MakingComics.com Gutter Talk Podcast

There is not a place we can turn where current events are not effecting our every day lives. I feel incredibly honored to unveil the first episode of comic fuel to feature Ulises Fariñas and Lucy Bellwood as cohosts. Ulises and I jump right into the questions and geek out on what is important to think about when inking – both digital and traditional. We then go into great depth discussing “style” and how it is actually an incidental occurrence in your art as opposed to a measured goal. Lucy hops in during question three to talk about how to think about drawing background art in your panels. Ulises and I cap the entire episode off with a very important discussion regarding how race and equity is reflected in the comic industry. In fact, in writing the show notes for that segment, I was delighted to find several amazing articles that dealt specifically with how the comic industry is connecting to these important topics. This episode also includes some amazing borrow audio clips from Jason Brubaker, Ven. Robina Courtin, and art educator John Spencer. Such an amazing third episode. Easily the hardest I’ve worked on yet. Hopefully I can keep it up! ComicFuel Episode 3 was awesome!Click To Tweet * Let me know what you think of the show by tweeting @patrickyurick * Please consider supporting us so that more episodes of the show can be released by donating at $1+ to the show on patreon: https://www.patreon.com/makingcomics * Check out our Patreon explainer video: https://www.youtube.com/watch?v=s4TBhT_m2RQ * As always – the entire show notes catalog is on the Comic Fuel Wiki: http://comicfuel.wikidot.com/wiki:episode-3 Jump times to go to different parts of the podcast: * (00:00) Show Opener * (00:43) Introduction to Show * (10:10) #ComicFuel Break #1: Not A Delicious Chocolate Cake” by Ven. Robina Courtin * (12:40) Question 1: Inking * (24:40) #ComicFuel Break #2: “Growing A Tree” by Jason Brubaker * (28:17) Question 2 & 3 Style * (51:46) Patreon Ad * (52:12) Questions 4: Backgrounds * (54:58) #ComicFuel Break #3: “Can’t Live Without Art” by John Spencer * (1:00:00) Show Closing – Race & Equity in the Comics Industry * (01:23:00) How can you, yes you, contribute to the comic fuel cause? * (01:26:00) Show Outro Questions answered in this episode (jump-to specific question times listed below) * Josh: What are some good resources to improve your digital inking? I feel like I know the basics, so beginner books aren’t really teaching me anything new. I’m completely self taught, and would love to learn some subtly with my inks. * Maya: How do comic artists deal with improvements in their style while making a comic book? Should a comic artist keep a consistent style? If so, how much should one practice style before starting to make comics? * Michael, Poland: What are the elements of style of particular artists if I want to use their style in my own work? I usually think of such elements as: the coloring method used (with computer or water colors), shading,

Holy MOLY, what a whirlwind of amazingness it has been in the time between the release of episode 1 of Comic Fuel and Episode 2! We have had a thousand people download and listen to the episode and I have enough questions that I have to wait for another four episodes before I can put out another call for questions. Wow. In this episode, episode 2, we’ll discuss project management, the comic creation process, coloring comics, penciling comics, and hosting comics online. The questions came from places like Ireland, India, Brazil, California, and Indiana. For legit #comicfuel we’ll hear about why we do art from Stephen McCranie, transitioning into fame and what is at the core of what artistry is really about from “How I Met Your Mother” actor Josh Radnor, and we’ll also hear about the art of really listening by famed audio producer Chris Watson. Questions answered in this episode (jump-to specific question times listed below) * How many pages should a comic issue be to be printed? * How long would it take to make a comic by yourself; scripting, storyboarding, art and lettering; and self publish it? * How do you keep up momentum on making comics? * How long does it take for a comic book artist to make a comic book? * What is the step-by-step process I should go through to choose colors that will look good? * What kind of colors can i use? * Am I just not being patient enough with myself, or am I trying to fit too much, too zoomed out, into one panel? * What websites are best for starting to post a webcomic? Another big announcement is that I spent a lot of time this month creating the Comic Fuel Podcast Wiki (http://comicfuel.wikidot.com/) which will serve as a repository for all questions, notes, and links that are mentioned in the show. Check it out. It took me FOREVER to make, but I’m really proud of it. The show notes for Episode 2 are at: http://comicfuel.wikidot.com/wiki:episode-2 Jump times to go to different parts of the podcast: * (00:00) Show Opener * (00:44) Show Introduction * (06:43) #ComicFuel Break #1: Chris Watson on The Art of Listening * (14:25) Question 1: Project Management Question 1 from Kevin in Eire: How do you keep up momentum on making comics? I make a lot of progress when i take a class or a mooc, but when it’s over I feel a bit like OK where to next? * (22:55) #ComicFuel Break #2: Stephen McCranie Asking Why We Do Art * (31:55) Questions 2, 3, & 4: Comic Creation Process Overview Question 2 from Anjali in Bangalore, India: How long would it take to make a comic by yourself; scripting, storyboarding, art and lettering; and self publish it? Question 3 from Nate in Brazil: As an independent artist who primarily works with digital comics, I’m interested in publishing my material, but I’m afraid the format won’t translate as well, and I’ll need to cut many pages from chapters so it could fit into what the market deems ideal for print. How many pages should a comic issue be to be printed? Question 5 from Andrew: How long does it take for a comic book artist to make a comic book? * (40:40) #ComicFuel Break #3: Josh Radnor Talking About Transitioning as an Artist * (44:30) Questions 5 & 6: Coloring Question 5 from Alan: If I have an uncolored comic page, what is the step-by-step process I should go through to choose colors that will look good? Question 6 from Anonymous: I am not professional in using coloring applications like photoshop and gimp If i ‘d like to do it manually, what is your advice to me, what is kind of colors can i use?

