Dig Me Out - The 90's rock podcast

Like any decade of rock music and commercial radio, the 1990s had plenty of one hit wonders, many of which we talked about in our One Hit Wonders Roundtable. Marcy Playground managed their own, with Sex and Candy in 1997 spending fifteen weeks at number on the Billboard Modern Rock Tracks chart, and top ten on four other US charts, as well as top ten in Canada and Australia, and top thirty in the UK. In other words, it was a massive hit, so how did they follow it up? In 1999 they released Shapeshifter, the whips between more radio friendly pop, Americana-folk, Butthole Surfer weirdness and Nirvana riffage. In other words, it is all over the place. Sometimes an eclectic approach provides a interesting and diverse selection of tunes, other times it is a mess of one-off attempts and half-way-there ideas. Where does Shapeshifter fall? Tune in to find out. Intro: It's Saturday 12:25 - America 14:09 - Love Bug 19:33 - All The Lights Went Out 24:14 - Secret Squirrel Outro - Bye Bye Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com

Going into this episode, we thought desert rock and stoner rock were the same thing. We were wrong. We thought the "desert rock sound" started with the Sabbath influence lowend fuzzed riffs of Kyuss. We were wrong on that as well. There is an important lesson here - makes sure you are open to preconceived notions being challenged because the truth maybe more interesting than the vision in your head. That wasn't only the case for us. We invited on Jason Georgiades, director of Desert Age, a film about the 80s and 90s desert rock scene, who also had to shift his thinking once he started digging into history, talking to the people, and hearing the music of the California desert around Palm Springs. You've heard of Queens of the Stone Age and Kyuss, but what about Across the River and Yawning Man? Or Unsound or Target 13? We talk the bands, the landscape, the (lack of) places to play and the illegal substances that made the desert rock scene of the truly most original in punk, alternative and hard rock. We also get a behind the scenes look at the making of a rock documentary in the twenty first century. Use the promo code "Green Machine" to get 15% off anything in the Desert Age store. Intro - Green Machine by Kyuss 11:05 - Monster in the Parasol from The Desert Sessions, Vol 3 & 4 24:04 - N.O. by Across The River 35:37 - She Got Me (When She Got Her Dress On) by Masters of Reality 53:33 - Rock Formations by Yawning Man Outro - Rodney on the Roq by Target 13 Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com

You may know him from the "avant-punk" of 1990s Shudder To Think, but you'd probably been listening to Craig Wedren in some way in the last twenty years. From his frequent collaborations with writer/director David Wain on the various Wet Hot American Summer television seasons and movie, Role Models, Stella and Wainy Days, to his recent work on shows like Fresh Off The Boat, GLOW, Powerless, Hung and Blunt Talk, or his contributions on films such as Velvet Goldmine, School of Rock, Search Party, Wanderlust and many more, Craig has put his ear for 70s rock radio and 80s MTV to work. He stops by to talk about his latest solo release, Adult Desire from 2016, and discuss the virtual reality component that took us back to the immersion of yesteryear when audio and visual worked in thoughtful tandem. We also discuss his years spent in the Cleveland area, fronting teenage coverbands and enjoying the sounds of the Michael Stanley Band and Donnie Iris on WMMS, his apprehension writing music for 1990s based television, watching director and former Lemonheads bassist Jesse Peretz burn a suitcase on tour, and of course, KISS, plus so much more. Intro - I Am A Wolf, You Are The Moon from Adult Desire 5:26 - Are We from Wand 12:07 - Safe Home (Live) from Adult Desire 38:52 - Main Title Song from Role Models 50:11 - Spin Doctor-ish Song from Wet Hot American Summer: Ten Years Later 51:06 - Pearl Jam and RHCP-ish song from Wet Hot American Summer: Ten Years Later 1:15:46 - Until Summer by BAby Outr - I Am A Wolf, You Are The Moon from Wet Hot American Summer: First Day of Camp Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com

