This Song – KUTX

Saintseneca's Zac Little explains how Paul McCartney's "Uncle Albert" showed him what how expansive making a recording could be. Then Sons of Bill explore how songs by Woody Guthrie, John Prine and Bill Evan's Trio blew their minds and describe what it's like to play in a band with your brothers.

"Song Exploder's" Hrishikesh Hirway explains how hearing "Yeh Hai Reshmi Zulfon Ka Andhera," at the age of 6 helped him understand a feeling that he would be able to draw inspiration from for his entire life. Basia Bulat explains why a live version of Sam Cooke's "Bring It On Home To Me," showed her how important connection was in music.

Hear Alessia Cara explain how she's inspired by the music of Amy Winehouse and Drake and what her current creative life is like. Then lThandiwe and Niambi Sala of the New York based hip hop duo Oshun explain how songs by Outkast and Billie Holiday helped them realize what it was they wanted to do with their own music.

John Doe talks about how hearing Lead Belly gave him a glimpse of the weirdness and darkness that lay beyond the mainstream. Then Jeff Klein from My Jerusalem talks about how a song by The Replacements took him from Neil Diamond and hair bands into the world of music that he genuinely loved and that would eventually inspire him to make music of his own.

Thao Nguyen from Thao and the Get Down Stay Down talks about her love for Lucinda Williams' "Drunken Angel" and the power of the "good hurt." Then the members of the Austin band BUHU talk about everything from the importance of good headphones to the placement of Dave Grohl's drumming to the necessity of love in music.

Bob Boilen, host of NPR's All Songs Considered, talks about the Beatles "A Day in the Life" which totally opened his mind up to the expansive capabilities of music and art. Then Austin artist Mobley explores how Kanye West's "808's and Heartbreak" showed him how important emotion and vulnerability in music could be.

M. Ward explores how John Fahey's record "The Yellow Princess" showed him that an artist could say everything he wanted using only one acoustic guitar. Then Dana Falconberry explains how the songs she learned while playing with Redding Hunter in the band "Peter and the Wolf" changed her approach to music.

White Denim's James Petralli explains how the Grateful Dead's "That's It For the Other One" helped him realize how he wanted to approach both the guitar and the recording studio. Then Bayonne explores how The Beach Boys' "God Only Knows" showed him how powerful openness and vulnerability in music could be.

Eugene Mirman explains why he chose to incorporate music into his latest release and stage show and talks about the music that inspires him...or doesn't. Then Elliot Frazier and Daniel Corborn of Ringo Deathstarr talk about how hearing Nirvana and Rage Against the Machine when they were kids helped them see that they could make music that was discordant, distorted and totally satisfying.

Butch Vig talks about how seeing the Who perform "My Generation" on the Smothers Brothers made him want to be become a drummer, and showed him the kind of energy he would later help others capture in the studio. Along the way talks about what it means to be a producer and about his new documentary "The Smart Studios Story."

Mark Mothersbaugh describes in vivid detail what is was like to see the Beatles for the first time on Ed Sullivan. Then Sabrina Ellis and Andrew Cashen from A Giant Dog and Sweet Spirit talk about the the riffs and raw power of Iggy Pop, the songwriting of Regina Spektor how they came to write songs together.

Josh Ritter explains how delving into the catalogue of Roger Miller helped him let go of the rules and find his voice for his new record "Sermon on the Rocks." Then producer John Carter Cash explains why the music of his grandmother, Mother Maybelle Carter, influenced his musical path even more than the work of his father, Johnny Cash.

Delbert McClinton tells the story of the first time he heard Big Joe Turner's "Honey Hush" wafting out of a window. From that moment on, he was driven to give everything he had to the blues. And Carrie Rodriguez tells the story of the first time she heard Bill Frisell and explains how it opened her up to the idea that traditional music need not be played in a traditional way.

What do John Aielli, David Bowie and Caracaras all have in common? Jonathan Meiburg from Shearwater has learned something from all of them. Hear about his many and varied interests and why he can't casually listen to music anymore in this first ever This Song extra!

Jonathan Meiburg explains how Vic Chesnutt's "Big Huge Valley" helped him realize there was a whole world of music bubbling beneath the mainstream. Plus, he makes the case that Nina Simone is the "best popular musician of the 20th century, and maybe the 21st century too." Then Emily Cross of Cross Record describes the effect Imogen Heap's "Hide and Seek" had on her while her partner Dan Duszynski explains how King Tubby expanded his ideas of what music could be.