Summary: We unexpectedly become fascinated with clowns and their make-up, including Joseph Grimaldi. See links below. Leichner Kosmetik: https://www.cosmeticsandskin.com/companies/leichner.php Dave Fagundes and Aaron Perzanowski, The fascinating reason why clowns paint their faces on eggs, BBC Future (6 December 2017): https://www.bbc.com/future/article/20171206-the-fascinating-reason-why-clowns-paint-their-faces-on-eggs Costume worn by Joseph Grimaldi (1800-1823), Museum of London: https://collections.museumoflondon.org.uk/online/object/794735.html Carold Reed (director), Veniero Colasanti (costume design), Trapeze (1956): https://www.imdb.com/title/tt0049875/ Mode Circus Knie, Textilmuseum St. Gallen (7 March 2019 – 19 January 2020): https://www.textilmuseum.ch/modecircus/ Jean-Antoine Watteau, ‘Pierrot, formerly known as Gilles’ (c. 1718-19), Musée du Louvre, Paris: https://www.louvre.fr/en/oeuvre-notices/pierrot-formerly-known-gilles Playbill for The Great United Circus Alhambra Palace (1858), Victoria & Albert Museum: http://collections.vam.ac.uk/item/O1462318/the-great-united-states-circus-playbill-horner/ National Fairground and Circus Archive, The University of Sheffield: https://www.sheffield.ac.uk/nfca
