Classic Poetry Aloud

Clough read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- Say not the Struggle Naught Availeth by Arthur Hugh Clough (1819 – 1861) Say not the struggle naught availeth, The labour and the wounds are vain, The enemy faints not, nor faileth, And as things have been they remain. If hopes were dupes, fears may be liars; It may be, in yon smoke conceal'd, Your comrades chase e'en now the fliers, And, but for you, possess the field. For while the tired waves, vainly breaking, Seem here no painful inch to gain, Far back, through creeks and inlets making, Comes silent, flooding in, the main. And not by eastern windows only, When daylight comes, comes in the light; In front the sun climbs slow, how slowly! But westward, look, the land is bright!

Bridges read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- Winter Nightfall by Robert Bridges (1844 - 1930) The day begins to droop,— Its course is done: But nothing tells the place Of the setting sun. The hazy darkness deepens, And up the lane You may hear, but cannot see, The homing wain. An engine pants and hums In the farm hard by: Its lowering smoke is lost In the lowering sky. The soaking branches drip, And all night through The dropping will not cease In the avenue. A tall man there in the house Must keep his chair: He knows he will never again Breathe the spring air: His heart is worn with work; He is giddy and sick If he rise to go as far As the nearest rick: He thinks of his morn of life, His hale, strong years; And braves as he may the night Of darkness and tears

Bridges read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- Winter Nightfall by Robert Bridges (1844 - 1930) The day begins to droop,— Its course is done: But nothing tells the place Of the setting sun. The hazy darkness deepens, And up the lane You may hear, but cannot see, The homing wain. An engine pants and hums In the farm hard by: Its lowering smoke is lost In the lowering sky. The soaking branches drip, And all night through The dropping will not cease In the avenue. A tall man there in the house Must keep his chair: He knows he will never again Breathe the spring air: His heart is worn with work; He is giddy and sick If he rise to go as far As the nearest rick: He thinks of his morn of life, His hale, strong years; And braves as he may the night Of darkness and tears

Poe read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- The Conqueror Worm by Edgar Allan Poe (1809 – 1849) Lo! 't is a gala night Within the lonesome latter years. An angel throng, bewinged, bedight In veils, and drowned in tears, Sit in a theatre to see A play of hopes and fears, While the orchestra breathes fitfully The music of the spheres. Mimes, in the form of God on high, Mutter and mumble low, And hither and thither fly; Mere puppets they, who come and go At bidding of vast formless things That shift the scenery to and fro, Flapping from out their condor wings Invisible Woe. That motley drama—oh, be sure It shall not be forgot! With its Phantom chased for evermore By a crowd that seize it not, Through a circle that ever returneth in To the self-same spot; And much of Madness, and more of Sin, And Horror the soul of the plot. But see amid the mimic rout A crawling shape intrude: A blood-red thing that writhes from out The scenic solitude! It writhes—it writhes!—with mortal pangs The mimes become its food, And over each quivering form In human gore imbued. Out—out are the lights—out all! And over each quivering form The curtain, a funeral pall, Comes down with the rush of a storm, While the angels, all pallid and wan, Uprising, unveiling, affirm That the play is the tragedy, "Man," And its hero, the Conqueror Worm.

Poe read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- The Conqueror Worm by Edgar Allan Poe (1809 – 1849) Lo! 't is a gala night Within the lonesome latter years. An angel throng, bewinged, bedight In veils, and drowned in tears, Sit in a theatre to see A play of hopes and fears, While the orchestra breathes fitfully The music of the spheres. Mimes, in the form of God on high, Mutter and mumble low, And hither and thither fly; Mere puppets they, who come and go At bidding of vast formless things That shift the scenery to and fro, Flapping from out their condor wings Invisible Woe. That motley drama—oh, be sure It shall not be forgot! With its Phantom chased for evermore By a crowd that seize it not, Through a circle that ever returneth in To the self-same spot; And much of Madness, and more of Sin, And Horror the soul of the plot. But see amid the mimic rout A crawling shape intrude: A blood-red thing that writhes from out The scenic solitude! It writhes—it writhes!—with mortal pangs The mimes become its food, And over each quivering form In human gore imbued. Out—out are the lights—out all! And over each quivering form The curtain, a funeral pall, Comes down with the rush of a storm, While the angels, all pallid and wan, Uprising, unveiling, affirm That the play is the tragedy, "Man," And its hero, the Conqueror Worm.

Keats read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- To One Who has been Long in City Pent by John Keats (1795 – 1821) To one who has been long in city pent, ’Tis very sweet to look into the fair And open face of heaven,—to breathe a prayer Full in the smile of the blue firmament. Who is more happy, when, with hearts content, Fatigued he sinks into some pleasant lair Of wavy grass, and reads a debonair And gentle tale of love and languishment? Returning home at evening, with an ear Catching the notes of Philomel,—an eye Watching the sailing cloudlet’s bright career, He mourns that day so soon has glided by: E’en like the passage of an angel’s tear That falls through the clear ether silently. Comments You can find more readings of Keats' poetry at: http://classicpoetryaloud.wordpress.com/category/John-Keats/ For more on Keats, visit http://www.john-keats.com/

Keats read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- To One Who has been Long in City Pent by John Keats (1795 – 1821) To one who has been long in city pent, ’Tis very sweet to look into the fair And open face of heaven,—to breathe a prayer Full in the smile of the blue firmament. Who is more happy, when, with hearts content, Fatigued he sinks into some pleasant lair Of wavy grass, and reads a debonair And gentle tale of love and languishment? Returning home at evening, with an ear Catching the notes of Philomel,—an eye Watching the sailing cloudlet’s bright career, He mourns that day so soon has glided by: E’en like the passage of an angel’s tear That falls through the clear ether silently. Comments You can find more readings of Keats' poetry at: http://classicpoetryaloud.wordpress.com/category/John-Keats/ For more on Keats, visit http://www.john-keats.com/

Milton read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to the poetry of the past. --------------------------------------------------- On His Blindness by John Milton (1608 – 1674) When I consider how my light is spent E're half my days, in this dark world and wide, And that one Talent which is death to hide, Lodg'd with me useless, though my Soul more bent To serve therewith my Maker, and present My true account, least he returning chide, Doth God exact day-labour, light deny'd, I fondly ask; But patience to prevent That murmur, soon replies, God doth not need Either man's work or his own gifts, who best Bear his milde yoak, they serve him best, his State Is Kingly. Thousands at his bidding speed And post o're Land and Ocean without rest: They also serve who only stand and waite.

