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Walt Disney Animation Studios ("Tangled," "Wreck-It Ralph") presents "Frozen," a stunning big-screen comedy-adventure inspired by Hans Christian Andersen's "The Snow Queen." Fearless optimist Anna sets off on an epic journey—teaming up with rugged mountain man Kristoff and his loyal reindeer Sven—to find her sister Elsa, whose icy powers have trapped the kingdom of Arendelle in eternal winter. Encountering Everest-like conditions, mystical trolls and a hilarious snowman named Olaf, Anna and Kristoff battle the elements in a race to save the kingdom.

Former race car driver Brent Magna (Hawke) is pitted against the clock. Desperately trying to save the life of his kidnapped wife, Brent commandeers a custom Ford Shelby GT500 Super Snake, taking it and its unwitting owner (Gomez) on a high-speed race against time, at the command of the mysterious villain holding his wife hostage.

BLACK NATIVITY is a joyous Christmas musical, told through uplifting, soulful gospel sounds and featuring a stellar line-up of Academy Award® winning actors and R&B superstars. It’s the story of Langston (Jacob Latimore) – a streetwise teen from Baltimore, who journeys to New York City to spend Christmas with his estranged grandparents, Reverend Cornell Cobbs (Forest Whitaker) and his wife Aretha (Angela Bassett). Struggling to find his way in New York and to abide by his grandfather’s strict rules, Langston is determined to return home to his mother, Naima (Jennifer Hudson). But just as things seem to have hit rock bottom, Langston embarks on a surprising and inspirational journey and along with new friends and a little divine intervention, he discovers the true meaning of faith, healing and family.

Less a Manhattan department store than a shrine to the great and good of the fashion world, Bergdorf's is as much a part of design history as a Chanel dress. Taking its title from a 1990 New Yorker cartoon, Matthew Miele’s entertaining documentary, featuring contributions by a wealth of designers and celebrities, is a fascinating portrait.

Golshifteh Farahani (About Elly, Body of Lies) delivers a spellbinding performance in Atiq Rahimi's THE PATIENCE STONE, adapted from his best-selling novel, winner of the Goncourt Prize in 2008, the most prestigious book award in France. As a woman tends to her comatose husband, an injured rebel fighter in an unnamed, war-torn village, she pleads for him to wake and protect his family from the bullets that fly outside their window and tanks that roll in the streets. Fearing for the lives of her two young daughters, the woman takes them to the safety of a relative’s home while she returns daily to care for her unresponsive husband. Weeks go by, and as her desperation grows, an awakening begins to take hold, giving voice to her previously unuttered thoughts, grievances and desires.

OLDBOY is a provocative, visceral thriller that follows the story of an advertising executive (Josh Brolin) who is abruptly kidnapped and held hostage for 20 years in solitary confinement. When he is inexplicably released, he embarks on an obsessive mission to discover who orchestrated his bizarre and torturous punishment only to find he is still trapped in a web of conspiracy and torment.

Former drug enforcement agent, Phil Broker is a family man who moves off the grid with his daughter, to a seemingly quiet bayou backwater to escape his troubled past. However, Broker’s world soon becomes anything but quiet once he discovers that an underbelly of drugs and violence riddles the small town. Soon, a sociopathic methamphetamine kingpin, Gator Bodine puts Broker and his daughter in harm’s way forcing Broker back into action in order to save his family and the town.

Daniel Radcliffe stars in a compelling true tale of obsession and murder that kick-started the Beat Generation. It's 1944 and fresh-faced young student Allen Ginsberg (Daniel Radcliffe) has just arrived at Columbia University. He swiftly falls under the spell of handsome, charismatic Lucien Carr (Dane DeHaan), who sees himself as the architect of an artistic 'New Vision'. Carr introduces Ginsberg to Jack Kerouac (Jack Huston) and William Burroughs (Ben Foster), bringing together the founding fathers of what was to become known as the Beat Movement. But Ginsberg's love for Carr proves to be destructive. Their relationship is further complicated by David Kammerer (Michael C. Hall) - an older man who has become obsessed with free-spirited Carr. And thanks to the film's prologue, we already know that his corpse winds up floating in the Hudson river! Daniel Radcliffe broadens his range still further in John Krokidas's atmospheric feature debut exploring the dramatic birth of the Beats.

