Doctor Who: Adventures in Time, Space and Music

In this episode we’ll be looking at the music of the Doctor’s composer Dudley Simpson focusing on his work on Series 16, the Key to Time. In this episode we will look at his work on Serial 5E – Story 102 – The Power of Kroll, a 4-part story which originally aired between the 23rd of December, 1978 and the 13th of Jannuary, 1979 on BBC One. ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation. I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm. ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries. On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music,

In this episodewe’ll be looking at the music of the Doctor’s composer Dudley Simpson focusing on his work on Series 16, the Key to Time. In this episode we will look at his work on Serial 5D – Story 101 – The Androids of Tara, a 4-part story which originally aired between the 25th of November and the 16th of December, 1978 on BBC One. ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation. I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm. ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries. On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music,

In this episode we’ll be looking at the music of the Doctor’s composer Dudley Simpson focusing on his work on Series 16, the Key to Time. In this episode we will look at his work on Serial 5C – Story 100 – The Stones of Blood, a 4-part story which originally aired between the 28th of October and the 18th of November, 1978 on BBC One. ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation. I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm. ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries. On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music,

In this episode we’ll be looking at the music of the Doctor’s composer Dudley Simpson focusing on his work on Series 16, the Key to Time. In this segment we’ll be looking at the music of Dudley Simpson focusing on his work on Series 16, the Key to Time. We will examine his work on Serial 5A – Story 98 – The Ribos Operation, a 4-part story which originally aired between the 2nd of September and the 23rd of September 1978 on BBC One. ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation. I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm. ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries. On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata,

In this episode we’ll be looking at the music of the Doctor’s composer Dudley Simpson focusing on his work on Series 16, the Key to Time. We will examine his work on Serial 5A – Story 98 – The Ribos Operation, a 4-part story which originally aired between the 2nd of September and the 23rd of September 1978 on BBC One. ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation. I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm. ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries. On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol,

In this minisode we’ll be looking at the music of Malcolm Clarke. In this segment we will look at his work on Serial 6S – Story 136 – The Twin Dilemma – which originally aired between the 22nd and the 30th of March, 1984 on BBC One. NOTE: This minisode aired as a segment on the THE FLASHING BLADE Podcast Episode 1-105 on Saturday, 13 August, 2011 – http://flashingblade.libsyn.com/the-flashing-blade-podcast-1-105-doctor-who-podcast ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation. I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm. ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries. On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra,

In this minisode we’ll be looking at the music of Keff McColluch. In this segment we will look at his work on Serial 7D – Story 144 – Time and the Rani which originally aired between the 7th and the 28th of September, 1987 on BBC One. NOTE: This minisode aired as a segment on the THE KRYNOID PODCAST on Tuesday, 14 June, 2011 – http://krynoid.blog.co.uk/2011/06/14/021-time-and-the-rani-11316562/ ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation. I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visit http://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm. ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries. On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra,

Nicholas Courtney, most known for playing the now retired Brigadier of the United Nations Intelligence Taskforce – Sir Alistair Gordon Lethbridge-Stewart, passed away on the 22nd of February 2011 after a prolonged battle with cancer. Beloved by fans for both his warmth and his advocacy of the show, both during it’s initial run and after the classic series ended in 1989, Courtney appeared in 102 televised episodes of Doctor Who, the 1990s special Dimensions in Time, many Big Finish audio productions, as well as the Brigadier’s final on screen appearance in the 2008 Sarah Jane Adventures story the Enemy of the Bane. As part of the UNIT family in the 1970s,and although he never had the opportunity to travel in the TARDIS onscreen, the legacy that Courtney’s brigadier has on the show can still be felt in the current revival, since Doctor Who returned to our screens in 2005. It had been intended that he would appear alongside David Tennant’s Doctor in the Sarah Jane Adventures 2009 story The Wedding of Sarah Jane Smith, but alas, his ailing health had begun to make future appearances impossible. It is with great sadness we say farewell to Brigadier Alistair Gordon Lethbridge-Stewart and the actor who brought him to life – as the Brigadier has gone to Geneva for the last time. NOTE: This minisode remembrance of actor Nicholas Courtney originally aired as a segment on the THE KRYNOID PODCAST on Tuesday, 1 March, 2011 – http://krynoid.blog.co.uk/2011/03/01/017-the-three-doctors-10733840/ ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation. I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music,