I was staring angrily at my computer screen. My final in my advanced composition class was due, and I was hours later in the process than I thought I would be at the time. My phone rang. On the other end was the excited voice of my younger sister who had just graduated from high school and was making her way slowly through her freshman year. I was starting my second year as a graphic design major and was struggling to take care of myself. “Patrick! You’ll never guess what I discovered today!” I was annoyed at the sound of her voice. Mostly I was agitated at being behind on my assignment and was only thinking about how quickly I could get off of the phone with her. “Yeah, what exactly did you discover?” I grumbled into my bulky Nokia cell phone (it was 2004). “I’m an artist! I just took an elective art class and I absolutely loved it! I’m an artist like you!” I choked at the sound of this. How could she think that she was an artist after taking just one class? I had been trying to become an artist since I was ten and here was my 19 year old sister claiming that she was an artist after only one day. “Well, that’s great sis. You know though, you aren’t a real artist.” “W-what…?” “You might be able to come to be one someday, but right now you are just thinking about becoming one. It takes years to become a real artist.” There was a silence on the other end of the phone. “Well, I think that I’m a real artist…” Her voice quivered on the other end of the line. “That’s insulting. I’ve been working to become an artist for over a decade. It is insulting to me that you feel like you could just be like me after one day…” More silence. “W-why are you so mean?!” She yelled into the phone crying. “Look, it’s just insulting for me to think of you as an arti-” Before I could finish I heard a ‘click’ of a dead phone line as the phone went dead. For several minutes I stared, angrily, at my computer screen. I felt righteous and annoyed simultaneously. How could she think she was an artist? I sat there for another 15 minutes, then  I bowed my head in shame. By telling my sister she wasn’t an artist I had become all of the people that had told me I wasn’t an artist as I was forming my perception of myself. I tried to call her back but she wouldn’t pick up the phone. As I became filled with shame, I equally became filled with resolve. I wasn’t ever going to tell someone that they weren’t an artist ever again. I had to break the cycle. I was a person that had to fight against that judgemental cruelty from other “artists” ever since I decided I wanted to become one, and now I had become one of those cruel, arrogant, artists. I vowed then and there to not only never again tell someone that they weren’t an artist, I vowed to go one step further and go out of my way to encourage artistry in others. … That happened to me about 11 years ago. In a lot of ways that story is exactly where the “How To Make A Comic Book” MOOC came from. When I received the $10k from Coursera to design the course there was a lot of suggestion that the course was to be more technical. I knew though that, especially when working with new artists, the emphasis has to be on encouragement and safety to pursue trying new things. This podcast, the #comicfuel podcast, is all about embracing the sentiment of encouraging artists to think about the important things in their practice (happiness, harmony, and balance). Each month I will be answering questions submitted to me by the students in the “How To Make A Comic Book” MOOC. This is the first #ComicFuel podcast. I’d like to dedicate it to my sister.