There are independent artists, and then there is Ani DiFranco. Forging her own path since starting Righteous Babe Records at age nineteen, busking tapes out of the back of her car in Buffalo, NY, DiFranco has remained as proficient and relevant for three decades. After a string of critically acclaimed albums and a well received live album, she released Little Plastic Castle in 1998 and was nominated for a Grammy for Rock Female Vocalist. Known for her folk rock staccato, Little Plastic Castle opens up the sound to incorporate horns, extra percussion, keyboards and more, and finds her breaking the rapid-fire delivery for songs built around mood and groove. Those alterations provide her with a large sonic pallet to play with, but come with some questionable choices, which left us split on what we liked and didn't like about the album. Intro - Glass House 9:03 - Fuel 12:26 - Pulse 15:25 - As Is 19:44 - Independence Day 22:52 - Pixie Outro - Little Plastic Castle Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com

Like so many previous artists and bands referred to as "power pop," The Tories debut album Wonderful Life from 1997 came and went with little fanfare. Perhaps it was timing, as the early and mid-nineties alternative rock gold rush led to a unwieldy number of releases, most which got lost in the shuffle. Perhaps it was due to the label, which specialized in East Coast jazz and house music instead of California pop rock. Or was it the songs? No, it wasn't the songs. The Tories have the songs, as well as the melodies, the harmonies, the guitar fuzz, everything you expect when the chemistry is right, and creates a power pop album worth checking out. Along with our Patreon special guest, we try to figure out what went right and wrong with Wonderful Life. Intro - Flying Solo 13:39 - Gladys Kravitz 23:40 - Happy 29:12 - Spaceships in the Sky Outro - Not What it Appears Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com

"We live in urban hell, we destroy rock and roll." Those were the closing sentiments of the 1991 single Motown Junk by the Manic Street Preachers, a band of Welsh nihilist iconoclasts who declared greatness from the start, aligning themselves with The Clash, Public Enemy and Guns n' Roses. Four albums and the disappearance of one member later, the band was no longer a confrontational blitzkrieg. 1998's This Is My Truth Tell Me Yours is the sound of a band collectively exhaling and confronting both the past and their heartache, while building upon the success achieved on the previous album, Everything Must Go. On TIMTTMY, the band embraces a clean pop production that would propel the single "If You Tolerate This Your Children Will Be Next" to number one in the UK, trading in guitars for organs, electric pianos and sitars. We revisit the record recognizing now that the band would continue on the path of deconstruction with Know Your Enemy three years later and the synth heavy Lifeblood in 2004. In fact, it would take almost a decade to recapture the guitar driven bombast on 2007's Send Away The Tigers. It's a fascinating if uneven attempt to pair pathos and pop sensibility that works for some but not all. Intro - If You Tolerate This Your Children Will Be Next 13:38 - Ready for Drowning 17:43 - Black Dog on My Shoulder 26:45 - Tsunami 41:20 - If You Tolerate This Your Children Will Be Next Outro - The Everlasting Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com  

There was a brief flicker of a moment at the end of the 90s, before the garage rock rival of The Strokes and White Stripes, before the post-post-punk of Interpol and Bloc Party, before Jimmy Eat World and Dashboard Confessional took emo to the mainstream, that the American underground punk of the New Bomb Turks and Rocket From The Crypt were going to have their moment. At the same time, across the pond in Scandinavia, it took the shape of The Hellacopters signing to Sub Pop and veterans Turbonegro refining their sound with the 1998 release Apocalypse Dudes. Maybe it was wishful thinking that those who previously embraced AC/DC, Motley Crue and Buckcherry would find common cause with the action rock crowd, one that favored Iggy and Stooges as much as Bob Seger and Lynyrd Skynyrd. While The Hellacopters and Gluecifer traffic'd in their own brand of riffage gymnastics, Turbonegro added an extra layer - social and political commentary via bombastic lyrics and outrageous stage presence. In retrospect, it may have all been too much, like the layer upon layer of guitar tracks that would make Billy Corgan crack a smile. It's confrontational, it's explicit (earmuffs for the kids!) and it's also a lot of fun. Intro - Get It On 13:19 - Rock Against Ass 23:14 - Humiliation Street 27:15 - Don't Say Motherf*cker, Motherf*cker 32:42 - Zillion Dollar Sadist Outro - Are You Ready (For Some Darkness) Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com

