Smarty Pants

Social science research confirms what seems obvious: our decisions don’t occur in a void, but rather are hugely influenced by our peers and social context. Society influences our behavior but, in turn, our behavior influences society. To put it another way, our social behaviors are contagious. Because of our respective environments, we may feel compelled to cheat on our taxes, drive heavy cars, or waste energy, because that’s what our peers are doing. In his new book, Under The Influence: Putting Peer Pressure to Work, Cornell economist and New York Times columnist Robert H. Frank combines psychological insight with economics to argue that we can’t build public policy on the assumption that individuals will make completely independent decisions. Most of our choices—whether it’s to buy an SUV or an electric car, to bike or drive or take the bus to work, to smoke or quit—are shaped by the society we live in. So why don’t we use the insights of behavioral contagion to push society in the direction we want it to go? Frank argues that we should, by using government policies—and especially taxes—in a much more clever and targeted way than before. Go beyond the episode: - Robert H. Frank’s Under the Influence: Putting Peer Pressure to Work - Read his essay about how individual decisions can produce cascading effects: “How peer pressure can stop climate change” - For more on how behavioral cascades happen, check out the 1992 study, “A Theory of Fads, Fashion, Custom, and Cultural Change as Informational Cascades” - Why tax evasion is trendy: read Jesse Eisinger and Paul Kiel’s story, “The IRS Tried to Take on the Ultrawealthy. It Didn’t Go Well.” - People who buy bigger houses aren’t happier, those who spent more on lavish weddings don’t stay married longer, and other examples of why spending money on material goods can’t buy you happiness Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook. Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.  See acast.com/privacy for privacy and opt-out information.

As of 2019, 49.7% of American renters spend more than a third of their household income on rent. One quarter of all renters are spending at least half their income on rent. Whole generations are being shut out of the housing market by the skyrocketing price of buying a home. How did we get here? To find out, you have to go much further back than the 2008 financial crisis, which was infamously built on the shaky foundations of subprime mortgages. In his new book, Golden Gates: Fighting for Housing in America, New York Times reporter Conor Dougherty uses the current housing crisis in California as a case study for the rest of the country, chronicling the building-level struggles, municipal policy fights, and sweeping economic changes that continue to rattle our notion of home. Go beyond the episode: - Conor Dougherty’s Golden Gates: Fighting for Housing in America - Read a 2019 report on just how much rent is eating into America's pocketbook - Tenants used rent strikes to win rent control in post–World War I New York City. Today, rent strikes are on the rise nationally, from Los Angeles to Washington, D.C.  - The rent control debates: a Stanford study from September 2019 blamed rent control for rising rents (though noting that it did lower displacement); another 2019 study from the Columbia Business School begged to differ; tenant advocates blamed industry-created loopholes in the law instead - Why can’t we just build more affordable housing? Blame the Faircloth Amendment, signed into law by President Bill Clinton in 1999. - For ideas from further afield, check out Berlin’s five-year rent freeze (or as a recent Bloomberg headline memorably put it: “No City Hates Its Landlords Like Berlin Does”) Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook. Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.  See acast.com/privacy for privacy and opt-out information.

Marie Arana is the award-winning Peruvian-American author of Silver, Sword, and Stone: Three Crucibles in the Latin American Story, a book about a whole continent that manages not to be a thousand pages long—even though it covers about a thousand years of history. She makes the compelling case that there are really three driving forces behind the entire region: exploitation and extraction; violence; and religion. Of course, all of these forces are deeply interrelated—and that’s the point. To drive home how tangled the past is with the present, Arana weaves the stories of three contemporary Latin Americans together with a millennium of history to ultimately show why you can’t really explain the rest of the world without first understanding the story of Latin America. Go beyond the episode: - Marie Arana’s Silver, Sword, and Stone: Three Crucibles in the Latin American Story - Read Richard Moe’s review on our website (“a long-overdue and persuasive corrective”) - Here’s a less blood-soaked tale from the cloisters of Peru: librarian Helen Hazen on a clutch of rare books tucked away in an Andean convent Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook. Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.  See acast.com/privacy for privacy and opt-out information.