If you haven’t figured it out already, we here at Making Comics Worldwide love spreading knowledge to comic artists of all ages and levels. We enjoy it so much that recently we teamed up with Coursera and High Tech High to create a free (yes, free!) Massive Open Online Course (aka MOOC) about how to make comics. It is designed by our CEO Patrick Yurick to be a six week course to guide you through everything from scripting to thumbnailing to penciling and inking. To really push it over the top, we had discussions with amazing minds and talents in the comics industry, such as Mark Waid, Eric Shanower, and Caleb Cleveland. In this Gutter Talk episode, we are releasing the audio from the first three weeks of the How to Make a Comic Book MOOC. The course itself is video based so when you sign up to take the course, you’ll be able to visually take in the knowledge. However, we thought it would be a great idea to publish the audio for you, the podcast listener, so you can also benefit from the information found in the course. We definitely urge you to take the course online because a lot can be gained from video tutorials, as well. Plus, the amount of love put in to this course by Patrick and others is inspiring to see as well as hear. However, before we play those audio clips, Adam and Patrick sit down to discuss the cool things they have going on in their lives, from audio projects to moving to working at MIT in Boston. This is followed up with some of our awesome Patreon pledgelings (totally made up word) calling in to answer questions and be in the spotlight. These are just some of the cool Patreon perks and rewards of helping us at Making Comics continue to spread the good word on comics. And fair warning, things get a little silly sometimes, as is wont to do whenever Adam and Patrick get together. Our Links: Intro & Outro Song: “RetroFuture Clean” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Transition Song: Prelude No. 20 by Chris Zabriskie is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://chriszabriskie.com/preludes/ Artist: http://chriszabriskie.com/ More Links: Patreon How to Make a Comic MOOC

Once again, the Making Comics crew invades Wondercon and this year’s raid was pretty epic. Ok, maybe epic is overstating things and perhaps overused but it sure as heck felt that way. Why did it feel that way? Because this year we not only had our standard Gutter Talk panel but we partnered up with high school students from the Graphic Novel Project at High Tech High in Chula Vista, CA, too. To put the proverbial cherry on top, we even had a table in a prime location on the floor. If you’re not familiar with the Graphic Novel Project, it’s an after school student volunteer program that is designed to teach students the ins and outs of making a comic, from conceptualization to production to even the business side of marketing and selling the product. What made it really special was that the students got to participate in this year’s Gutter Talk panel. Imagine being a 15 year old student sitting up on stage at one of the more major comic conventions in the country and talking about yourself and the work you put into the project. Those opportunities don’t come along all that often and as you’ll hear in this episode, the students understand this. In this Gutter Talk episode, Adam narrates the way through the various topics. On the panel along with the students is the Making Comics CEO and head elf, Patrick Yurick, his wife and our education guru, Kay Flewelling, and the student mentor and Making Comics editor-in-chief Kevin Cullen. We cover a wide range of topics from an artist’s diet to the transformation from a single comic into a collection of comics to how and why the group shrank from thirteen students to five. And no, it wasn’t because they ate the weak ones.   Click the image below to see a photo gallery from the con: MakingComics.com Graphic Novel Project 2016 @Wondercon / Google Photos   Here is the powerpoint used during the presentation: We presented student testimonials from the “How To Make A Comic Book” massive open online course during the panel presentation. Here is the final cut of the student presentations: Here are the full videos from each of the students in the MOOC: Intro & Outro Song: “RetroFuture Clean” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/