In this minisode we will look at his work on Serial 4A – Story 75 – Robot which originally aired between the 7th and the 28th of December, 1974 and 18th of January, 1975 on BBC One. NOTE: This minisode aired as a segment on the THE FLASHING BLADE Podcast Episode 1-98 on Saturday, 18 June, 2011 – http://flashingblade.libsyn.com/the-flashing-blade-podcast-1-98 ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation. I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm. ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries. On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata,

PROFESSOR HOW!!! – EPISODE 22 – LOVE AND MOZART Professor How was Written, Directed and also Staring Graeme “The2ndDoctor” Sheridan, also Staring Adam J. Purcell from the Staggering Stories Podcast and Dr. Phillip “Dr. Phill” Serna from the Adventures in Time Space and Music Podcast. The Music is by Danny Stewart, artwork by Mr. Chinn of the Ministry. Other Helpful hints and Ideas by Robert Wentz. This has been a Jokerfilemedia production on Talkshoe and is available on iTunes and on Talkshoe ID’s 57949 for The2ndDoctors Podcast and 59601 for Professor How. PROFESSOR HOW!!! – http://www.jokerfilemedia.de/Podcast.html PROFESSOR HOW!!! IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ OPEN AUDIO RECORDINGS USED: Mozart – Overture to Don Giovanni, K.527 – http://commons.wikimedia.org/wiki/File:Wolfgang_Amadeus_Mozart_-_Don_Giovanni_-_Overt%C3%BCre.ogg The Fulda Symphonic Orchestra, recorded April 9, 2000 at the Fürstensaal des fuldaer Stadtschlosses under the direction of Simon Schindler _____________________________ PROFESSOR HOW: LOVE AND MOZART GRAEME “The2ndDoctor” SHERIDAN : PROFESSOR HOW ADAM J PURCELL: ADAM DR PHILLIP SERNA : MO ZART. SAID-T LANDING. PROFESSOR HOW So lets see where we’ve ended up this time eh? Oh yeah alone never mind, I’m sure something will turn up soon. SOUND: RUNNING PROFESSOR HOW Right on Cue! ADAM Professor! Professor!Professsssooooorrrrrr! PROFESSOR HOW Yeah Yeah, I heard you the first time! Aaanng on how do you know who I am? ADAM Er well ummm, Ahhh yes. PROFESSOR HOW I’m waiting! ADAM Yes you are! sorry er umm well Ahhh, yes… PROFESSOR HOW Spit it out man, got a frog in your throat? ADAM Er well, excuse me. PROFESSOR HOW Frog as a figure of speech not literally! ADAM Well er one can’t be sure when your around. PROFESSOR HOW Feeling better now? so what can I do you for, and HOW…DO…YOU…KNOW… MYYYY…NAME? ADAM Ah yes well, I was part of a group Called, SLADE. PROFESSOR HOW Slade? wasn’t that a Glam Rock group from the 1970`s? ADAM Yes also, er we SLADE were known for hunting the unusual, which mostly ended up being just Hedgehogs doing the deed, if you know what I mean, wink wink say no more. PROFESSOR HOW Are you going to A: tell me what SLADE means and B: your name! ADAM Yes sorry, SLADE is the South London Alien Detective Enterprise. PROFESSOR HOW Enterprise? ADAM Yes well it fitted and one of the members was a Star Trek fan, he insisted that Enterprise be part of the name. PROFESSOR HOW and B! ADAM Sorry I’m Adam. PROFESSOR HOW So hello Adam, hang on did your mum have a thing for Adam and the Ants? ADAM Yes she did how did you know? PROFESSOR HOW Just a guess, er… ADAM Your him aren’t you, mum said you were Santa! Christmas 1988! PROFESSOR HOW Yes errr how Time fly’s when your having problems. ADAM But you don’t look like you did back then! PROFESSOR HOW Yeah well I rejuvenated since then, and I was working for a Military group. ADAM Are you my?????

