The Creative Writer's Toolbelt

This rather Christmassy episode is a review of my favourite reads of 2016. It's a subjective review, just stuff I've read that I liked, and a bit about why I liked it. Also news about the CWT 2017 listener and subscriber survey.Take part to be entered into the prize draw and get a copy of the Overview of the forthcoming Handbook.

This very special episode takes us inside one of the most iconic publishing houses in the world. The episode comprises four conversations with press, marketing and commissioning staff at Gollancz; the fantasy, horror, and science fiction imprint. The episode includes a conversation with Gollancz's Publishing Director, Gillian Redfearn. Many of you will know Gollancz as the publisher of prominent authors like Brandon Sanderson, Ben Aaronovitch, Stephen Baxter and Al Reynolds as well classic books from the likes of Arthur C Clarke, Philip K Dick, and Terry Pratchett. These conversations cover issues that apply to writers from all genres; from tips on submissions to what a publisher wants from their authors, and from the the importance of voice through to the mistakes aspiring authors make in their manuscripts, and how to avoid them. And for those interested in submitting material directly to Gollancz there’ll be news on what their submission plans are for 2017.

This very special episode takes us inside one of the most iconic publishing houses in the world. The episode comprises four conversations with press, marketing and commissioning staff at Gollancz; the fantasy, horror, and science fiction imprint. The episode includes a conversation with Gollancz's Publishing Director, Gillian Redfearn. Many of you will know Gollancz as the publisher of prominent authors like Brandon Sanderson, Ben Aaronovitch, Stephen Baxter and Al Reynolds as well classic books from the likes of Arthur C Clarke, Philip K Dick, and Terry Pratchett. These conversations cover issues that apply to writers from all genres; from tips on submissions to what a publisher wants from their authors, and from the the importance of voice through to the mistakes aspiring authors make in their manuscripts, and how to avoid them. And for those interested in submitting material directly to Gollancz there’ll be news on what their submission plans are for 2017.

Loved and hated in equal measures, the flashback remains a firm favourite with authors. When it's done well it can enthrall readers, give them a poignant and dramatic experience, and drive the engine of your story. Done badly, and it will leave your reader confused and frustrated. In this episode we look at the good and bad of the flashback scene, and identify the guiding principles for using this type of scene appropriately.

Loved and hated in equal measures, the flashback remains a firm favourite with authors. When it's done well it can enthrall readers, give them a poignant and dramatic experience, and drive the engine of your story. Done badly, and it will leave your reader confused and frustrated. In this episode we look at the good and bad of the flashback scene, and identify the guiding principles for using this type of scene appropriately.

This episode is a wide ranging interview with commissioning editor Anne Perry from Hodder and Stoughton. Anne draws on her experience to talk about how the commissioning process works, what an author should be prepared to do to help with the process, and what she wants to see in a manuscript. Anne also gives us some advice on writing action and romance scenes, and how to tackle the presentation of characters from diverse backgrounds. Enjoy!

This episode is a wide ranging interview with commissioning editor Anne Perry from Hodder and Stoughton. Anne draws on her experience to talk about how the commissioning process works, what an author should be prepared to do to help with the process, and what she wants to see in a manuscript. Anne also gives us some advice on writing action and romance scenes, and how to tackle the presentation of characters from diverse backgrounds. Enjoy!

Writing the closing scene of a story is more than just tying up the loose ends and sending our characters off into the sunset. We want to leave our readers with the best possible impression of our work, so that they have fond memories of reading what we have written but also to ensure they come back for more, and tell others why they should read our work as well. In this episode we look at the principles for finishing well, as they apply to the stand alone story, and one of a series.

Writing the closing scene of a story is more than just tying up the loose ends and sending our characters off into the sunset. We want to leave our readers with the best possible impression of our work, so that they have fond memories of reading what we have written but also to ensure they come back for more, and tell others why they should read our work as well. In this episode we look at the principles for finishing well, as they apply to the stand alone story, and one of a series.

We all know the opening scene in any book is the critical moment to make your mark on the reader, to grab their interest, to set out your stall, and to keep them hooked. This episode explores the four principles that make an opening scene work and give your whole story a great start

We all know the opening scene in any book is the critical moment to make your mark on the reader, to grab their interest, to set out your stall, and to keep them hooked. This episode explores the four principles that make an opening scene work and give your whole story a great start

This episode first appeared (briefly!) back in 2014 but mysteriously disappeared, making it a missing episode. It's a conversation with the writer Bob Hartman. Bob is a children’s writer and storyteller, he draws inspiration from the Bible and classical sources like Aesop’s fables for his work. In this interview he talks about the essentials of writing for children as well as storytelling and how to approach a publisher.

This episode first appeared (briefly!) back in 2014 but mysteriously disappeared, making it a missing episode. It's a conversation with the writer Bob Hartman. Bob is a children’s writer and storyteller, he draws inspiration from the Bible and classical sources like Aesop’s fables for his work. In this interview he talks about the essentials of writing for children as well as storytelling and how to approach a publisher.

In this episode we use the development of a scene to illustrate a critical element of the author:reader relationship, that’s the implied deal that you, the author, have with your readers. We are going to look at what that deal is, and how you can make good on the reader's expectations that you are going to be competent and honest. We’ll explore some techniques that you can apply, scene by scene, and to help us we’re going to borrow a practice from the world of the theatre known as ‘blocking’.

In this episode we use the development of a scene to illustrate a critical element of the author:reader relationship, that’s the implied deal that you, the author, have with your readers. We are going to look at what that deal is, and how you can make good on the reader's expectations that you are going to be competent and honest. We’ll explore some techniques that you can apply, scene by scene, and to help us we’re going to borrow a practice from the world of the theatre known as ‘blocking’.