Tate Events

An audio recording from the Tate Modern symposium Transnational Correspondence, where participants consider how entwined national and international contexts are negotiated in producing, exhibiting and interpreting art.

An audio recording from the Tate Modern symposium Transnational Correspondence, where participants consider how entwined national and international contexts are negotiated in producing, exhibiting and interpreting art.

Martha Rosler is one of the most influential artists of her generation whose work frequently compels the viewer to rethink the boundaries between the public and the private, the social and political. Her work centres on everyday life and the public sphere

An audio recording from a forum at Tate exploring the global contexts of contemporary sculpture, with artists originally from Cuba, China, India, Japan and Nigeria giving presentations about their work.

An audio recording from a forum at Tate exploring the global contexts of contemporary sculpture, with artists originally from Cuba, China, India, Japan and Nigeria giving presentations about their work.

On the occasion of the Louise Bourgeois exhibition this conference brings together a fascinating range of perspectives on the extraordinary work of this artist who has worked in dialogue with most of the major artistic movements

On the occasion of the Louise Bourgeois exhibition this conference brings together a fascinating range of perspectives on the extraordinary work of this artist who has worked in dialogue with most of the major artistic movements of the twentieth century

This symposium asks why the Sublime now? What is its legacy today? In what ways has the Sublime acquired an added urgency in our new millennium? And to what extent is this concept a useful or dangerous tool for the understanding of contemporary culture an

This symposium asks why the Sublime now? What is its legacy today? In what ways has the Sublime acquired an added urgency in our new millennium? And to what extent is this concept a useful or dangerous tool for the understanding of contemporary culture an

This symposium asks why the Sublime now? What is its legacy today? In what ways has the Sublime acquired an added urgency in our new millennium? And to what extent is this concept a useful or dangerous tool for the understanding of contemporary culture an

Despite entering the Royal Academy as its youngest ever student and ending his career as its president, John Everett Millais’s attitude to the ‘establishment’ of British art was at times considered rebellious. Art historian Colin Cruise considers Millais’

Jason Rosenfeld, Associate Professor at Marymount Manhattan College, New York and co-curator of Millais, reveals the curatorial thinking behind the exhibition as he explores John Everett Millais’s career, from his early academic paintings to his magnifice

Alan Morrison, Principal Lecturer at the Department of English, University of Westminster, examines the illustrations John Everett Millais made for a volume of Alfred Tennyson’s poems and his use of other literary subject matter, and relates these to the

Malcolm Morley is admired for his refusal to settle into a style or a way of making art that is predictable. ‘I wouldn’t want anything I did to look like anything else and I wouldn’t want anything else I’ve done to look like much of what I’m doing now.’

Since the mid 1980s, Wolfgang Tillmans has reinterpreted representational genres from portraiture to still life to landscape through the medium of photography.