Film Forum Podcasts

THE HAUNTED STRANGLER: In Victorian England, novelist Karloff, investigating the case of the Haymarket Strangler - sent to the gallows twenty years prior for a series of gruesome murders - discovers that the Strangler was actually ...

THE HAUNTED STRANGLER: In Victorian England, novelist Karloff, investigating the case of the Haymarket Strangler - sent to the gallows twenty years prior for a series of gruesome murders - discovers that the Strangler was actually ...

TARGETS: Karloff's veteran horror star Byron Orlock is ready for the old actor's home, but not before one last personal appearance at a drive-in, where sniper Tim O'Reilly plans to show off his own brand of terror. Bogdanovich's official debut, written to a fulfill a picture Karloff owed producer Roger Corman. "Old and new are fused in a magnificent coup de theatre to touch a genuinely raw, modern nerve." - Phil Hardy

THE HAUNTED STRANGLER: In Victorian England, novelist Karloff, investigating the case of the Haymarket Strangler - sent to the gallows twenty years prior for a series of gruesome murders - discovers that the Strangler was actually ...

WHO GETS TO CALL IT ART?: A wild ride through the NYC art scene of the 1960s, through the eyes of Henry Geldzahler, the first curator of contemporary art at the Metropolitan Museum of Art. Geldzahler's ground-breaking show, "New York Painting and Sculpture: 1940-1970," featured his selection of 400 works by living American artists. In Peter Rosen's lively portrait of the iconoclastic connoisseur, many of these artists characterize his influence and personality with breathtaking candor. ("What will the public think? Who gives a rat's ass! It's their job to catch up." - John Chamberlain) With Mark di Suvero, Frank Stella, James Rosenquist, David Hockney, Larry Poons, Ellsworth Kelly, Francesco Clemente, and a slew of other art world notables.

WHO GETS TO CALL IT ART?: A wild ride through the NYC art scene of the 1960s, through the eyes of Henry Geldzahler, the first curator of contemporary art at the Metropolitan Museum of Art. Geldzahler's ground-breaking show, "New York Painting and Sculpture: 1940-1970," featured his selection of 400 works by living American artists. In Peter Rosen's lively portrait of the iconoclastic connoisseur, many of these artists characterize his influence and personality with breathtaking candor. ("What will the public think? Who gives a rat's ass! It's their job to catch up." - John Chamberlain) With Mark di Suvero, Frank Stella, James Rosenquist, David Hockney, Larry Poons, Ellsworth Kelly, Francesco Clemente, and a slew of other art world notables.