Filmmakers Podcast
Summary: A weekly in-depth conversation with digital filmmakers covering topics related to pre-production, production and post. We talk workflows, HD, 3D, Stereography, Final Cut, Avid, Compositing, plus much more! All of our guests are presenters from our digital filmmaking webinars at Moviola.com.
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- Artist: Moviola
- Copyright: (C) Copyright 2012 - Moviola
Podcasts:
Andrew Balis, colorist at Hollywood DI is back with us, this time speaking about how to improve control over look creation and how to manage looks for scene to scene color grading.
In this episode, we speak with Graham Austin about the Phantom Camera, on-set workflows and using the footage acquired with it inside of ASSIMILATE's SCRATCH.
x264 is a variant of h.264 that is considered one of the highest quality options available to filmmakers for encoding their content. In this podcast we speak with video compression guru Any Beach, about x264, h.264 and h.265 and the future of encoding.
Andrew Balis, principal colorist at Hollywood DI, talks to us about the many new features of DaVinci Resolve version 9 to aid us in the ability to auto or manually sync audio, create burn-ins and easily batch render multiple deliverables.
Join Chris Nelson, A.C.E., in this riveting interview about TV and feature editing, pacing, emotion, characters plus much more. Oh yeah, we also talk some about surfing and suggestions for succeeding in life and at work!
Whether you're an FCP editor working with Avid for the first time, or have spent years struggling to get the software to behave the way you would like, this podcast episode is for you! Steve Kanter, editor and certified trainer, talks both FCP and Avid!
The emergence of the Cloud as a viable file storage option has opened the doors to new ways of editing and sharing footage with others. In this episode, Ned Soltz, talks about file storage, collaboration and even editing in the cloud!
In this episode, Kevin shares with us some tips and techniques for creating great looking titles for your next video production inside of Adobe Premiere Pro CS6 using both the built in titler tool and also NewBlue FX Titler Pro.
We talk to Scott Simmons about the many new features of Adobe Premiere Pro CS6 from the standpoint of a Final Cut Pro editor. He delves into the similarities and points out, where appropriate, some of the unique features of each system.
On-set dailies are fast becoming the choice for episodic television and feature films. In this episode, we speak with NCIS LA DIT, John Scott Mills about dailies, how to best manage them and what a DIT needs to know in today's competitive environment.
The release of After Effects CS6 bring many new features and workflows. In this episode, Kevin goes in-depth on After Effects CS6. From the roto brush to complex compositing, he tells us what's new, what's great and what needs improvement still.
In this great interview with filmmaker and writer Johnny Silver, we talk about what makes a scene compelling and how you can craft your next script to make it more compelling, regardless of the story you are trying to tell.
Scott Simmons talks multi cam editing techniques in Final Cut Pro X. He shares with us what production people should keep in mind when shooting and delivering multi-cam footage to editors. He also talks about sync issues, plus much more!
In this episode, Ben Brownlee talks rotoscoping and VFX and how to generate complex mattes and mask shapes, accurately and quickly. He covers the big picture, details, hardware and software.
This episode is for anyone seeking a better understanding of the sound design process and considerations in working with sound in postproduction along with learning sound design’s innate value in telling great stories.