What is a spoiler? How do you feel about spoilers? Do some of the ‘officially released’ bits of information by the BBC and other media give too much information away? James (The Doctor Who Podcast) and Adam (Staggering Stories) host this special where a number of other podcasters give their opinions. PRESENTED BY: James Rockliffe (The Doctor Who Podcast) http://www.thedoctorwhopodcast.com/ Adam J. Purcell (Staggering Stories) http://www.staggeringstories.net/ PARTICIPATING PODCASTERS: The Flashing Blade Podcast (http://www.flashingblade.org.uk/) The Minute Doctor Who Podcast – TMDWP (http://www.tmdwp.co.uk/) Impossible Podcasts (http://impossiblepodcasts.blogspot.com/) The Naked Scarf Podcast (http://nakedscarf.tumblr.com/) The Untempered Schism Podcast (http://www.untempered-schism.org/) The DWO Whocast (http://www.dwowhocast.com/) Also interview snippets from Doctor Who’s Executive Producer Steven Moffat and Doctor Who Magazine’s Editor Tom Spilsbury. MUSIC: MUSIC PERFORMED ON THIS PODCAST IS BY CHAMELEON CIRCUITt http://www.myspace.com/chameleoncircuitmusic The Doctor Who Podcast Alliance thanks Chameleon Circuit for the kind permission to include their music. _____________________________ ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ DALEK VOICES BY TONY GALLICHAN OF THE DWO WHOCAST & THE FLASHING BLADE PODCAST: http://www.dwowhocast.com/ & http://www.flashingblade.org.uk/ The Doctor Who Podcast Alliance What it is (from the The Doctor Who Podcast Alliance website): http://www.doctorwhopodcastalliance.org/ The DWPA does exist to provide a place where listeners can get an overview of the various Doctor Who podcasts they might be interested in. The DWPA is intended to be a place where the podcasters can virtually get together, hang out and plan any multi-lateral podcast events. The DWPA does provide a forum if you want a convenient way to talk with all the podcasts at once but feel free to use alternative means. The DWPA does exist to help new podcasters – if you are thinking of starting up a new podcast seek out our forum and we’ll be happy to help. The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho. Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.

In this episode we’ll be looking at the music in the BBCi production of Doctor Who – Death Comes to Time and the Minister of Chance with Director Dan Freeman. In this episode we’ll be exploring the use of stock and production music in Death Comes to Time as well as a preview of the new production The Minister of Chance. This interview was recorded the 20th of June, 2011. ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ GERMAN TEXTS READ BY GRAEME SHERIDAN OF THE 2ND DOCTOR’S PODCAST AND THE PROFESSOR HOW DOCTOR WHO PARODY PODCAST: Available on iTunes and on Talkshoe ID’s 57949 for The2ndDoctors Podcast and 59601 for Professor How RUSSIAN TEXTS READ BY GERIK FON-REVUTZKY AND IAN BISSET OF THE CULTDOM COLLECTIVE PODCAST: Available on iTunes and on Talkshoe ID 54821 for The Cultdom Collective Podcast SPECIAL THANKS TO DEVON MALOY FOR HIS ASSISTANCE WITH THE CZECH TEXTS PUBLIC DOMAIN/ CREATIVE COMMONS RECORDINGS USED: Wagner – Siegfried Trauermarsch from Act 3 of Götterdämmerung from his Der Ring des Nibelungen (The Ring of the Nibelung) – http://commons.wikimedia.org/wiki/File:Siegfrieds_funeral_march_and_finale.ogg The United States Marine Corps Band, recorded December 8–11, 1981 at Lisner Auditorium, George Washington University, Washington, DC, funeral march transcribed by Howard Bowlin and finale transcribed by John Bourgeois, who was the Band Director. Antonín Dvořák – Symphony No.9 – IV. Allegro con fuoco – http://commons.wikimedia.org/wiki/File:Antonin_Dvorak_-_symphony_no._9_in_e_minor_%27from_the_new_world%27,_op._95_-_iv._allegro_con_fuoco.ogg Non-Commercial Recording – Performance by Columbia University Orchestra (http://www.columbia.edu/cu/cuo/) Mussorgsky – Night on Bald Mountain Вечер накануне Ивана Купала, Vecher nakanune Ivana Kupala, St. John’s Eve http://commons.wikimedia.org/wiki/File:Modest_Mussorgsky_-_night_on_bald_mountain.ogg Performed by the Skidmore College Orchestra. Courtesy of Musopen Wagner – Vorspiel to Act I of Tristan und Isolde – http://upload.wikimedia.org/wikipedia/commons/7/73/Richard_Wagner_-_Tristan_und_Isolde_-_Vorspiel.ogg Simon Schindler Conducting the Fulda Symphonic Orchestra, Recorded March 9, 2004 at Grosser Saal der Orangerie Fulda. Mahler – Symphony No.1 – I. Langsam, Schleppend Immer sehr gemächlich – http://upload.wikimedia.org/wikipedia/commons/5/51/Mahler_Symphony1_Movement1_VPO.ogg This rendition of Mahler Symphony No.1 was created by the Wikimedia user Reinholdbehringer on June 15, 2010 ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio.

