Classic Poetry Aloud

Emily Dickinson read by Classic Poetry Aloud http://www.classicpoetryaloud.com Giving voice to the poetry of the past. -------------------------------------- Surrender by Emily Dickinson (1830 – 1886) Doubt me, my dim companion! Why, God would be content With but a fraction of the love Poured thee without a stint. The whole of me, forever, What more the woman can, -- Say quick, that I may dower thee With last delight I own! It cannot be my spirit, For that was thine before; I ceded all of dust I knew, -- What opulence the more Had I, a humble maiden, Whose farthest of degree Was that she might, Some distant heaven, Dwell timidly with thee! Reading © Classic Poetry Aloud, 2008.

Sir Philip Sidney read by Classic Poetry Aloud: http://www.classicpoetryaloud.com Giving voice to the poetry of the past. -------------------------------------- My True Love Hath My Heart From Arcadia by Sir Philip Sidney (1554 – 1586) My true-love hath my heart, and I have his, By just exchange one for the other given. I hold his dear, and mine he cannot miss: There never was a bargain better driven. His heart in me keeps me and him in one; My heart in him his thoughts and senses guides: He loves my heart, for once it was his own; I cherish his because in me it bides. His heart his wound received from my sight; My heart was wounded with his wounded heart; For as from me on him his hurt did light, So still, methought, in me his hurt did smart: Both equal hurt, in this change sought our bliss, My true love hath my heart and I have his. Reading © Classic Poetry Aloud, 2008.

Sir Philip Sidney read by Classic Poetry Aloud: http://www.classicpoetryaloud.com Giving voice to the poetry of the past. -------------------------------------- My True Love Hath My Heart From Arcadia by Sir Philip Sidney (1554 – 1586) My true-love hath my heart, and I have his, By just exchange one for the other given. I hold his dear, and mine he cannot miss: There never was a bargain better driven. His heart in me keeps me and him in one; My heart in him his thoughts and senses guides: He loves my heart, for once it was his own; I cherish his because in me it bides. His heart his wound received from my sight; My heart was wounded with his wounded heart; For as from me on him his hurt did light, So still, methought, in me his hurt did smart: Both equal hurt, in this change sought our bliss, My true love hath my heart and I have his. Reading © Classic Poetry Aloud, 2008.

Wilcox read by Classic Poetry Aloud: http://www.classicpoetryaloud.com Giving voice to the poetry of the past. -------------------------------------- Show me the Way by Ella Wheeler Wilcox Show me the way that leads to the true life. I do not care what tempests may assail me, I shall be given courage for the strife; I know my strength will not desert or fail me; I know that I shall conquer in the fray: Show me the way. Show me the way up to a higher plane, Where body shall be servant to the soul. I do not care what tides of woe or pain Across my life their angry waves may roll, If I but reach the end I seek, some day: Show me the way. Show me the way, and let me bravely climb Above vain grievings for unworthy treasures; Above all sorrow that finds balm in time; Above small triumphs or belittling pleasures; Up to those heights where these things seem child's-play: Show me the way. Show me the way to that calm, perfect peace Which springs from an inward consciousness of right; To where all conflicts with the flesh shall cease, And self shall radiate with the spirit's light. Though hard the journey and the strife, I pray, Show me the way. Reading © Classic Poetry Aloud, 2008.

Wilcox read by Classic Poetry Aloud: http://www.classicpoetryaloud.com Giving voice to the poetry of the past. -------------------------------------- Show me the Way by Ella Wheeler Wilcox Show me the way that leads to the true life. I do not care what tempests may assail me, I shall be given courage for the strife; I know my strength will not desert or fail me; I know that I shall conquer in the fray: Show me the way. Show me the way up to a higher plane, Where body shall be servant to the soul. I do not care what tides of woe or pain Across my life their angry waves may roll, If I but reach the end I seek, some day: Show me the way. Show me the way, and let me bravely climb Above vain grievings for unworthy treasures; Above all sorrow that finds balm in time; Above small triumphs or belittling pleasures; Up to those heights where these things seem child's-play: Show me the way. Show me the way to that calm, perfect peace Which springs from an inward consciousness of right; To where all conflicts with the flesh shall cease, And self shall radiate with the spirit's light. Though hard the journey and the strife, I pray, Show me the way. Reading © Classic Poetry Aloud, 2008.