Everywhere, all the time, it seems like we’re being sold on the idea that getting rid of things will solve our problems—from the life-changing magic of Marie Kondo to the streamlining of all those DVDs into digital subscriptions—and it’s all being sold under the label of minimalism. In his new book, The Longing for Less, Kyle Chayka criticizes this trend as a kind of upscale austerity designed to get you to buy and consume things. Maybe fewer things, but things nonetheless. Have we lost the true meaning of minimalism? Chayka takes readers through a history of art, design, and philosophy that goes much further back than the 1960s work of Agnes Martin, Donald Judd, and John Cage, to show that maybe the most meaningful part of “minimalism” is the search for meaning. Chayka has written for The New York Times Magazine, n+1, and The Paris Review, and he joins us in the studio to offer up a brand of minimalism that won’t bankrupt you, emotionally or financially. Go beyond the episode: - Kyle Chayka’s The Longing for Less: Living with Minimalism - Watch a short documentary about the painter Agnes Martin from the Tate - View Donald Judd's massive installations in Marfa or New York, and be sure to stop by Walter De Maria’s The Earth Room while you're at it - Poke around Philip Johnson’s Glass House - Listen to Julius Eastman's hypnotic composition “Stay on It” (and read more about him here) - Two Japanese touchstones of minimalism: Sei Shōnagon’s The Pillow Book and Junichirō Tanizaki’s In Praise of Shadows Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook. Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.  See acast.com/privacy for privacy and opt-out information.

In his previous book, Junkyard Planet, journalist Adam Minter went around the world to see what happened to American recyclables such as cardboard, shredded cars, and Christmas lights around the world as they became new things. In his new book, Secondhand, Minter looks at what happens to all the things that get resold and reused, objects that end up in Arizona thrift stores, Malaysian flea markets, Tokyo vintage shops, and Ghanaian used-electronics shops. Who’s buying the tons of goods that get downsized, decluttered, or discarded every year? Does the fact that we can just pass something off to a thrift shop justify our buying more things? What about the sheer scale of it all? Minter joins us in the studio to talk about how we filled the world with all this stuff, and what really needs to change for us to get out from under it—no matter where we live. This is our last episode of 2019. We’ll be back at the end of January, refreshed and ready to introduce you to some of the most interesting voices writing today. See you in 2020! ’Til then, take care, and stay sharp. Go beyond the episode: - Adam Minter’s Secondhand: Travels in the New Global Garage Sale - Want to learn more about the impacts of fast fashion on consumption and waste? Listen to our episode “Fashion Kills” with Dana Thomas - For our Autumn 2019 issue, Rob G. Green visited Kumasi, Ghana, to write about another problem created by the secondhand market—toxic scrap-tire fires - Where does the money that Goodwill makes from selling donations actually go? - Learn more about the staggering scale of Anglo-American consumption in Susan Strasser’s Waste and Want: A Social History of Trash - Abandon your idols: Mari Kondo has begun selling you junk to replace the junk you just KonMari’d - Read more about why local textile industries are dying in Ghana and African countries more broadly - Might recycling pose a similar “moral hazard” to wearing seat belts? Some consumer psychologists suspect that the option to recycle might actually increase resource consumption - Learn more about the Right to Repair movement Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook. Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.  See acast.com/privacy for privacy and opt-out information.

Two years ago, Carmen Maria Machado pushed the weird and gothic into the mainstream with her debut short story collection, Her Body and Other Parties, which was a finalist for the National Book Award and made her a Guggenheim Fellow. Now she’s back with In the Dream House, a memoir of a harrowing relationship told in a splintered, fractured style. The list of chapters reads like an introduction to literary tropes 101: dream house as an exercise in point of view, as a memory palace, as a stranger comes to town, as a plot twist. Ultimately it is, as one title puts it, an exercise in style, but one in which Machado considers all the territory surrounding the dream house: stereotypes about lesbian relationships as safe or as hysterical, her religious adolescence, the insufficiency of the law, and the absence in the archives of stories that don’t fit traditional demographics of abuse. Go beyond the episode: - Carmen Maria Machado’s In the Dream House (and read the prologue) - Read the collection that inspired the devious chapter, “Dream House as Choose Your Own Adventure,” Kevin Brockmeier’s The Human Soul as a Rube Goldberg Device - Read about the 1940s thriller that gave us the phrase “gaslighting” in J. Hoberman’s essay, “Why ‘Gaslight’ Hasn’t Lost Its Glow” - Two essays Machado cites in her afterword, both about intimate partner violence: Conner Habib’s “If You Ever Did Write Anything About Me, I’d Want It to Be About Love” and Jane Eaton Hamilton’s “Never Say I Didn’t Bring You Flowers” Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook. Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.  See acast.com/privacy for privacy and opt-out information.