It's time to travel back twenty years and revisit the albums of 1998. What albums were overlooked upon release that have gained critical acclaim and fans in the years since? Which albums were big releases that have stood the test of time, and which ones have failed that same test? Are there albums we bought back in 1998 and immediately regretted the purchase? And what are our favorite albums from this wildly divergent year that witnessed the rise of nü-metal bands like Korn and Limp Bizkit along with the pop of Britney Spears and the Backstreet Boys, that also featured new albums from major artists like Madonna, the Beastie Boys, Pearl Jam and The Smashing Pumpkins. To help us dig into it all, we're joined by Andy Derer of The Andy Derer Show, Chip Midnight of Kids Interview Bands and Jim Hanke of Vinyl Emergency. Intro - 1998 Medley (Marilyn Manson, The Smashing Pumpkins, Semisonic, Beastie Boys) 15:54 - Starfighter Pilot by Snow Patrol 23:18 - Poets by The Tragically Hip 36:29 - Something' Hot by The Afghan Whigs 51:02 - At My Most Beautiful by R.E.M. 1:08:25 - California Stars by Billy Bragg and Wilco 1:12:29 - Car Radio by Spoon Outro - Ray of Light by Madonna Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com

We haven't reviewed much (or any) European progressive gothic doom metal shoegaze trip-hop, so thanks to our latest Patreon pick, we're checking out the 1998 double-album How to Measure a Planet? by The Gathering. The question we ask is - how to measure a band that is equal parts Massive Attack, the Cocteau Twins, Pink Floyd, Radiohead, Dream Theater and Slowdive? What we do know is that in the age of overlong compact discs, a double album had better be worth it, and like most 90s double albums, the indulgence doesn't quite live up to the output. However, there is definitely something unique and interesting happening, providing us with a true album that sounds best listened to as a whole rather than searching for singles. The ambitions are grand, but surprisingly it is the restraint in both the playing and production that make HTMAP? an album that both reinterprets the past and forges a path for bands of the 2000s. Intro - My Electricity 15:31 - Liberty Bell 26:03 - Travel 29:44 - Great Ocean Road Outro - The Big Sleep Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com

On their third full-length album, Adelaide, Australia's The Mark Of Cain enlisted Henry Rollins to produce their rooArt debut, 1995's Ill At Ease. The band scored a number one on the independent album chart and managed two successful Triple J singles. Recalling Rollins work with his own Rollins Band, as well as post-hardcore bands such as Helmet and Quicksand, Ill At Ease succeeds and suffers thanks to lead singer and guitarist John Scott, whose guitar riffing alternates between inspired and generic, and whose voice maintains a consistent bark. But while there are all the hallmarks pinning this band to its 1990s influences, we also discovered sounds reminiscent of the alternative metal of 2000's band like Mastodon.. Give a listen and share your thoughts on Ill At Ease. Intro - First Time 9:52 - LMA 13:43 - The Contender 21:14 - You Let Me Down Outro - Point Man Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com

Another season is complete, so we’re looking back at our favorite album discoveries, roundtables, interviews and more from 2017. We also pick our five favorite tunes from season seven, which featured everything from the guitar power pop of Brendan Benson and pop punk of Ruth Ruth to the Indian-meets-Britpop sounds of Cornershop and alternative fuzz of Violetine. We also give a sneak peak of 2018 - discussing some of the early reviews picked by our Patreon patrons and our various roundtables. Special thanks to Sudio Sweden (Facebook/Instagram), who hooked us up with two pairs of Tre earphones to test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code DIGMEOUT15 for 15% off your purchase. Songs in this Episode: Intro - Dig Me Out by Sleater-Kinney 7:43 - Freak by Silverchair 11:44 - All Sideways by Scarce 17:53 - I Think I’m In Love by Spiritualized 29:08 - Crosseyed by Brendan Benson 32:23 - Uptight by Ruth Ruth 37:38 - 6am Jullander Shere by Cornershop 40:53 - The Bright Light by Tanya Donelly Outro - Temptation by The Tea Party Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com