In society, the word “expert” is bandied about way too much. Rarely do you find the person it is referencing is actually an expert, someone with a comprehensive understanding and knowledge of a particular subject or skill. And, if humility is in play, that person wouldn’t call themselves an expert, either. Then there are nerds, or those that are highly focused on a particular subject or skill, and boy, do they seem to be everywhere. Most nerds would think they are experts but any expert would say they’re not. In today’s Making Comics Gutter Talk episode, Adam is joined by one of the leading experts- uh, nerds- no, great minds in the field of writing about and analyzing comics, Glen Weldon. He has written several books about comics already, including “Superman: The Unauthorized Biography,” so we’re pretty sure he knows a thing or two about a thing or two. It also helps that he’s a weekly contributor to NPR’s Monkey See about all things comics and pop-culture. A majority of the ground covered by Adam and Glen in this Gutter Talk episode has to do with Glen’s book that was recently published by Simon and Schuster called “The Caped Crusade: Batman and the Rise of Nerd Culture.” Topics included whether or not there actually is a singular Batman or if everyone’s Batman is the right Batman, as well as how nerd-dom has simply become part of the current culture, sports included. Who knew Adam was into sports cosplay? As a side note, if you happen to be at Wondercon the weekend this episode drops, please be sure to check out the Making Comics Graphic Novel Project table at DL-56. To top it off, we have a panel on Saturday at 11am in room 515A. Don’t miss it! But if you do, no worries. The panel will be released as a podcast in April. Glen’s Links: NPR Bio (@ghweldon) The Caped Crusade: Batman and the Rise of the Nerd Culture More books by Glen Pop Culture Happy Hour Our Links: Intro & Outro Song: “RetroFuture Clean” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Outro Song Behind Vocals: “Backed Vibes (clean)” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Transitions: InceptionBrassHitMedium.wav: Herbert Boland / www.freesound.org Old Fashion Radio Jingle 2.wav: club sound / www.freesound.org

We here at Making Comics take pride in the type of things we present to you, the artist and comic creator, from the articles to the tutorials to even our amazing Underdog community. The same goes for the guests we are lucky enough to get on the Gutter Talk podcast. Every guest we’ve had on the podcast and also the panels we’ve had at conventions has been a treat and an honor to have on the show. We really consider ourselves extremely lucky to be able to gain insight and knowledge on how they perform and perfect their craft. This Gutter Talk episode continues that rich tradition in a major way. In today’s episode, Adam is joined by Graham Annable, the co-director of the Academy Award nominated movie, The Boxtrolls, as well as the amazing animator and artist behind Grickle. One of the more gracious guests we’ve had on the Gutter Talk podcast, the conversations were open windows into Graham’s thought processes as not just the great artist he is but also what it takes to be a director, even if a co-director, on a major stop-motion picture. The topics ranged from the difficulties and processes of what it’s like to be an effects artist on such an intricate movie (18 months to do a sub-two minute ballroom dance scene?!) to finding the time to create the Grickle shorts while still maintaining a happy, healthy family. It’s not easy but it appears Graham has found his groove. And yet he still manages to find ways to challenge himself within the craft of creating extraordinary art. Graham’s Links: Graham’s site (@grickle) YouTube Grickle page Grickle books The Boxtrolls Our Links: Intro & Outro Song: “RetroFuture Clean” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Outro Song Behind Vocals: “Backed Vibes (clean)” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Transitions: InceptionBrassHitMedium.wav: Herbert Boland / www.freesound.org Old Fashion Radio Jingle 2.wav: club sound / www.freesound.org

The ultimate goal of Making Comics Worldwide and our website is to provide an extensive educational resource for those that want to, simply put, make comics. These individuals range not just in age, from pre-teens to adults, but also in experience, from those who are just starting out to those that are looking to learn something new to help push their artistic process and ventures to new levels. We even have the testimonials to prove how useful and effective the articles on our site have been to artists. Still, we strive to do more for the artistic community than just post articles online. It’s why we have the Underdog community and these Gutter Talk podcasts. Now we have, in conjunction with Coursera and also the High Tech High Graduate School of Education, a MOOC (Massive Open Online Course) that is video based in nature. You can find that course by clicking here. In this Gutter Talk episode, Adam sits down with the Making Comics Worldwide enigmatic, benevolent, and oft-times well-dressed leader to discuss the How To Make a Comics MOOC more in depth. In this talk Adam and Patrick give you an idea of how the course came about, the struggles and joys of putting the course together, and what we at Making Comics Worldwide hope you get out of it. In other words, when you’re big and famous for your art, remember the little people. How to Make a Comic MOOC Our Links: Outro Song: “RetroFuture Clean” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/