Alexander Pope read by Classic Poetry Aloud: http://www.classicpoetryaloud.com Giving voice to the poetry of the past. -------------------------------------- Nature and Art from An Essay on Criticism: Part 1 by Alexander Pope (1688 – 1744) First follow Nature, and your judgment frame By her just standard, which is still the same: Unerring Nature, still divinely bright, One clear, unchang'd, and universal light, Life, force, and beauty, must to all impart, At once the source, and end, and test of art. Art from that fund each just supply provides, Works without show, and without pomp presides: In some fair body thus th' informing soul With spirits feeds, with vigour fills the whole, Each motion guides, and ev'ry nerve sustains; Itself unseen, but in th' effects, remains. Some, to whom Heav'n in wit has been profuse, Want as much more, to turn it to its use; For wit and judgment often are at strife, Though meant each other's aid, like man and wife. 'Tis more to guide, than spur the Muse's steed; Restrain his fury, than provoke his speed; The winged courser, like a gen'rous horse, Shows most true mettle when you check his course. Those Rules of old discover'd, not devis'd, Are Nature still, but Nature methodis'd; Nature, like liberty, is but restrain'd By the same laws which first herself ordain'd. Reading © Classic Poetry Aloud, 2008.

Alexander Pope read by Classic Poetry Aloud: http://www.classicpoetryaloud.com Giving voice to the poetry of the past. -------------------------------------- Nature and Art from An Essay on Criticism: Part 1 by Alexander Pope (1688 – 1744) First follow Nature, and your judgment frame By her just standard, which is still the same: Unerring Nature, still divinely bright, One clear, unchang'd, and universal light, Life, force, and beauty, must to all impart, At once the source, and end, and test of art. Art from that fund each just supply provides, Works without show, and without pomp presides: In some fair body thus th' informing soul With spirits feeds, with vigour fills the whole, Each motion guides, and ev'ry nerve sustains; Itself unseen, but in th' effects, remains. Some, to whom Heav'n in wit has been profuse, Want as much more, to turn it to its use; For wit and judgment often are at strife, Though meant each other's aid, like man and wife. 'Tis more to guide, than spur the Muse's steed; Restrain his fury, than provoke his speed; The winged courser, like a gen'rous horse, Shows most true mettle when you check his course. Those Rules of old discover'd, not devis'd, Are Nature still, but Nature methodis'd; Nature, like liberty, is but restrain'd By the same laws which first herself ordain'd. Reading © Classic Poetry Aloud, 2008.

William Shakespeare read by Classic Poetry Aloud: http://www.classicpoetryaloud.com Giving voice to the poetry of the past. --------------------------------------- Sonnet 116 by William Shakespeare (1564 – 1616) Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O no! it is an ever-fixed mark That looks on tempests and is never shaken; It is the star to every wandering bark, Whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come: Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. If this be error and upon me proved, I never writ, nor no man ever loved. Reading © Classic Poetry Aloud, 2009.

William Shakespeare read by Classic Poetry Aloud: http://www.classicpoetryaloud.com Giving voice to the poetry of the past. --------------------------------------- Sonnet 116 by William Shakespeare (1564 – 1616) Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O no! it is an ever-fixed mark That looks on tempests and is never shaken; It is the star to every wandering bark, Whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come: Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. If this be error and upon me proved, I never writ, nor no man ever loved. Reading © Classic Poetry Aloud, 2009.

