Broadway Bullet: Theatre from Broadway, Off-Broadway and beyond.

Seth Sklar-Hein discusses his job producing and associate directing for Cameron Mackintosh North America as well as his working relationship with arguably the most successful producer of the modern theatre. He also talks about the new road production of Phantom of the Opera.

Cara Reichel and Peter Mills talk about their production company, Prospect Theatre company, their fantastic growth, and areas you need to look out for when creating a company.

Ralph Lewis of Peculiar Works talks about dusting off the forgotten American classic, Androbourous and the challenges and joys of producing site-specific theatre.

Eleanor Speert, buyer for the Drama Book shop comes in to talk about the resources they provide everyone in celebration of 100 years of doing business.

Peter Bogyo, General Manager for too many Broadway Shows to mention, talks about his numerous duties and his new book, aptly titled, "Broadway General Manager".

Are you into all things musical theatre and cabaret? We've got a music issue for you, chock full of everything from Classics to Americana Romano DiNillo and Chris Ranney play in the "pit" for the Broadway Smash, "Come From Away", only in this show, the pit is right where all the action is. They talk about the musicians role in this unique show. Deborah Grace Winer has dedicated her career to "curating the American Songbook". After working for years as the head of Lyrics and Lyricists, she has struck out on her own to continue bringing recognition and rememberence to Musical Theatre's finest writers. Bill Solly may be the most prolific "undervalued gem" of a writer in Manhattan. A listener suggested I talk to this man, who pioneered writing gay-themed theatre before it was mainstream and popular. We talk about his ground-breaking shows like "The Great American Backstage Musical" and "Boy Meets Boy" and hopes of a major revival. Finally, Isaac Sutton is a tireless cabaret artist playing the likes of Las Vegas, New York and Israel. He talks about bringing his art craft all over the world, and the logistics of making it all happen. That's what we have set for Vol. 813, February 21st, 2018. All that, inside!

Rodney Ingram is making his Broadway Debut in a feature role as Raul in Phantom of the Opera after understudying Aladdin last year. He discusses his exciting move, and how her got there.

Christian DeGre is a composer whose work is often sung through and unabashedly Opera. With a successful run of his show, "Whiskey Pants" in the bag, he talks about promoting Opera to Musical Theatre fans.

Seth Sklar-Hein is no stranger to Opera, as he heads up Cameron McIntosh North America, the company arguable responsible for rebranding Opera for the modern age. With a redesigned tour or Phantom of the Opera on the road, he discussed the new production and the show's remarkable legacy.

Lisa Moira, recently wrapped up directing the four-character chamber Opera, Lady of the castle. She talks about the unique challenges of directing an opera and finding and working in alternative venues to advance the art form.

There are many blurred lines between Opera and Musical Theatre, and in this episode we have artists working on shows that demonstrate this. Rodney Ingram is making his Broadway Debut in a feature role as Raul in Phantom of the Opera after understudying Aladdin last year. He discusses his exciting move, and how her got there. Christian DeGre is a composer whose work is often sung through and unabashedly Opera. With a successful run of his show, "Whiskey Pants" in the bag, he talks about promoting Opera to Musical Theatre fans. Seth Sklar-Hein is no stranger to Opera, as he heads up Cameron McIntosh North America, the company arguable responsible for rebranding Opera for the modern age. With a redesigned tour or Phantom of the Opera on the road, he discussed the new production and the show's remarkable legacy. Finally, Lisa Moira, recently wrapped up directing the four-character chamber Opera, Lady of the castle. She talks about the unique challenges of directing an opera and finding and working in alternative venues to advance the art form. This show isn't Puccini, so buckle up!

Frankenstein comes alive every Monday night in New York, and this time the mad creator is Eric Sirota, writing book, music and lyrics. He tells us about the show, and the unique challenges of doing a long run essentially in a festival format.

We've got a sampling for you this episode, a show on Broadway, Off-Broadway and Independent Theatre. First, Q. Smith and Geno Carr are giving their all eight times a week in Come From Away, and have been at it through the musical's development. They walk us through the excitement of this exhilarating show. Then, Jersey Boys is returning to New World Stages, and book writer Rick Elice stops by to let us know about that and walk us through his early history in NYC up to the fateful call to write one of the most popular musicals of this century. Finally, Frankenstein comes alive every Monday night in New York, and this time the mad creator is Eric Sirota, writing book, music and lyrics. He tells us about the show, and the unique challenges of doing a long run essentially in a festival format.

Q. Smith and Geno Carr are giving their all eight times a week in Come From Away, and have been at it through the musical's development. They walk us through the excitement of this exhilarating show.

Aedin Moloney is in The Irish Rep's production of James Joyce's The Dead 1904. She stops by to talk about the show, her company Fallen Angel, and why Irish playwrights are so popular.