Fretboard Journal

Martin Guitars is celebrating its 180th year in business. The venerable, family-owned company is also the subject of two new books and a forthcoming 2014 exhibit at the Met. On this week’s podcast, we talk to Martin CEO Chris Martin (C.F. Martin IV) about Martin’s place in guitar history and much more. We discuss the groundbreaking Hal Leonard book Inventing the American Guitar: The Pre-Civil War Innovations of C.F. Martin and his Contemporaries and how Martin’s earliest creations were truly a melting pot of different guitar construction styles and techniques. read more

Greg Leisz is prolific, to say the least. For decades, the Southern California-based multi-instrumentalist has been a go-to guitarist and pedal steel player for musicians such as Eric Clapton, Buddy Miller, John Mayer, Bill Frisell, k.d. lang, Robert Plant and others. Leisz recently contributed a track to the wonderful Big E: A Salute to Steel Guitarist Buddy Emmons. On this week’s podcast, we talk to him about the tune he performed on the tribute record (“Wild Mountain Thyme”), the impact Emmons’ playing had on his own music education, his gear of choice and more.  read more

For our 65th podcast, we talk to banjo musician and educator Bill Evans and old-time fiddler Fletcher Bright. The duo recently released an album entitled Fine Times at Fletcher’s House. Despite their varied backgrounds – Evans is a Bay area bluegrass powerhouse while Bright is an old-time fiddler from Tennessee – the duo sound like they’ve been performing together for years. Each of the 16 traditional tunes on the album were recorded in three or four takes with no editing – just two guys making great music. Evans plays a 1930 Gibson Granada that formerly belonged to Sonny Osborne, while Bright uses a contemporary fiddle built by Jonathan Cooper of Portland, Maine. read more

Folk music icon Richie Havens passed away on April 22, 2013. On this week's podcast, we listen in to an interview we conducted with Havens in 2010 at the Guild Guitars factory in New Hartford, Connecticut. This informal conversation covered Havens' earliest days as a folk musician, his love for Doo-wop, his appreciation for Guilds and a lot more.  During our visit, Havens performed a few tunes for the Guild employees. Below, is some shaky footage we took of the musician performing "Here Comes the Sun."  RIP Richie. 

As one of the founding members of the Fireballs, George Tomsco is a true rock & roll pioneer. In the late ‘50s and ‘60s, his guitar playing was ubiquitous on the radio waves with hits as “Torquay,” “Bulldog,” “Sugar Shack” and “Quite a Party.” read more

Running an independent guitar store is no small task, but Reuben Cox of Los Angeles’ Old Style Guitar Shop has found success with an unusual formula. On this week’s podcast, we talk to Cox about his unique store, which is filled with vintage gear from the ‘40s and ‘50s, along with funky old guitars that Cox has personally rebuilt for playability. It’s quickly become a cult favorite with both famous indie rock musicians and area players who just need a new set of strings or accessories. Interview conducted by the FJ’s Ryan Richter. Be sure to check out Old Style’s Facebook page for their latest creations. 

Seattle artists David Lasky and Frank M. Young have produced one of the most impressive graphic novels of 2012, a 200-page tome following the history of the Carter Family entitled Don't Forget This Song. On this week’s podcast, the Fretboard Journal's Michael Simmons talks to the duo about the book and the years of work that went into it. read more

Seattle artists David Lasky and Frank M. Young have produced one of the most impressive graphic novels of 2012, a 200-page tome following the history of the Carter Family entitled Don't Forget This Song. On this week’s podcast, the Fretboard Journal's Michael Simmons talks to the duo about the book and the years of work that went into it. read more

A teenage John Greven built his first instrument, a 5-string banjo, in 1962. Over the last fifty years, he has built over 2,000 instruments and become one of the world’s most in-demand luthiers. On this week’s podcast, we talk to Greven about his unique career trajectory, including his invaluable time working for George Gruhn in Nashville; how he's able to create so many instruments a year; and why so many of his guitars end up in Japan. Greven also talks about some of the magical moments he had with vintage Martin and Gibson guitars during his stint in Nashville.  Greven now resides in Portland, Oregon. He is currently at work on his 2,200th instrument, a 000-sized guitar with Brazilian rosewood back and sides. 

