The Cutting Room

Gordon sits down with Rollow Wenlock to discuss getting into film and how that led to him starting Wipster.io. He currently runs the company out of New Zealand.

Gordon sits down with editor Derek McCants has worked as a film editor for over 30 years. His focus is Documentaries and Reality TV. Some of his work includes: The Real Housewives of Orange County, Big Brother, D.E.A., and Beyond Scared Straight.

Gordon sits down with DI Colorist John Dowdell to discuss his work for the film Carol at Goldcrest Post, NYC. Carol has been nominated for Best Cinematography at the upcoming Oscars. John has over 200 Features and documentaries listed in his IMDB Filmography. The full transcript is available at aotg.com/cuttingroom.

Gordon sits down with film editor Stephen Mirrione who won the Oscar for editing "Traffic" and was recently nominated for editing the film "The Revenant". Stephen has worked with Alejandro Iñárritu since "21 Grams" and joins Gordon to discuss his editing work on "The Revenant". The full transcript is available at aotg.com/cuttingroom.

Gordon sits down with film editor Affonso Goncalves to discuss his recent work on the film Carol. Affonso's work includes True Detective, Beasts of the Southern Wild, and Winter's Bone, among many other amazing shows and films. You can see the full transcript for this interview on Aotg.com.

Gordon sits down with Jeremy Siegel (Licensing Specialist) and David Forshee (Library Specialist) to discuss the new Freelancer Program at ProSoundEffects.com. They begin there, but slowly move into ambisonics and exploring sounds and recording for sound libraries.

Gordon sits down with Joe Walker (12 Years a Slave, Sicario) to discuss the editing process of Sicario. If you haven't seen the film yet, go see it and then listen to this episode. We discuss many topics that lead to many potential spoilers.

Gordon sits down with Eddie Hamilton to discuss the editing process of Mission Impossible: Rogue Nation. If you haven't seen the film yet, go rent it and then listen to this episode. We discuss many topics that lead to many potential spoilers.

Just in time for Halloween, Gordon sits down with Debbie Berman to discuss the film The Final Girls. If you haven't seen it, go rent it on iTunes or your favourite streaming services! The film follows a group of teens as they get stuck in a 1980s slasher film and struggle to stick by the "Final Girl" so they can stay alive. Debbie and Gordon look at the difficult scenes to cut.

In this episode we share an excerpt from the Sight, Sound, and Story panel Gordon hosted for MEWShop.com titled: The Great Unscripted: The “Real” in Reality Television. The panelists include: Alanna Yudin (Ink Master, Mob Wives), Joe Schuck (Alaskan Bush People, Best Funeral Ever), and Julie "Bob" Lombardi (Teen Mom, Town of the Living Dead). They discuss the use of music, issues of authenticity and more.

Gordon and Michael sit down to discuss Straight Outta Compton. They touch on bringing the film down from 3+ hours to 2 1/2 hours, the complexity of cutting five key storylines, and working with the footage to get the most out of the acting.

Gordon sits down with Jody McVeigh-Schultz, to discuss the making of his film Echo Lake. Jody was the writer, director, and editor of the feature film.

With IBC around the corner, Gordon sits with Paul Isaacs to discuss their products and how he got into the business.

Gordon sits down with Jody McVeigh-Schultz, James Atkinson, Charles Breiner, and Aaron Morris to discuss the process behind cutting Comedy Central's Drunk History. Helping them wade through the 120:1 shooting ratio is their team of amazing assistant editors: Mariel Rubin, Tom Latvys, and James Lieske.

Gordon sits down with Timothy after a journey that included flat tires, missing people, and more. Enjoy this interview with CG Supervisor Timothy Hanson.