1:11:28 © 2012 SDCF

Robert Lewis: On November 2, 1987, SDCF hosted a talk by Robert Lewis, a founding member of Society of Stage Directors and Choreographers, the Group Theatre, and the Actors Studio. He speaks with great charisma and dynamism of the founding of the Group Theatre, the Actors Studio, his experiences with some of the greatest stage actors of the 20th century (including Julie Harris, John Garfield), his views on a variety of topics including the reason for the lack of theatre companies, the absence of a national theatre, and the crafts of acting and directing and underlying technique. This humorous, comprehensive and insightful talk will enlighten theatre fans, artists and producers with Lewis's view of the history, craft, and evolution of theatre around the world in the 20th century. Originally recorded - November 2, 1987. Running Time - 1:00:23 © 1987 SDCF

On February 27, 1986, SDCF held a conversation on Effective Playwriting with Directors Stephen Porter and Howard Rossen, moderated by Playwright Stephen Fife. The jumping off point of this conversation is Somerset Maugham's quote "The purpose of prose drama is to afford delight. I do not think it can usefully concern itself with the welfare of humanity or the saving of civilization. In my opinion, what the theatre does best is to give pleasure by telling a story, delineating character, and by stirring emotions or causing laughter." Our panelists go on to discuss various aspects of plays including sentence length, scene structure, the importance of rhythm, as well as producorial aspects such as the pull between star vehicle and commercial quality and the need to challenge an audience. They frame much of their discussion by looking at The Constant Wife, and share their thoughts on why plays and writers became classics: Glengarry Glen Ross, ‘Night, Mother, Pinter, Shaw, Williams, Shaffer, Simon, and Mamet. This conversation is a master class for playwrights and directors on the many elements of a play and how to consider and improve upon a play while in production. Originally recorded - February 27, 1986. Running Time - 1:17:28 © 1986 SDCF

Downtown Opportunities for Directors and Choreographers: On October 1, 1998, SDCF hosted a panel on Downtown Opportunities for Directing and Choreography featuring producers from the vibrant downtown NY theatre scene including John Clancy, Ellie Covan, Kristin Marting, Wendy Rohan, Mark Russell, and David Tyree. These artistic leaders at the head of particularly prolific producing and presenting organizations discuss everything an artist or producer needs to know about working through these organizations. They explain why it is absolutely imperative to visit the space and understand the work of the organization before applying to the organization. They talk about their desire to create communities, and they shed light on the challenges of leading this type of arts organization. This conversation is valuable listening for artists, producers and administrators planning to approach or working within a smaller, vibrant, prolific organization. Originally recorded - October 1, 1998. Running Time - 1:18:29 © 1998 SDCF

On September 25, 1996, James Graves, Associate Director of SDCF, moderated a panel about Directing Opera. Panelists included Lillian Garrett-Groag, Mark Lamos, and Rhoda Levine. With great vibrancy and humor, the panelists consider the challenges of working in foreign countries, methods to navigate working in a foreign language, and the skills and knowledge necessary for theatre artists to work in opera. Most interestingly, their backgrounds are varied: a choreographer (Ms. Levine), a musician and actor (Mr. Lamos), and a multi-lingual director immersed in opera since childhood (Ms. Garrett-Groag). They delve deeply into the Director/Conductor relationship and elucidate the reasons why this is most significant in opera. And they share the thrills of doing new work, including experience developing operas based on the books Celia, A Slave, and Haroun and the Sea of Stories. This honest and open conversation among peers is essential listening for any artist aspiring to direct opera. Originally recorded - September 25, 1996. Running Time - 1:27:02 © 1996 SDCF