When thinking of the past, one of the hardest things is to imagine what it would have been like to inhabit a physical body in a world so different in look, smell, and feel from our own. What was it like to go to the doctor 800 years ago? If you cut your finger and bled, what would that blood mean to you? What about the blood of saints—would that be different? What about exercising, eating, giving birth, having sex, burying the dead? The way we think about these experiences fundamentally changes how we experience them. So how has our thinking changed since the Middle Ages? Jack Hartnell’s new book, Medieval Bodies, explores the answers to these questions through a series of vivid objects, stories, texts, and paintings, starting with the head and meandering through skin and heart and stomach all the way to the feet. Along the way, he constructs a living, breathing body of evidence that helps us understand our physical past. Quick note: In our sign off, we promised a Thanksgiving episode—but a holiday cold has made liars of us, and we cannot put one out! We'll be back with a brand new interview on Friday, December 6th. Til then, take care, and stay warm! Go beyond the episode: - Jack Hartnell’s Medieval Bodies: Life and Death in the Middle Ages (read an excerpt here) - View a slideshow of related bodily medieval images on the episode page - For more on medieval women’s medicine, check out Monica Green’s Making Women’s Medicine Masculine or her paper, “Gendering the History of Women’s Healthcare” - For another unusual angle of medieval history, check out our interview with Marion Turner, who wrote an innovative biography of Geoffrey Chaucer Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook. Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.  See acast.com/privacy for privacy and opt-out information.

If you’re a person who has despaired over ever finding a nice 100 percent wool sweater and decided to knit your own, odds are you’ve heard of Clara Parkes. Parkes, who started out in 2000 with a newsletter reviewing yarn, now has six books under her belt, including the New York Times best-selling Knitlandia. Her seventh book, Vanishing Fleece, is a yarn of a different kind—the unlikely story of how she became the proud proprietor of a 676-pound bale of wool and, in the process of transforming it into commercial yarn, got an inside look at a disappearing American industry. Parkes journeys across the country from New York to Wisconsin and Maine to Texas. Along the way, she meets shepherds, shearers, dyers, and the countless mill workers who tend the machinery that’s kept us in woolens for more than a century, but which for the past 50 years has been on the verge of collapse. Go beyond the episode: - Clara Parkes’s Vanishing Fleece: Adventures in American Wool - Peruse her reviews of yarn and other woolly wares on the Knitter’s Review website - Watch yarn company Brooklyn Tweed’s gorgeous video series on how woolen-spun and worsted-spun yarn is made—and how greasy fleece is scoured into clean, fluffy combed wool - Some of the woolly companies mentioned in this episode: Allbirds wool shoes, Farm to Feet wool socks, Catskill Merino yarn (the source of her 676-pound bale), Lani Estill’s carbon-neutral Bare Ranch, ElsaWool breed-specific yarns Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook. Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.  See acast.com/privacy for privacy and opt-out information.

To get into the Halloween spirit, we’ve invited Assistant Editor Katie Daniels and Editorial Assistant Taylor Curry, the hosts of [Spoiler Alert], our online book club, to interview the literary critic Ruth Franklin. Their October book is Shirley Jackson’s We Have Always Lived in the Castle, the suspenseful tale of the two Blackwood sisters and the mysterious murder that took place at their house. For a long time, Jackson’s hard-to-categorize novels and humorous parenting memoirs took the backseat to her (in)famous short story, “The Lottery.” That’s starting to change, thanks to film and television adaptations—and Ruth Franklin’s critically acclaimed biography, Shirley Jackson, which argued that her writing is an important contribution to the American gothic tradition. Go beyond the episode: - Ruth Franklin’s Shirley Jackson: A Rather Haunted Life, which won the Phi Beta Kappa Christian Gauss Award for biography (and read our glowing review) - Join [Spoiler Alert], our monthly online book club and tune in today at 5 PM EST for a live discussion - Watch the spooky trailer for the 2019 adaptation of Jackson’s We Have Always Lived in the Castle Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook. Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.  See acast.com/privacy for privacy and opt-out information.