The Making Comics Worldwide headquarters is located in beautiful San Diego. Saying the Making Comics Gutter Talk podcast took a winter break seems somewhat ridiculous, mostly because winter does not really exist in San Diego. Still, that’s exactly what happened and now the podcast is back. Well, sort of. In this episode, we return to the Coffee Table Comics podcast, the new-ish podcast by artist and creator Jason Brubaker. If you’re not familiar with his work, you really should be. He has put out such work as reMIND and his most current comic Sithrah. This particular episode is the second half of a fantastic conversation between Jason and his guests. On the show is Gutter Talk alumni, Daniel Warren Johnson, the creator of the stupendous comic Space Mullet, and also Royden Lepp, the creator of another amazing comic called Rust. Their Links: Jason’s Patreon site (@Jason_Brubaker) Sithrah reMIND Daniel’s site (@danielwarrenart) Space-Mullet Royden’s site (@RoydenLepp) Rust Our Links: Twitter Facebook Intro & Outro Song: “RetroFuture Clean” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/

It’s the final Making Comics Gutter Talk episode of the year, our second year here with Making Comics Worldwide, and we couldn’t be more excited about this episode. While it is not your standard Gutter Talk podcast you’ve all come to know and love, this is something equally as cool. Recently we heard from Jason Brubaker, creator of Sithrah and reMIND, and he mentioned how he’s been working on new podcasts to release to the world. He was also curious if we wanted to release them in the Gutter Talk timeline alongside his own posts. Clearly this was a no-brainer. In this first episode Jason sits down with two amazing comic creators in a roundtable discussion. His guests are Royden Lepp, creator of the comic Rust, and Daniel Warren Johnson, both Gutter Talk alumni and creator of Space-Mullet.  

Over the last two years, the Making Comics Gutter Talk podcast has been fortunate enough to speak to amazing artists from international locations such as Canada, Australia, and Denmark. In today’s episode, we place a checkmark next to Ireland as Adam sits down with Irish writer and filmmaker James Mulholland. It was borderline middle of the night for James at the time of the conversation but a great conversation was had. The episode begins with some political soapboxing but we promise, it soon dives into comics and the arts, and also the love James has for the city of Orlando, Florida. Another topic that comes up is the late start James got when getting into comics. It’s just more proof that there is no single path an individual must take to become a comic artist. One of these days the Making Comics Worldwide crew will travel abroad to spread the good word in person. There’s a reason the word “worldwide” is in our name. But until then, our next best option is to speak to folks outside of the United States through the Gutter Talk podcast. Sure, email works, too, but that’s just not nearly as much fun as speaking to someone online in person-ish. It really is the next best thing. You can take our word for it but we highly advise you listen to this episode with James Mulholland, and other podcasts, for yourself. James’s Links: James’s Facebook page & Twitter: @James_Mul1990 Short stories The Disease High Noon Rising & Facebook page Our Links: Intro & Outro Song: “RetroFuture Clean” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Outro Song Behind Vocals: “Backed Vibes (clean)” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Transitions: InceptionBrassHitMedium.wav: Herbert Boland / www.freesound.org Old Fashion Radio Jingle 2.wav: club sound / www.freesound.org

As we end Year Two for both Making Comics Worldwide and the Gutter Talk podcast, we’re pretty darn excited and grateful for how far we’ve come and where we’re heading. We have a lot of big plans for the future but before we get too ahead of ourselves, let’s deal with where we currently are. In today’s Gutter Talk episode, Adam sits down with artist and creator, Ian McGinty, to discuss everything from creating music in his teens to creating comics in his twenties and beyond, and also how the two can sometimes require the same process. It’s also pretty cool and inspiring to see and hear how far Ian has come since his high school days when he began to take comics seriously. While he explains how this came at the expense of something else, the moral is that sometimes the sacrifice is worth the reward. Ian’s recent bouts of success are proof of that. Ian’s Links: Ian’s site (@ianmcginty) Our Links: Intro & Outro Song: “RetroFuture Clean” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Outro Song Behind Vocals: “Backed Vibes (clean)” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Transitions: InceptionBrassHitMedium.wav: Herbert Boland / www.freesound.org Old Fashion Radio Jingle 2.wav: club sound / www.freesound.org