A teenage John Greven built his first instrument, a 5-string banjo, in 1962. Over the last fifty years, he has built over 2,000 instruments and become one of the world’s most in-demand luthiers. On this week’s podcast, we talk to Greven about his unique career trajectory, including his invaluable time working for George Gruhn in Nashville; how he's able to create so many instruments a year; and why so many of his guitars end up in Japan. Greven also talks about some of the magical moments he had with vintage Martin and Gibson guitars during his stint in Nashville.  Greven now resides in Portland, Oregon. He is currently at work on his 2,200th instrument, a 000-sized guitar with Brazilian rosewood back and sides. 

On this week's podcast, we talk to Stan Jay, founder of Staten Island’s Mandolin Brothers. Jay is considered one of the foremost experts on vintage instruments, but, as he tells us this week, it all started in 1971 with a bag of banjo parts he was able to flip for a tidy profit. As his now bustling store celebrates its fortieth anniversary, we ask him about buying trends in vintage instruments, the guitars he actually plays when he's gigging and the magic behind those legendary Mandolin Brothers instrument descriptions.  Intro music from Bill Evans' album, In Good Company. Photo of Stan Jay with his Beardsell 3G Leopardwood and Lutz spruce guitar taken by Eric Jay.  read more

On this week's podcast, we talk to Stan Jay, founder of Staten Island’s Mandolin Brothers. Jay is considered one of the foremost experts on vintage instruments, but, as he tells us this week, it all started in 1971 with a bag of banjo parts he was able to flip for a tidy profit. As his now bustling store celebrates its fortieth anniversary, we ask him about buying trends in vintage instruments, the guitars he actually plays when he's gigging and the magic behind those legendary Mandolin Brothers instrument descriptions.  Intro music from Bill Evans' album, In Good Company. Photo of Stan Jay with his Beardsell 3G Leopardwood and Lutz spruce guitar taken by Eric Jay.  read more

These days, Seattle guitarmaker Steve Andersen is known primarily for his stunning archtop guitars. That wasn't always the case, however. In part one of our interview with Andersen, we ask him about the early days of Roberto-Venn (he was one of the school's first students) and the Sand Point, Idaho lutherie scene of the '70s (including the store Guitar's Friend and fellow builders such as Franklin Guitars and Bob Givens). We also hear why Andersen will no longer make the F-style mandolins he was once known for.  In more recent news, Steve Andersen has just unveiled a double-top archtop guitar. We'll be hearing more about that (and his more traditional archtop guitars) in a future podcast.  read more

These days, Seattle guitarmaker Steve Andersen is known primarily for his stunning archtop guitars. That wasn't always the case, however. In part one of our interview with Andersen, we ask him about the early days of Roberto-Venn (he was one of the school's first students) and the Sand Point, Idaho lutherie scene of the '70s (including the store Guitar's Friend and fellow builders such as Franklin Guitars and Bob Givens). We also hear why Andersen will no longer make the F-style mandolins he was once known for.  In more recent news, Steve Andersen has just unveiled a double-top archtop guitar. We'll be hearing more about that (and his more traditional archtop guitars) in a future podcast.  read more

Singer-songwriter Matt Munisteri is a fixture in New York’s jazz scene, but—as he explains on this week’s podcast—his first obsession was bluegrass. In this 30 minute interview, Munisteri talks about his love for the five-stringt banjo (including the lessons he took from Tony Trischka), the funk sounds that captivated him in college and the vintage guitar tones he now embraces. Munisteri also discusses his latest project, an album featuring the music of songsmith Willard Robison.