Summary: <br> We would note two major events on this day from the world of opera. We will mark the first event in a moment; the second event – which constitutes the body and soul of this post – will be observed only after we’ve had a chance to do some prep.<br> <br> <br> <br> Leontyne Price (born 1927)<br> <br> <br> <br> We mark the birth on February 10, 1927 – 93 years ago today – of the glorious soprano Leontyne Price. (More than just a soprano, Price in her prime was a lyric-spinta, or “pushed lyric soprano”, meaning that she had all the high notes of a lyric soprano but could also push her voice to realize dramatic climaxes without any strain. The great lyric-spinta roles include Aida, Desdemona from Verdi’s Otello, the Marschallin from Richard Strauss Der Rosenkavalier, and Floria Tosca.) Every inch the true diva (in the best sense), Price is alive and we trust well at her home in Columbia, Maryland. Happy birthday, you stunning goddess you. <br> <br> <br> <br> Preliminaries<br> <br> <br> <br> A “malaprop” (or “malapropism”) “is the use of an incorrect word in place of a word with a similar sound, resulting in a nonsensical, sometimes humorous utterance.”<br> <br> <br> <br> “Gibberish” (a.k.a. jibber-jabber or gobbledygook) is a tad different; it is defined as being “nonsense speech that may include speech sounds that are not actual words, or language games and specialized jargon that seems nonsensical to outsiders.”<br> <br> <br> <br> Lawrence Peter “Yogi” Berra (1925-2015) in 2008, age 83<br> <br> <br> <br> I would suggest that the greatest English language-speaking master of both malaprops and gibberish was the baseball catcher, coach, manager, and Hall-of-Famer Lawrence Peter “Yogi” Berra (1925-2015). Malaprops and gibberish poured forth from his 5’7” frame like that proverbial poop from a goose; that they were uttered inadvertently make them all the funnier. <br> <br> <br> <br> Should we want to (and I will admit that I am tempted), the remainder of this post could consist entirely of what have come to be known as “Yogi-isms.” Among the untold number of malaprops he uttered over his 90 years of life are such gems as:<br> <br> <br> <br> “It ain’t the heat; it’s the humility.”“I take that with a grin of salt.”“Texas has a lot of electrical votes.” (As opposed to “electoral” votes.)<br> <br> <br> <br> But truly, Berra’s greatest verbal creations are his gibberish: nonsense sentences, some of which have actually become part of our everyday lexicon. Bartlett’s Familiar Quotations features eight such Yogi-isms. A quick sampling must include such gems as:<br> <br> <br> <br> “When you come to a fork in the road, take it.”“You can observe a lot by just watching.” “It’s like déjà vu all over again.”“It’s tough to make predictions, especially about the future.”“No one goes there nowadays, it’s too crowded.”“Baseball is 90% mental and the other half is physical.”“Always go to other people’s funerals, otherwise they won’t come to yours.”“If you don’t know where you’re going, you might wind up someplace else.”<br> <br> <br> <br> And finally, <br> <br> <br> <br> “Never answer an anonymous letter.”<br> <br> <br> <br> Thank you, Maestro Berra; these are wonderful; just wonderful. <br> <br> <br> <br> Such was Yogi Berra’s reputation that every now and then he was credited with having said something he never in fact said. Perhaps the most famous such misattribution (aside from “anyone who goes to a psychiatrist should have his head examined”, which was, in fact, articulated by the movie mogul Samuel Goldwyn) is:<br> <br> <br> <br> “It ain’t over until the fat lady sings.”<br> <br> <br> <br> (Yes, Yogi Berra did indeed coin the phrase “it ain’t over till it’s over”, but there was no rotund, obese, zaftig, corpulent or Rubenesque lady in his utterance.)<br> <br> <br> <br>