It’s not very often you meet someone that makes it difficult to distinguish if you’re talking to yourself or another person all together. However, in this Making Comics Gutter Talk episode with artist and creator Joe Badon, it seems that’s exactly what happened; Adam has met his soul-twin and he’s a damn fine artist. And not only is he an artist in the drawing sense, but Joe is also an artist in the musical sense. Today’s episode opens with a song called “Monster Zero” from Joe’s band The Band That Wouldn’t Die. It’s a bit experimental but we dig it just the same. It’s perfect to draw or write to, if not both. This episode is yet another strong example of why being around like-minded peers in a community is an important part of not just becoming an artist but being one, as well. There’s always a certain comfort level during the growing process in knowing not only are you not alone but you’re more alike with others than you may have originally thought. Your ideas, concerns, goals, and sometimes even the same dreams. When you meet someone with these things, you know you’re in for a fantastic conversation. Download this episode and listen in as Adam is joined by Joe to discuss all things comics. And politics. And other random tangents that seem to happen in Gutter Talk podcasts on a regular basis. By this time, though, you should just be used to it, right? Joe’s Links: Joe’s site (@joebadon) Kickstarter for “The Man With Ten Thousand Eyes” Our Links: Outro Song: “RetroFuture Clean” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Outro Song Behind Vocals: “Backed Vibes (clean)” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Transitions: InceptionBrassHitMedium.wav: Herbert Boland / www.freesound.org Old Fashion Radio Jingle 2.wav: club sound / www.freesound.org  

It seems the Making Comics Gutter Talk podcast has its first ritual and we couldn’t ask for a better one. You see, last year for Halloween we opened the show with a Vincent Price reading of a classic Edgar Allan Poe tale, which was followed by a fantastic talk with one of the masters in the horror movie and comic genre, Stephen R. Bissette. We had so much fun putting that podcast out that we decided it was imperative this become a regular thing. So we made that happen. You’re welcome. Last year we opened with Vincent Price masterfully reading Poe’s “The Raven.” This year we have Vincent Price reading Poe’s “The Tell-Tale Heart.” While there may be some who can read a Poe story out loud, not many can give it the respect and justice it deserves like Vincent Price. Following that Adam is joined again by Stephen Bissette to discuss what he’s been up to the last year, and as it turns out, he’s quite the busy guy. In the conversation they discuss what is needed to create a top-notch horror story, whether it’s in the comic form or otherwise. Stephen brought up what it was like to work with the amazing Alan Moore and how he crafted scripts for artists to work with. Needless to say, mind = blown. So put your scary mask on and download this episode with Stephen Bissette. When you’re done listening, the amount of tricks and treats in your arsenal will be all the candy you’ll need. You know, until next Halloween when we get to do this again. Stephen’s Links: SpongeBob Comic #49 Preview Twitter: @SRBissette Our Links: Vincent Price / The Tell Tale Heart, Act I: https://www.youtube.com/watch?v=2LNjgv5p3Ek Vincent Price / The Tell Tale Heart, Act II: https://www.youtube.com/watch?v=TM-tAb-bM-s Intro & Outro Song: “RetroFuture Clean” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Outro Song Behind Vocals: “Backed Vibes (clean)” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Transitions: InceptionBrassHitMedium.wav: Herbert Boland / www.freesound.org Old Fashion Radio Jingle 2.wav: club sound / www.freesound.org Maniacal Witches Laugh: Recorded by Mike Koenig / http://soundbible.com/1129-Maniacal-Witches-Laugh.html / License: Attribution 3.0

Oh, to be young again! Or just young, period. However, don’t let the not-quite-ripe age of 21 fool you when it comes to Vincent Kings, an up and coming artist in the Los Angeles area. He may have the energy of a young buck but he speaks with the depth and wisdom of a wise, old man that has been in the game for ages. In today’s Making Comics Gutter Talk episode, Vincent travels down to San Diego and over to Adam’s studio (and let’s be honest here, it’s really just his living room) to talk about what it takes to maintain pace and structure as an artist. You’ll also get to hear Vincent discuss some rules and guidelines he does his best to follow in order to aid in not just his successes now but the successes of his future. Don’t get Vincent wrong, though. He fully understands he has a long way to go before he feels comfortable being the artist he seeks to be, even if that doesn’t happen until his last dying breath. Still, when you hear him speak about his process in both thought and action when it comes to art, you, too, will also question the accuracy of his stated age. Most of all, though, you will find yourself inspired enough to adopt his rules and practice them yourself. Vincent’s Links: Vincent’s site (@VinMakesComics) Vincent’s Tumblr page Our Links: Intro & Outro Song: “RetroFuture Clean” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Outro Song Behind Vocals: “Backed Vibes (clean)” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Transitions: InceptionBrassHitMedium.wav: Herbert Boland / www.freesound.org Old Fashion Radio Jingle 2.wav: club sound / www.freesound.org