Milton read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to the poetry of the past. --------------------------------------------------- On His Blindness by John Milton (1608 – 1674) When I consider how my light is spent E're half my days, in this dark world and wide, And that one Talent which is death to hide, Lodg'd with me useless, though my Soul more bent To serve therewith my Maker, and present My true account, least he returning chide, Doth God exact day-labour, light deny'd, I fondly ask; But patience to prevent That murmur, soon replies, God doth not need Either man's work or his own gifts, who best Bear his milde yoak, they serve him best, his State Is Kingly. Thousands at his bidding speed And post o're Land and Ocean without rest: They also serve who only stand and waite.

Wilde read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- To Milton by Oscar Wilde (1854 – 1900) Milton! I think thy spirit hath passed away From these white cliffs and high-embattled towers; This gorgeous fiery-coloured world of ours Seems fallen into ashes dull and grey, And the age changed unto a mimic play Wherein we waste our else too-crowded hours: For all our pomp and pageantry and powers We are but fit to delve the common clay, Seeing this little isle on which we stand, This England, this sea-lion of the sea, By ignorant demagogues is held in fee, Who love her not: Dear God! is this the land Which bare a triple empire in her hand When Cromwell spake the word Democracy!

Wilde read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- To Milton by Oscar Wilde (1854 – 1900) Milton! I think thy spirit hath passed away From these white cliffs and high-embattled towers; This gorgeous fiery-coloured world of ours Seems fallen into ashes dull and grey, And the age changed unto a mimic play Wherein we waste our else too-crowded hours: For all our pomp and pageantry and powers We are but fit to delve the common clay, Seeing this little isle on which we stand, This England, this sea-lion of the sea, By ignorant demagogues is held in fee, Who love her not: Dear God! is this the land Which bare a triple empire in her hand When Cromwell spake the word Democracy!

Hardy read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- The Darkling Thrush by Thomas Hardy (1840 – 1928) I leant upon a coppice gate When Frost was spectre-gray, And Winter’s dregs made desolate The weakening eye of day. The tangled bine-stems scored the sky Like strings of broken lyres, And all mankind that haunted nigh Had sought their household fires. The land’s sharp features seem’d to be The Century’s corpse outleant, His crypt the cloudy canopy, The wind his death-lament. The ancient pulse of germ and birth Was shrunken hard and dry, And every spirit upon earth Seem'd fervourless as I. At once a voice arose among The bleak twigs overhead In a full-hearted evensong Of joy illimited; An aged thrush, frail, gaunt, and small, In blast-beruffled plume, Had chosen thus to fling his soul Upon the growing gloom. So little cause for carollings Of such ecstatic sound Was written on terrestrial things Afar or nigh around, That I could think there trembled through His happy good-night air Some blessèd Hope, whereof he knew And I was unaware.

Hardy read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- The Darkling Thrush by Thomas Hardy (1840 – 1928) I leant upon a coppice gate When Frost was spectre-gray, And Winter’s dregs made desolate The weakening eye of day. The tangled bine-stems scored the sky Like strings of broken lyres, And all mankind that haunted nigh Had sought their household fires. The land’s sharp features seem’d to be The Century’s corpse outleant, His crypt the cloudy canopy, The wind his death-lament. The ancient pulse of germ and birth Was shrunken hard and dry, And every spirit upon earth Seem'd fervourless as I. At once a voice arose among The bleak twigs overhead In a full-hearted evensong Of joy illimited; An aged thrush, frail, gaunt, and small, In blast-beruffled plume, Had chosen thus to fling his soul Upon the growing gloom. So little cause for carollings Of such ecstatic sound Was written on terrestrial things Afar or nigh around, That I could think there trembled through His happy good-night air Some blessèd Hope, whereof he knew And I was unaware.

Poe read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- Annabel Lee by Edgar Allan Poe (1809 – 1849) It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of Annabel Lee; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child, In this kingdom by the sea, But we loved with a love that was more than love, I and my Annabel Lee; With a love that the wingèd seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsmen came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea. The angels, not half so happy in heaven, Went envying her and me; Yes! that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee. But our love it was stronger by far than the love Of those who were older than we, Of many far wiser than we; And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee: For the moon never beams, without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise, but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling—my darling—my life and my bride, In her sepulchre there by the sea, In her tomb by the sounding sea.

Poe read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- Annabel Lee by Edgar Allan Poe (1809 – 1849) It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of Annabel Lee; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child, In this kingdom by the sea, But we loved with a love that was more than love, I and my Annabel Lee; With a love that the wingèd seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsmen came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea. The angels, not half so happy in heaven, Went envying her and me; Yes! that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee. But our love it was stronger by far than the love Of those who were older than we, Of many far wiser than we; And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee: For the moon never beams, without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise, but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling—my darling—my life and my bride, In her sepulchre there by the sea, In her tomb by the sounding sea.