Helping Writers Become Authors
Summary: Helping Writers Become Authors provides writers help in summoning inspiration, crafting solid characters, outlining and structuring novels, and polishing prose. Learn how to write a book and edit it into a story agents will buy and readers will love. (Music intro by Kevin MacLeod.)
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- Artist: K.M. Weiland
- Copyright: ℗ & © 2009 K.M. Weiland
Podcasts:
At first blush, scene structure can be a subject that takes a while to fully grasp and, as a result, can spawn all kinds of questions.
To help you realize the possibilities of the sequel, let's take a look at some of the common variations we find.
This third and final piece of the sequel grows out of the character's dilemma and leads right into the next scene's goal.
Handled skillfully, a good dilemma can heighten tension, make characters more sympathetic, and, most importantly, keep readers turning those pages.
As soon as your previous scene's disaster hits, your character is going to experience an immediate and instinctive emotional reaction.
The sequel is every bit as important as the scene, since it allows characters to process the events of the scene and figure out their next move.
The great thing about structure is that it provides a solid framework for your story, while still presenting endless possibilities.
Scene disasters come in every variety imaginable, but we can attempt to narrow them down into the four basic categories.
Conflict can come in a variety of flavors, but most can be sorted into five categories.
Most scene goals will boil down into one of five categories.
Today, we're going to take a look at the three basic building blocks of the scene.
The scene - that most integral, most obvious, most universal part of any story - is also the most overlooked and least understood when it comes to the craft of storytelling.
Readers will forgive a character just about any flaw, but never cowardice.
Non-writers can't bring technical knowledge of the craft to the table, but they bring something else: their objective experience as readers.
The delete button is both the writer's best friend and worst enemy.