BSO 2016/17 Season - Concert Previews

Listen to the concert preview. BSO Assistant Conductor Moritz Gnann, making his subscription series and Symphony Hall debuts, joins the eminent pianist Menahem Pressler for Mozart's autumnal Piano Concerto No. 27, his final work in the genre. Mendelssohn's restless, roiling portrait of the northern reaches of the British Isles, The Hebrides Overture, remains one of his most popular works. Dvořák's familiar New World Symphony takes its name from the circumstances of its composition: the Czech composer wrote it while a resident of the U.S. as director of a New York conservatory, and its themes are said to have been inspired by American folk and indigenous music.

Listen to the concert preview. BSO Assistant Conductor Moritz Gnann, making his subscription series and Symphony Hall debuts, joins the eminent pianist Menahem Pressler for Mozart's autumnal Piano Concerto No. 27, his final work in the genre. Mendelssohn's restless, roiling portrait of the northern reaches of the British Isles, The Hebrides Overture, remains one of his most popular works. Dvořák's familiar New World Symphony takes its name from the circumstances of its composition: the Czech composer wrote it while a resident of the U.S. as director of a New York conservatory, and its themes are said to have been inspired by American folk and indigenous music.

Download the program notes. The second program of the BSO's two-week Brahms mini-fest encompassing Brahms's symphonies and piano concertos opens with a brief new work commissioned from the Brooklyn-based American composer Timo Andres (the first program having included a new work by American composer Eric Nathan). Andres's new piece opens this week's programs, which feature Hélène Grimaud as soloist in Brahms's magisterial Piano Concerto No. 2. The Third Symphony concludes the concerts of November 15 and 17; the Fourth Symphony completes the concerts of November 18 and 19.

Listen to the concert preview. The second program of the BSO's two-week Brahms mini-fest encompassing Brahms's symphonies and piano concertos opens with a brief new work commissioned from the Brooklyn-based American composer Timo Andres (the first program having included a new work by American composer Eric Nathan). Andres's new piece opens this week's programs, which feature Hélène Grimaud as soloist in Brahms's magisterial Piano Concerto No. 2. The Third Symphony concludes the concerts of November 15 and 17; the Fourth Symphony completes the concerts of November 18 and 19.

Download the program notes. With these concerts, BSO Music Director Andris Nelsons opens a two-week Brahms mini-festival traversing all four of the composer's symphonies and his two piano concertos. In addition, these concerts feature the world premieres of two brief, complementary works commissioned for the occasion from the young American composers Eric Nathan and Timo Andres. Nathan's piece begins the first of these programs, which continues with the French pianist Hélène Grimaud performing the intense, craggy Piano Concerto in D minor. Brahms's First Symphony concludes the concerts of November 8 and 10; the Second Symphony completes the concerts of November 11 and 12.

Listen to the concert preview. With these concerts, BSO Music Director Andris Nelsons opens a two-week Brahms mini-festival traversing all four of the composer's symphonies and his two piano concertos. In addition, these concerts feature the world premieres of two brief, complementary works commissioned for the occasion from the young American composers Eric Nathan and Timo Andres. Nathan's piece begins the first of these programs, which continues with the French pianist Hélène Grimaud performing the intense, craggy Piano Concerto in D minor. Brahms's First Symphony concludes the concerts of November 8 and 10; the Second Symphony completes the concerts of November 11 and 12.

Listen to the concert preview. With these concerts, BSO Music Director Andris Nelsons opens a two-week Brahms mini-festival traversing all four of the composer's symphonies and his two piano concertos. In addition, these concerts feature the world premieres of two brief, complementary works commissioned for the occasion from the young American composers Eric Nathan and Timo Andres. Nathan's piece begins the first of these programs, which continues with the French pianist Hélène Grimaud performing the intense, craggy Piano Concerto in D minor. Brahms's First Symphony concludes the concerts of November 8 and 10; the Second Symphony completes the concerts of November 11 and 12.

Download the program notes. British composer/conductor/pianist Thomas Adès joins the BSO family in the role of "Artistic Partner" this season, collaborating with the orchestra and its musicians in a variety of capacities. In these concerts he conducts his own 2013 Totentanz ("Dance of Death") for mezzo-soprano, baritone, and orchestra. Set to a text accompanying a 15th-century German frieze depicting Death (represented by the baritone) dancing with individuals from all strata of humanity (represented by the mezzo-soprano), the work is both macabre and funny-the Dance of Death is the one dance none of us may refuse. Opening the program is Britten's dramatic early orchestral work, Sinfonia da Requiem, premiered by the New York Philharmonic in 1941 during Britten's time in the U.S. as a conscientious objector.

