KCRW's Art Talk
Summary: Art reviews, news and announcements from KCRW's resident art critic, Edward Goldman. Both fearless and fun, Edward offers a unique "accent" on art. Formerly employed by the famed Hermitage Museum in St. Petersburg, Russia, and a favorite on-air presence, he offers impassioned views on what he sees in the galleries and museums and at events throughout the world, and he isn't afraid to "speak truth to power." Live streams, podcasts and archives available at KCRW.com.
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- Artist: KCRW.com
- Copyright: KCRW 2014
Podcasts:
Edward Goldman recommends visiting the exceptional Caravaggio and Giotto exhibitions currently at LACMA and the Getty.
Hunter Drohojowska-Philp finds the blues uplifting in MOCA curator Bennett Simpson's sprawling exhibition at the Geffen Contemporary.
WEB EXCLUSIVE: Edward Goldman visits several promising exhibitions and considers artistic determination.
Hunter Drohojowska-Philp says that drawing was an essential tool in revealing the unconscious to Surrealists.
Edward Goldman reassures us that reports of the demise of the Downtown art scene have been greatly exaggerated.
Hunter Drohojowska-Philp recalls the art and legacy of one of LA's great Conceptual artists
With presidential debates dominating the national conversation, Edward looks for someplace to give him a sense of peace and beauty.
Hunter Drohojowska-Philp talks about the artist's small skyscraper in Pasadena.
Edward Goldman discusses good artists who are also engaging and provocative speakers.
Hunter Drohojowska-Philp discusses the influence of the Institute of Design's Harry Callahan, Aaron Siskind and Ray Metzker. (Special time: 5:50pm)
Edward Goldman wonders why art is a forbidden subject in the presidential debates.
Hunter Drohojowska-Philp says that Schimmel's departure leaves a real void at MoCA.
Edward Goldman talks about a love affair between Paris and LA.
Hunter Drohojowska-Philp previews Art Platform in Santa Monica, Frieze in London and FIAC in Paris, all opening in the next three weeks.
Stealing from Gertrude Stein, Edward claims that wherever and whenever we see it, "good art is good art is good art," but still, the presentation is important.