Formed after the untimely death of Stevie Ray Vaughan, Arc Angels pick-up the Texas blues-rock torch on their 1992 self-titled release. Pairing the seasoned rhythm section of drummer Chris Layton and bassist Tommy Shannon with guitarist and singers Doyle Bramhall II and Charlie Sexton, the band expands upon Vaughan’s blues template and mildly dips its toes in more pop and radio friendly territory. At times it works, but at other times it comes off sound like imitations of better known tunes. We discuss, as well as where this fit in the early 1990s landscape. Songs in this Episode: Intro - Living In A Dream 8:54 - Too Many Ways To Fall 17:58 - Shape I’m In 23:34 - Good Time 27:02 - Spanish Moon Outro - The Famous Jane Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com

In 1993 Living Colour released an album filled songs of alienation, social commentary and heavy themes that still resonate today. Stain was the first album with Doug Wimbish on bass, and the band fires on all cylinders with their unique brand of metal, sliding easily from funk to experimental to thrash and hard rock with ease. But two years later the band would take a five year break, and Stain would temporarily leave the band frozen on dark and foreboding note. Thanks to a Patreon pick, we revisit the record with fresh ears and take in all that Vernon Reid and his arsenal of guitar wizardry has to offer. After checking out our review of Stain, visit our Patreon page to hear our quick review of Living Colour’s latest release - Shade from this past September. Make sure to sign up at Patreon to hear bonus content from this and other episodes, as well as be eligible to win our 2017 4th Quarter Giveaway of the exclusive Newbury Comics limited edition white vinyl pressing of Sleater-Kinney’s 1997 album Dig Me Out and a copy of Tom Mullen’s new book Anthology of Emo Volume One. Special thanks to Sudio Sweden (Facebook/Instagram), who hooked us up with two pairs of Tre earphones to test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code DIGMEOUT15 for 15% off your purchase. Songs in this Episode: Intro - Never Satisfied 11:35 - Ignorance Is Bliss 19:03 - Bi 25:50 - Go Away 32:52 - Mind Your Own Business Outro - Leave It Alone Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com

We’re back with another “In The 90s” episode, this time tracking the chronology of rock legends KISS through the decade. After rising to fame in the 70s, the 80s were less kind to the band, who shed the makeup, band members and eventually albums sales through a turbulent time They entered the 90s on a positive note, with 1989′s Hot In The Shade scoring a hit with the power ballad “Forever,” but faced tragedy with the death of fan favorite drummer Eric Carr. While 1992′s Revenge initially sold well, it struggled to reach Gold and hte ensuing tour sputtered as the shifting musical landscape at the beginning of the decade pointed the band in a heavier direction foretold by the Revenge single “Unholy.” The eventual result would be 1997′s Carnival of Souls, with heavy nods to Alice In Chains and Soundgarden, but by the time of release it was an afterthought thanks to the 1995 MTV Unplugged performance that reunited the original line-up and stoked a short lived KISS revival in popular culture. The end result would be the 1998 album Psycho Circus, a reunion album in name only. It was a tumultuous ten years in which KISS would recapture their past at the cost of their future. To help us break it all down, joining our roundtable is Julian Gill, the man behind KissFAQ.com, author of a number of books on the band and host of the KissFAQ podcast, Joe Royland of Sit and Spin with Joe, and the Patreon patron who made this episode happen, Chris Martz. Make sure to sign up at Patreon to hear bonus content from this and other episodes, as well as be eligible to win our 2017 4th Quarter Giveaway of the exclusive Newbury Comics limited edition white vinyl pressing of Sleater-Kinney’s 1997 album Dig Me Out and a copy of Tom Mullen’s new book Anthology of Emo Volume One. Special thanks to Sudio Sweden (Facebook/Instagram), who hooked us up with two pairs of 

Rick Ruhl and Every Mother’s Nightmare are back with a new album, and he stops by to share their story. He takes his back to his formative years, his first concert (Alice Cooper!) and his earliest bands before forming EMN, who ended up signed by the legendary Clive Davis to Arista records after just thirteen gigs together. We dig into the awkward early 90s when bands with ballads and hair were lumped together regardless of their sound, and then written off collectively as grunge and alternative exploded. We discuss the Perris Records years, the various guest artists who appear on the new album, and a whole lot more. Special thanks to Bill Chavis at HighVolMusic for helping put this together! Songs in this Episode Intro - Loco Crazy 1:46 - Loco Crazy 50:56 - Upper Hand Outro - Blown Away Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com