This week, WeWork got a huge bailout from an investor after its plan to go public went belly-up amid disclosures of rampant mismanagement. Now the company can’t even afford to lay off the thousands of employees it would like to because it can’t afford to pay their severance packages. The parallels to Uber, which did go public this fall, are striking: just like WeWork, Uber was a unicorn startup—lavishly funded and poised to take its place in the tech pantheon. And like WeWork’s Adam Neumann, Uber CEO Travis Kalanick was ousted by investors and made millions on the way out the door. When that happened in 2017, Uber went through a public reckoning, but the full details of the company’s misdeeds were only revealed this fall. Award-winning New York Times technology correspondent Mike Isaac has reported on Uber from its beginnings, and his new book, Super Pumped, tells the whole story of how Uber came to symbolize everything that has gone wrong with Silicon Valley. Isaac joins us in the studio to take us inside Uber, while it was rising and as it was falling. Go beyond the episode: - Mike Isaac’s Super Pumped: The Battle for Uber - Listen to “Get Rich or Die Trying,” our podcast interview with reporter Corey Pein on his experiences in Silicon Valley - For more on Adam Neumann’s downfall, read Matt Stoller’s take on “WeWork and Counterfeit Capitalism” in his newsletter Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook. Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.  See acast.com/privacy for privacy and opt-out information.

Two decades ago, Isabella Tree and Charlie Burrell turned their 3,500-acre farm in West Sussex, England, into a massive outdoor laboratory. They decided to cede control of their land to nature and watched it slowly grow wild again. Now, at what they call Knepp Wildland, herds of fallow deer, Exmoor ponies, and longhorn cows do battle with scrubland and tree branches, while Tamworth pigs rustle in the hedgerows and strengthen mycorrhizal networks in the soil. The result of this experiment is burgeoning biodiversity and resilience, as endangered species like turtledoves, nightingales, and rare butterflies inhabit a landscape unseen in England since the Middle Ages. Isabella Tree joins us to talk about what life is like in a wild world, and how Knepp has ignited a reckoning with traditional methods of land stewardship and conservation. We are re-running this episode to celebrate the U.S. release of Wilding, her book about the project. Go beyond the episode: - Isabella Tree’s Wilding: The Return of Nature to a British Farm - View photos and video from Knepp Wildland on our episode page - Read more about Knepp (and plan a visit!) on their website - Watch a short video about Knepp’s beaver-like efforts to return the River Adur to a rewilded state - Check out the whole range of “Kneppflix” wildlife videos - Elizabeth Kolbert’s profile of Frans Vera’s work at the Oostvaardersplassen - Learn more about rewilding efforts across Europe, from Portugal to Poland Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.  See acast.com/privacy for privacy and opt-out information.

Despite the rampant success of books like Mari Kondo's The Life-Changing Magic of Tidying Up, intellectual circles tend to look down on anything that sells itself as self-help. And yet, in a certain light, the most original form of self-help might actually be philosophy—an older and more respected genre, even, than the novel. So this week, we're going back to the past and asking that old chestnut: what is a meaningful life? The Stoics are awfully popular these days, but the philosopher Catherine Wilson joins us this episode to pitch a different kind of Greek: Epicurus, whose teachings live on most fully in Lucretius’s On the Nature of Things. For a few centuries, Epicurus was wrongly remembered as the patron saint of whoremongers and drunkards, but he really wasn't: his philosophy is rich with theories of justice, empiricism, pleasure, prudence, and equality (Epicurus, unlike the Stoics, welcomed women and slaves into his school). Epicureanism advocated for a simple life, something that appeals to more and more people today with the return to artisan crafts, self-sufficiency, and, yes, the KonMari method. Go beyond the episode: - Catherine Wilson’s How to Be an Epicurean - Read A. E. Stallings’s recent translation of Lucretius’s On the Nature of Things - Or read Karl Marx’s university thesis on Epicurus, “The Difference Between the Democritean and Epicurean Philosophy of Nature” Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook. Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.  See acast.com/privacy for privacy and opt-out information.