Listen to the concert preview. British composer/conductor/pianist Thomas Adès joins the BSO family in the role of "Artistic Partner" this season, collaborating with the orchestra and its musicians in a variety of capacities. In these concerts he conducts his own 2013 Totentanz ("Dance of Death") for mezzo-soprano, baritone, and orchestra. Set to a text accompanying a 15th-century German frieze depicting Death (represented by the baritone) dancing with individuals from all strata of humanity (represented by the mezzo-soprano), the work is both macabre and funny-the Dance of Death is the one dance none of us may refuse. Opening the program is Britten's dramatic early orchestral work, Sinfonia da Requiem, premiered by the New York Philharmonic in 1941 during Britten's time in the U.S. as a conscientious objector.

Download the program notes. This second program celebrating Charles Dutoit's 80th birthday juxtaposes music of Mozart and Bartók. First performed in 1918, Bartók's one-act, two-character Bluebeard's Castle, his only opera, pairs a lush and exotic score with a psychologically penetrating libretto by Béla Balázs. Its seven tableaux correspond to seven doors opened by Bluebeard's new bride Judith, each scene a catalyst for the composer's fantastical musical imagination. Opening the program is Mozart's Symphony No. 39 in E-flat, the first of the composer's final trio of symphonies composed in quick succession in the summer of 1788.

Listen to the concert preview. This second program celebrating Charles Dutoit's 80th birthday juxtaposes music of Mozart and Bartók. First performed in 1918, Bartók's one-act, two-character Bluebeard's Castle, his only opera, pairs a lush and exotic score with a psychologically penetrating libretto by Béla Balázs. Its seven tableaux correspond to seven doors opened by Bluebeard's new bride Judith, each scene a catalyst for the composer's fantastical musical imagination. Opening the program is Mozart's Symphony No. 39 in E-flat, the first of the composer's final trio of symphonies composed in quick succession in the summer of 1788.

Download the program notes. For this first of two weeks celebrating Charles Dutoit's 80th birthday, the eminent Swiss conductor-who is also continuing a close, multi-season collaboration with the BSO-is joined by Yo-Yo Ma for Edward Elgar's substantial and popular Cello Concerto. The program of works by three 20th-century English composers opens with William Walton's Portsmouth Point Overture, a vibrant and jazzy early work inspired by a print of colorful activity at a seaport. Written between 1914 and 1916, Gustav Holst's astrologically inspired The Planets is by far his most enduringly popular work, a series of orchestrally rich character pieces, from fleet Mercury to mysterious Neptune.

Listen to the concert preview. For this first of two weeks celebrating Charles Dutoit's 80th birthday, the eminent Swiss conductor-who is also continuing a close, multi-season collaboration with the BSO-is joined by Yo-Yo Ma for Edward Elgar's substantial and popular Cello Concerto. The program of works by three 20th-century English composers opens with William Walton's Portsmouth Point Overture, a vibrant and jazzy early work inspired by a print of colorful activity at a seaport. Written between 1914 and 1916, Gustav Holst's astrologically inspired The Planets is by far his most enduringly popular work, a series of orchestrally rich character pieces, from fleet Mercury to mysterious Neptune.

Listen to the concert preview. The Czech conductor Jakub Hrůša, making his BSO debut, is joined by acclaimed German violinist Frank Peter Zimmermann for Béla Bartók's scintillating Violin Concerto No. 2, a 1938 work strongly influenced by Central European folk music. The other three works on the program are based on Slavic myth and legend. Smetana's Šárka, a tone poem from his large cycle Má Vlast ("My Country"), is named for a legendary Czech maiden warrior and illustrates an episode from her life. Mussorgsky's famously scary Night on Bald Mountain (depicted in Disney's Fantasia) seems to have originated in plans for an unrealized opera on the subject of a witches' sabbath, in part inspired by the great Russian writer Nikolai Gogol. Based on a Gogol novella, Janáček's 1918 orchestral rhapsody Taras Bulba is one of his most familiar works-but has never been performed by the BSO.

Download the program notes. The Czech conductor Jakub Hrůša, making his BSO debut, is joined by acclaimed German violinist Frank Peter Zimmermann for Béla Bartók's scintillating Violin Concerto No. 2, a 1938 work strongly influenced by Central European folk music. The other three works on the program are based on Slavic myth and legend. Smetana's Šárka, a tone poem from his large cycle Má Vlast ("My Country"), is named for a legendary Czech maiden warrior and illustrates an episode from her life. Mussorgsky's famously scary Night on Bald Mountain (depicted in Disney's Fantasia) seems to have originated in plans for an unrealized opera on the subject of a witches' sabbath, in part inspired by the great Russian writer Nikolai Gogol. Based on a Gogol novella, Janáček's 1918 orchestral rhapsody Taras Bulba is one of his most familiar works-but has never been performed by the BSO.