Alfred, Lord Tennyson read by Classic Poetry Aloud: http://www.classicpoetryaloud.com Giving voice to the poetry of the past. --------------------------------------------- The Lady of Shalott by Alfred, Lord Tennyson (1809 – 1892) 1842 edition Part I. On either side the river lie Long fields of barley and of rye, That clothe the wold and meet the sky; And thro' the field the road runs by To many-tower'd Camelot; And up and down the people go, Gazing where the lilies blow Round an island there below, The island of Shalott. Willows whiten, aspens quiver, Little breezes dusk and shiver Thro' the wave that runs for ever By the island in the river Flowing down to Camelot. Four gray walls, and four gray towers, Overlook a space of flowers, And the silent isle imbowers The Lady of Shalott. By the margin, willow-veil'd Slide the heavy barges trail'd By slow horses; and unhail'd The shallop flitteth silken-sail'd Skimming down to Camelot: But who hath seen her wave her hand? Or at the casement seen her stand? Or is she known in all the land, The Lady of Shalott? Only reapers, reaping early In among the bearded barley, Hear a song that echoes cheerly From the river winding clearly, Down to tower'd Camelot: And by the moon the reaper weary, Piling sheaves in uplands airy, Listening, whispers "'Tis the fairy Lady of Shalott." Part II. There she weaves by night and day A magic web with colours gay. She has heard a whisper say, A curse is on her if she stay To look down to Camelot. She knows not what the curse may be, And so she weaveth steadily, And little other care hath she, The Lady of Shalott. And moving thro' a mirror clear That hangs before her all the year, Shadows of the world appear. There she sees the highway near Winding down to Camelot: There the river eddy whirls, And there the surly village-churls, And the red cloaks of market girls, Pass onward from Shalott. Sometimes a troop of damsels glad, An abbot on an ambling pad, Sometimes a curly shepherd-lad, Or long-hair'd page in crimson clad, Goes by to tower'd Camelot; And sometimes thro' the mirror blue The knights come riding two and two: She hath no loyal knight and true, The Lady of Shalott. But in her web she still delights To weave the mirror's magic sights, For often thro' the silent nights A funeral, with plumes and lights And music, went to Camelot: Or when the moon was overhead, Came two young lovers lately wed; "I am half-sick of shadows," said The Lady of Shalott. Part III. A bow-shot from her bower-eaves, He rode between the barley-sheaves, The sun came dazzling thro' the leaves, And flamed upon the brazen greaves Of bold Sir Lancelot. A redcross knight for ever kneel'd To a lady in his shield, That sparkled on the yellow field, Beside remote Shalott. The gemmy bridle glitter'd free, Like to some branch of stars we see Hung in the golden Galaxy. The bridle-bells rang merrily As he rode down to Camelot: And from his blazon'd baldric slung A mighty silver bugle hung, And as he rode his armour rung, Beside remote Shalott. All in the blue unclouded weather Thick-jewell'd shone the saddle-leather, The helmet and the helmet-feather Burn'd like one burning flame together, As he rode down to Camelot. As often thro' the purple night, Below the starry clusters bright, Some bearded meteor, trailing light, Moves over still Shalott. His broad clear brow in sunlight glow'd; On burnish'd hooves his war-horse trode; From underneath his helmet flow'd His coal-black curls as on he rode, As he rode down to Camelot. From the bank and from the river He flash'd into the crystal mirror, "Tirra lirra," by the river Sang Sir L(continued)

Alfred, Lord Tennyson read by Classic Poetry Aloud: http://www.classicpoetryaloud.com Giving voice to the poetry of the past. --------------------------------------------- The Lady of Shalott by Alfred, Lord Tennyson (1809 – 1892) 1842 edition Part I. On either side the river lie Long fields of barley and of rye, That clothe the wold and meet the sky; And thro' the field the road runs by To many-tower'd Camelot; And up and down the people go, Gazing where the lilies blow Round an island there below, The island of Shalott. Willows whiten, aspens quiver, Little breezes dusk and shiver Thro' the wave that runs for ever By the island in the river Flowing down to Camelot. Four gray walls, and four gray towers, Overlook a space of flowers, And the silent isle imbowers The Lady of Shalott. By the margin, willow-veil'd Slide the heavy barges trail'd By slow horses; and unhail'd The shallop flitteth silken-sail'd Skimming down to Camelot: But who hath seen her wave her hand? Or at the casement seen her stand? Or is she known in all the land, The Lady of Shalott? Only reapers, reaping early In among the bearded barley, Hear a song that echoes cheerly From the river winding clearly, Down to tower'd Camelot: And by the moon the reaper weary, Piling sheaves in uplands airy, Listening, whispers "'Tis the fairy Lady of Shalott." Part II. There she weaves by night and day A magic web with colours gay. She has heard a whisper say, A curse is on her if she stay To look down to Camelot. She knows not what the curse may be, And so she weaveth steadily, And little other care hath she, The Lady of Shalott. And moving thro' a mirror clear That hangs before her all the year, Shadows of the world appear. There she sees the highway near Winding down to Camelot: There the river eddy whirls, And there the surly village-churls, And the red cloaks of market girls, Pass onward from Shalott. Sometimes a troop of damsels glad, An abbot on an ambling pad, Sometimes a curly shepherd-lad, Or long-hair'd page in crimson clad, Goes by to tower'd Camelot; And sometimes thro' the mirror blue The knights come riding two and two: She hath no loyal knight and true, The Lady of Shalott. But in her web she still delights To weave the mirror's magic sights, For often thro' the silent nights A funeral, with plumes and lights And music, went to Camelot: Or when the moon was overhead, Came two young lovers lately wed; "I am half-sick of shadows," said The Lady of Shalott. Part III. A bow-shot from her bower-eaves, He rode between the barley-sheaves, The sun came dazzling thro' the leaves, And flamed upon the brazen greaves Of bold Sir Lancelot. A redcross knight for ever kneel'd To a lady in his shield, That sparkled on the yellow field, Beside remote Shalott. The gemmy bridle glitter'd free, Like to some branch of stars we see Hung in the golden Galaxy. The bridle-bells rang merrily As he rode down to Camelot: And from his blazon'd baldric slung A mighty silver bugle hung, And as he rode his armour rung, Beside remote Shalott. All in the blue unclouded weather Thick-jewell'd shone the saddle-leather, The helmet and the helmet-feather Burn'd like one burning flame together, As he rode down to Camelot. As often thro' the purple night, Below the starry clusters bright, Some bearded meteor, trailing light, Moves over still Shalott. His broad clear brow in sunlight glow'd; On burnish'd hooves his war-horse trode; From underneath his helmet flow'd His coal-black curls as on he rode, As he rode down to Camelot. From the bank and from the river He flash'd into the crystal mirror, "Tirra lirra," by the river Sang Sir L(continued)