In this episode we’ll be looking at the music of BBC Radiophonic Workshop composer Roger Limb focusing on his work on Doctor Who. This interview with Roger Limb was recorded on the 9th of May, 2011. ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation. I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visit http://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm. ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries. On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fo...

In this episode we’ll be looking at the music of Roger Limb focusing on his work on Serial 6R- Story 135 – The Caves of Androzani. This discussion with the Doctor Who Podcast co-host Trevor Gensch, the Minute Doctor Who Podcast host Luke Harrison and Radio Free Skaro co-host Steven Schapansky was recorded on the 21st of June, 2011. ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ ABOUT YOUR GUEST CO-HOSTS – TREVOR GENSCH: Trevor has been a fan of Doctor Who since the guy with the scarf and the tin dog was about. As a youngster, he fashioned a replica K9 out of boxes and cardboard tubing. An attempt to fashion a K9 Mk II went disastrously wrong so Trevor retired from the world of Doctor Who modelling. Trevor’s late teens and early twenties were involved in setting up a local Doctor Who Fan Club in Brisbane, writing for fanzines, trying to organize a convention and spending far too much money on Star Trek VHS tapes. Fast forward to 2005 and a morbid fear of public speaking led him to start up MMM Commentaries and Fantragic podcasts. In 2008 he added the DWO WhoCast to his roster of speaking engagements. Trevor cites his favorite Doctor as Peter Davison, more as a reaction to the norm than out of any valid reason for favoritism. His favorite companion is Sarah Jane Smith. For more information on Trevor’s work on the widely popular The Doctor Who Podcast, visit http://www.thedoctorwhopodcast.com/. ABOUT YOUR GUEST CO-HOSTS – LUKE HARRISON: Born and raised in Sheffield, Luke went to uni in Sunderland before joining Agapé UK. Luke spent 3 years in Russia working for them before returning to England in the summer of 2008. He continued with his job for a couple more years, this time in Bristol. He’s now studying film making in Oxford. Luke started reading the Target books from our local library as a kid and then my brother and I started getting the videos for presents. Luke began the podcast in 2008 and episodes have appeared sporadically since then as and when he has had the time and inspiration for the next one. For more information on Luke’s work on the Minute Doctor Who Podcast, visit http://www.tmdwp.co.uk/. ABOUT YOUR GUEST CO-HOSTS – STEVEN SCHAPANSKY: Steven Schapansky is one of the hosts of Radio Free Skaro, one of the most popular and longest running Doctor Who podcasts around. As co-host, he has interviewed many luminaries from Doctor Who’s past an present, including Murray Gold, Graeme Harper, Phil Ford, Tracie Simpson, Gary Russell, and many others. He has also memorized every Doctor Who production code from the classic series and can point out on a map and name all 195 countries of the world. And he does it all without eating meat. For more information on Steven’s work on the widely popular Radio Free Skaro, released every Sunday, visit http://www.radiofreeskaro.com/. ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press.

In this episode we’ll be focusing our attention on the work of the Doctor Who Restoration Team. With guest co-host David Hooie of the Hoo on Who Podcast. This episode will feature an interview with Doctor Who Restoration Team member Mark Ayres, recorded the 11th of June, 2011. ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/ ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation. I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm. ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries. On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music,