Love it, hate it, or refuse to listen to anything released after 1980—however you feel about country music, you can’t drive across the United States without hearing it. Even people who don’t appreciate the genre have been thinking about it lately, as the controversy over Lil Nas X’s exclusion from the Billboard country music charts has inspired discussion of country music, racism, and who gets to use trap beats on their tracks. It looked to a lot of people as if a genre that had traditionally celebrated outlaws and outsiders were locking its gates against a new kind of outsider. But as this week’s guest, the historian Peter La Chapelle, points out, none of this is new. Country music has been deployed to political ends since its birth in Appalachia. Nowhere is this more striking than on the campaign trail, where scores of politicians have used country music to appeal to voters. On the show, La Chapelle explains how fiddler-politicians and politician-fans have used this oddly flexible genre to advocate for the poor and dispossessed, fight for racial justice, fight against racial justice, lobby for gun rights, and articulate a whole range of sometimes contradictory positions. Go beyond the episode: - Peter La Chapelle’s I’d Fight the World: A Political History of Old-Time, Hillbilly, and Country Music - For an exhaustive introduction to the stars of old school country—from Ernest Tubb to Loretta Lynn—check out our host’s favorite music show, the Cocaine & Rhinestones podcast, or follow the crowds to Ken Burns’s Country Music - Read “Canon Fodder,” Shuja Haider’s impassioned critique of country music’s constant exclusion from “Best Of” album lists—and “The Invention of Twang,” his take on Lil Nas X (you can read Billboard’s defense of their decision to exclude Lil Nas X from the country charts here) - For more on country music’s relationship with race (and racism), check out Charles L. Hughes’s book Country Soul: Making Music and Making Race in the American South - And read “The Roots of Country Music,” Dahleen Glanton’s essay on the country music establishment’s attempts in the 1990s to honor black country musicians - Listen to the Carolina Chocolate Drops, an old-time string band highlighting black country songs fronted by Rhiannon Giddens; Dom Flemons used to be a member Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook. Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. This episode features a song by the Downtown Mountain Boys recorded at KBOO and available at the Free Music Archives.  See acast.com/privacy for privacy and opt-out information.

The United States has an uneven record when it comes to refugees. It infamously refused to accept a boatload of Jewish refugees fleeing the Holocaust; at other times, it took in huge numbers of refugees from all over the world. As recently as 1980, we admitted more than 200,000 people. But that number has plummeted to its lowest level in 40 years: in 2018, only 22,491 people were permitted to resettle here, less than half the number admitted the year before. Why do we treat refugees differently today? Why do we distinguish between refugees and immigrants? These are some of the questions at the heart of Dina Nayeri's new book, The Ungrateful Refugee. Dina and her family fled Iran as refugees in 1989, first landing in Italy, and later in Oklahoma, before continuing her nomadic journey across the world. On the podcast, Dina shares her own story and those of others to reveal “what immigrants never tell you”: that being a refugee is painfully disorienting and excruciatingly boring—and it mostly involves waiting around for the chance to tell a government official the right story in the right way. Go beyond the episode: - Dina Nayeri’s The Ungrateful Refugee - Read a long excerpt in The Guardian - UNHCR, the UN Refugee Agency, has figures on current numbers of internally displaced people, refugees, and asylum-seekers (and explains the difference between these categories) Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook. Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.  See acast.com/privacy for privacy and opt-out information.

More than a century ago, Antonín Dvořák prophesied that American music would be rooted in the black vernacular. It’s come true, to a certain extent: when we think of American music—jazz, blues, rock, hip hop, rap—we are thinking of music invented by black musicians. The field of classical music, however, has remained stubbornly white. At one point in the last century, classical music was on the cusp of a revolution: the Englishman Samuel Coleridge-Taylor was writing works like his Twenty-Four Negro Melodies, Dvořák’s own assistant Harry Burleigh was reimagining black spirituals for the concert stage that would be performed by the likes of Marian Anderson. And the lineage continued with William Grant Still, Nathaniel Dett, Florence Price, and Margaret Bond. The arrival in 1934 of William L. Dawson’s Negro Folk Symphony seemed to usher in the imminent fulfillment of Dvořák’s prophecy—and yet Dawson never wrote another symphony. Why not? Joseph Horowitz, a cultural historian and the executive director of the PostClassical Ensemble, joins the podcast to explore why. Scholar managing editor Sudip Bose guest-hosts. Go beyond the episode: - Read Joseph Horowitz’s essay, “New World Prophecy,” from our Autumn 2019 issue - And read more about Antonín Dvořák’s time in Spillville, Iowa, in Tom Zoellner’s essay, “No Harmony in the Heartland,” about how the national struggle over immigration has hit an American town built by immigrant Czechs - Listen to Leopold Stokowski conduct the American Symphony Orchestra’s 1963 performance of William L. Dawson’s Negro Folk Symphony - Listen to Samuel Coleridge-Taylor’s Twenty-Four Negro Melodies, played by David Shaffer-Gottschalk - Listen to Marian Anderson perform Harry Burleigh’s composition of the spiritual “Deep River” - Listen to Dietrich Fischer-Dieskau perform Charles Ives’s extraordinary setting of “Feldeinsamkeit” - Read about the rediscovery of the composer Florence Price And keep an eye out for Dawson’s Negro Folk Symphony at the following events: - Georgetown University’s PostClassical Ensemble will perform the second movement on April 25, 2020 - The Brevard Music Festival may perform the complete symphony next summer Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook. Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.  See acast.com/privacy for privacy and opt-out information.