Isabelle (Marine Vacth) is on summer vacation in the South of France when she takes up a desultory relationship with Felix (Lucas Prisor), a hunky German tourist. He is neither her emotional nor her intellectual equal. We watch her give up her virginity to him, only to cast him aside without a care days later. We next meet Isabelle in the fall, back in Paris, where we discover that she’s set up a website to accept appointments from johns she will meet for sex in chic hotel rooms. She is a cool professional. But this does not mean she’s immune to the effects of the sexual whims of and occasional rough treatment from men. It is only with one regular client that she allows herself to experience any pleasure. That is until the unthinkable happens and she’s forced to deal with the consequences of her decisions.

Directed by BAFTA award-winning John Roberts, DAY OF THE FLOWERS is a colourful and wryly humorous tale of cross-cultural misunderstandings and lost illusions staring Eva Birthistle (‘Ae Fond Kiss’, ‘Breakfast on Pluto’), Charity Wakefield (‘Serena’) and introduces the acclaimed ballet star Carlos Acosta in his first feature-length role. Two young, strong-willed Scottish sisters, one a left-wing activist, the other a born-to-shop fashionista, take their late father's ashes to Cuba, the site of many intriguing family legends. Arriving in Havana, the two women promptly lose the ashes and go through a series of misadventures - both romantic and dangerous - to try to retrieve them, making some surprising discoveries along the way about the family ties that hold them together.

Two People, Two Films, One Love Story. Daniel Auteuil directs a love story of two halves. Based on the books of Marcel Pagnol. Fanny loves Marius and is expecting his child, but he has abandoned her and run away to sea without knowing about the baby. She finds herself facing the dishonorable position of being an unmarried mother,unable to provide for herself and the child. So, with the approval of her mother, and for the sake of the baby’s future, she agrees to marry a prosperous shopkeeper on the old port, Honoré Panisse. He is 30 years older than she, but he recognizes the child and raises it as his own. Panisse provides them with a certain standard of living, social respectability and a comfortable future. Meanwhile, Marius has finally become aware of his profound love for Fanny during his long voyage. Despite having no career, he returns home to win back Fanny’s affections and take responsibility for his child. Despite her enduring love for him, Fanny and Marius’s father César convince him to stay out of her life, for the sake of the child’s future and the honor of the Panisse family.

Two People, Two Films, One Love Story. Daniel Auteuil directs a love story of two halves. Based on the books of Marcel Pagnol. The story of MARIUS takes place in the Old Port of Marseille, in the Bar de la Marine run by César and his son Marius. Fanny, a pretty young woman who sells shellfish outside the bar, has been secretly in love with Marius since childhood. But Marius has always dreamed of embarking on one of the ships that sail past the bar, heading off to distant horizons.

When Walt Disney's daughters begged him to make a movie of their favorite book, P.L. Travers' Mary Poppins, he made them a promise - one that he didn't realize would take 20 years to keep. In his quest to obtain the rights, Walt comes up against a curmudgeonly, uncompromising writer who has absolutely no intention of letting her beloved magical nanny get mauled by the Hollywood machine. But, as the books stop selling and money grows short, Travers reluctantly agrees to go to Los Angeles to hear Disney's plans for the adaptation. For those two short weeks in 1961, Walt Disney pulls out all the stops. Armed with imaginative storyboards and chirpy songs from the talented Sherman brothers, Walt launches an all-out onslaught on P.L. Travers, but the prickly author doesn't budge. He soon begins to watch helplessly as Travers becomes increasingly immovable and the rights begin to move further away from his grasp. It is only when he reaches into his own childhood that Walt discovers the truth about the ghosts that haunt her, and together they set Mary Poppins free to ultimately make one of the most endearing films in cinematic history.

In the closing frames of The Best Man, the groundbreaking movie from then first-time writer/director MALCOLM D. LEE, Lance (Chestnut) and Mia (Calhoun) had just gotten married, and Harper (Diggs) proposed to a very shocked Robyn (Lathan). Murch (Perrineau) found the nerve to break up with Shelby (De Sousa) and begin dating Candy (Hall), the fantasy girl who'd become the love of his life, while the industrious Shelby rebounded and found herself in bed with lothario Quentin (Howard). And although Jordan (Long) was successful as a television producer, she seemed destined to stay unlucky in love. Everything has changed since that day. Throughout the years, there have been marriages, children and divorces—not to mention all the love and heartbreak that accompany a life well lived—but the group has not been able to manage a proper get-together since Lance and Mia's wedding. But that's all about to be remedied. When the college friends finally reunite over the Christmas holidays, they will discover just how easy it is for long-forgotten rivalries and passionate romances to be reignited.

Homely outcast high school girl with a religious zealot mom has long had telekinetic powers. When bullied by her peers she exhibits her powers more, and when a cruel trick plays out on prom night she unleashes her telekinetic wrath and destroys her school, her mother, and herself.