Gerard Manley Hopkins read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- Binsey Poplars felled 1879 by Gerard Manley Hopkins (1844 – 1889) My aspens dear, whose airy cages quelled, Quelled or quenched in leaves the leaping sun, All felled, felled, are all felled; Of a fresh and following folded rank Not spared, not one That dandled a sandalled Shadow that swam or sank On meadow and river and wind-wandering weed-winding bank. O if we but knew what we do When we delve or hew— Hack and rack the growing green! Since country is so tender To touch, her being só slender, That, like this sleek and seeing ball But a prick will make no eye at all, Where we, even where we mean To mend her we end her, When we hew or delve: After-comers cannot guess the beauty been. Ten or twelve, only ten or twelve Strokes of havoc unselve The sweet especial scene, Rural scene, a rural scene, Sweet especial rural scene. Reading © Classic Poetry Aloud, 2008.

Gerard Manley Hopkins read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- Binsey Poplars felled 1879 by Gerard Manley Hopkins (1844 – 1889) My aspens dear, whose airy cages quelled, Quelled or quenched in leaves the leaping sun, All felled, felled, are all felled; Of a fresh and following folded rank Not spared, not one That dandled a sandalled Shadow that swam or sank On meadow and river and wind-wandering weed-winding bank. O if we but knew what we do When we delve or hew— Hack and rack the growing green! Since country is so tender To touch, her being só slender, That, like this sleek and seeing ball But a prick will make no eye at all, Where we, even where we mean To mend her we end her, When we hew or delve: After-comers cannot guess the beauty been. Ten or twelve, only ten or twelve Strokes of havoc unselve The sweet especial scene, Rural scene, a rural scene, Sweet especial rural scene. Reading © Classic Poetry Aloud, 2008.

Edgar Allen Poe read by Classic Poetry Aloud: http://www.classicpoetryaloud.com Giving voice to the classic poetry of the past. --------------------------------------------- A Dream Within a Dream by Edgar Allan Poe (1809 – 1849) Take this kiss upon the brow! And, in parting from you now, Thus much let me avow – You are not wrong, who deem That my days have been a dream: Yet if hope has flown away In a night, or in a day, In a vision or in none, Is it therefore the less gone? All that we see or seem Is but a dream within a dream. I stand amid the roar Of a surf-tormented shore, And I hold within my hand Grains of the golden sand— How few! yet how they creep Through my fingers to the deep While I weep--while I weep! O God! can I not grasp Them with a tighter clasp? O God! can I not save One from the pitiless wave? Is all that we see or seem But a dream within a dream? Reading © Classic Poetry Aloud 2009

Edgar Allen Poe read by Classic Poetry Aloud: http://www.classicpoetryaloud.com Giving voice to the classic poetry of the past. --------------------------------------------- A Dream Within a Dream by Edgar Allan Poe (1809 – 1849) Take this kiss upon the brow! And, in parting from you now, Thus much let me avow – You are not wrong, who deem That my days have been a dream: Yet if hope has flown away In a night, or in a day, In a vision or in none, Is it therefore the less gone? All that we see or seem Is but a dream within a dream. I stand amid the roar Of a surf-tormented shore, And I hold within my hand Grains of the golden sand— How few! yet how they creep Through my fingers to the deep While I weep--while I weep! O God! can I not grasp Them with a tighter clasp? O God! can I not save One from the pitiless wave? Is all that we see or seem But a dream within a dream? Reading © Classic Poetry Aloud 2009