fxguide: the rc

We chat with DP Rodney Charters on shooting '24', digital cinema, on and off set workflows, and traveling the world with RED.

We discuss Red and Avid news, Scarlet in the flesh, ratholes and revisit Jason's post issues.

This week we revisit downconverters, discuss the perils of DIY Red, and speak to photographer turned filmmaker Vincent Laforet.

Canon 5D MkII vs RED (if you speak Norwegian). We discuss large format photography with the Epic 617 and speak to panoramic photographer Ken Duncan who can't wait for his.

We kick off 2009 with shutters and keeping that film look, talk native RED grading, and new gear. Our RedRoom victim David Geddes shoots the first RED TV Series

In our last show for 2008 we talk RED files in After Effects with John Montgomery, predict the sun and shoot RED stock footage with ArtBeats.

Discussion of the December 3rd RED announcements including Scarlet fixed lens pricing, Epic X RED One trade in special, lens mounts, frame rates and more. Also a discussion with Sachtler tripods.

Stu Maschwitz joins the guys, who talk about the recent "announcement about more announcements". Also, a bit of geek out on lens mounts and more.

An interview with RED's Ted Schilowitz about this week's announcements. Also, Michael Scott's impressions of Thursday's RED event in Los Angeles.

We look at the recent Epic and Scarlet sneak peeks, discuss camera movement, Autodesk Red Support and visit Miller Tripods for the Australian leg of our tripod roundup.

Plenty of RED News this episode. REDsupport with Nucoda, OConnor kicks off our tripod roundup and we get a grip on grips.

Plenty of RED news this week. The guys get the scoop on Adobe's RED plans and discuss the future of FCP and Color. Then Jason catches up with XL Films in the RED Room.

In response to recent postings on the net, the guys have a special round table discussion on RED, Genesis and the F23. Featuring Stu Maschwitz of the Orphanage, and Independent Film Maker John Flowers.

We discuss the epic news about Scarlet as well as talking fish eyes and shooting cars in the RED Room with Mark Toia.

The guys discuss anamorphic lenses on set with DOP Tom Gleeson, follow a RED into a war zone, plus all the news from IBC.