raagarasika

In this segment, we discuss the raaga Atana. Using a Papanasam Sivam composition, Vidya shares with us this raaga's high emotive appeal. She also illustrates key phrases in this raaga and describes its form and scope. We conclude the episode by covering some well known Atana compositions one can expect to hear at concerts. Download Standard Podcasts

In this segment, we discuss the raaga Atana. Using a Papanasam Sivam composition, Vidya shares with us this raaga's high emotive appeal. She also illustrates key phrases in this raaga and describes its form and scope. We conclude the episode by covering some well known Atana compositions one can expect to hear at concerts. Download Standard Podcasts

In this segment, we discuss the raaga Atana. Using a Papanasam Sivam composition, Vidya shares with us this raaga's high emotive appeal. She also illustrates key phrases in this raaga and describes its form and scope. We conclude the episode by covering some well known Atana compositions one can expect to hear at concerts.

We conclude our series showcasing listener submissions with a snippet from Smt. K. S. Vasanthalakshmi from New Delhi, India. Her submission is the Muthuswami Dikshitar Navagraha kriti "Brihaspate Tarapate", in the raaga Atana. Vidya elaborates on the meaning of this song and shares a high-level overview on the group of songs commonly referred to as the Navagraha kritis. We would like to thank each of our listener contributors for their enthusiastic participation in this sub-series. Download Standard Podcasts

We conclude our series showcasing listener submissions with a snippet from Smt. K. S. Vasanthalakshmi from New Delhi, India. Her submission is the Muthuswami Dikshitar Navagraha kriti "Brihaspate Tarapate", in the raaga Atana. Vidya elaborates on the meaning of this song and shares a high-level overview on the group of songs commonly referred to as the Navagraha kritis. We would like to thank each of our listener contributors for their enthusiastic participation in this sub-series. Download Standard Podcasts

We conclude our series showcasing listener submissions with a snippet from Smt. K. S. Vasanthalakshmi from New Delhi, India. Her submission is the Muthuswami Dikshitar Navagraha kriti "Brihaspate Tarapate", in the raaga Atana. Vidya elaborates on the meaning of this song and shares a high-level overview on the group of songs commonly referred to as the Navagraha kritis. We would like to thank each of our listener contributors for their enthusiastic participation in this sub-series.

Continuing our series featuring listener submissions, we showcase a rendition on the veena by Sri. Srinivas Raghavan, from Chennai, India. His submission is a tillana composed by Dr. M. Balamuralikrishna, in the raaga Brindavani. Vidya highlights some of the salient aspects of this raaga and also shares with us another tillana in the same raaga, composed by her guru Sri. Lalgudi Jayaraman. Download Standard Podcasts

Continuing our series featuring listener submissions, we showcase a rendition on the veena by Sri. Srinivas Raghavan, from Chennai, India. His submission is a tillana composed by Dr. M. Balamuralikrishna, in the raaga Brindavani. Vidya highlights some of the salient aspects of this raaga and also shares with us another tillana in the same raaga, composed by her guru Sri. Lalgudi Jayaraman. Download Standard Podcasts

Continuing our series featuring listener submissions, we showcase a rendition on the veena by Sri. Srinivas Raghavan, from Chennai, India. His submission is a tillana composed by Dr. M. Balamuralikrishna, in the raaga Brindavani. Vidya highlights some of the salient aspects of this raaga and also shares with us another tillana in the same raaga, composed by her guru Sri. Lalgudi Jayaraman.

Continuing our series on listener submissions, we feature a snippet from Smt. Uma Sankar from Massachusetts, USA. Her submission is a Muthuswami Dikshitar composition, "Sri Rama Saraswati Sevitham" in raaga Nasamani. The second featured submission is from 7 year old Ananya Rajesh of Wisconsin, USA -- "Maakelera Vicharamu", a Tyagaraja composition with a profound philosophical meaning in raaga Ravichandrika. We conclude this segment by playing a short snippet from a similarly themed composition by Annamacharya: "Nanati Baduku", rendered by the legendary singer Smt. M.S. Subbalakshmi. Download Standard Podcasts

Continuing our series on listener submissions, we feature a snippet from Smt. Uma Sankar from Massachusetts, USA. Her submission is a Muthuswami Dikshitar composition, "Sri Rama Saraswati Sevitham" in raaga Nasamani. The second featured submission is from 7 year old Ananya Rajesh of Wisconsin, USA -- "Maakelera Vicharamu", a Tyagaraja composition with a profound philosophical meaning in raaga Ravichandrika. We conclude this segment by playing a short snippet from a similarly themed composition by Annamacharya: "Nanati Baduku", rendered by the legendary singer Smt. M.S. Subbalakshmi. Download Standard Podcasts

Continuing our series on listener submissions, we feature a snippet from Smt. Uma Sankar from Massachusetts, USA. Her submission is a Muthuswami Dikshitar composition, "Sri Rama Saraswati Sevitham" in raaga Nasamani. The second featured submission is from 7 year old Ananya Rajesh of Wisconsin, USA -- "Maakelera Vicharamu", a Tyagaraja composition with a profound philosophical meaning in raaga Ravichandrika. We conclude this segment by playing a short snippet from a similarly themed composition by Annamacharya: "Nanati Baduku", rendered by the legendary singer Smt. M.S. Subbalakshmi.

In this segment, we feature a submission from 3rd grader Kum. Srinidhi Ananth of New Jersey, USA. Her submission is a Tyagaraja composition "Entha Nerchina" in the raaga Suddha Dhanyasi, also known as Udayaravichandrika. Vidya uses this submission to elaborate on Suddha Dhanyasi raaga, and shares snippets from several popular songs by other composers. We finish this episode by discussing the naming convention of this raaga in the Dikshithar and the Thyagaraja schools of music. Download Standard Podcasts

In this segment, we feature a submission from 3rd grader Kum. Srinidhi Ananth of New Jersey, USA. Her submission is a Tyagaraja composition "Entha Nerchina" in the raaga Suddha Dhanyasi, also known as Udayaravichandrika. Vidya uses this submission to elaborate on Suddha Dhanyasi raaga, and shares snippets from several popular songs by other composers. We finish this episode by discussing the naming convention of this raaga in the Dikshithar and the Thyagaraja schools of music. Download Standard Podcasts

In this segment, we feature a submission from 3rd grader Kum. Srinidhi Ananth of New Jersey, USA. Her submission is a Tyagaraja composition "Entha Nerchina" in the raaga Suddha Dhanyasi, also known as Udayaravichandrika. Vidya uses this submission to elaborate on Suddha Dhanyasi raaga, and shares snippets from several popular songs by other composers. We finish this episode by discussing the naming convention of this raaga in the Dikshithar and the Thyagaraja schools of music.