Summary: <br> Cute, but would you date an accordionist<br> <br> <br> <br> We would recognize a number of date-worthy events before moving on to the admittedly painful principal topic of today’s Music History Monday.<br> <br> <br> <br> Johann Christoph Graupner<br> <br> <br> <br> Johann Christoph Graupner (1683-1760)<br> <br> <br> <br> We recognize the birth on January 13, 1683 – 337 years ago today – of the German harpsichordist and composer Johann Christoph Graupner in the Saxon town Kirchberg. (He died 77 years later, in Darmstadt, in 1760.) Herr Graupner was known as a good and conscientious man, highly respected by his employers and students alike. He was also a competent and prolific composer, with more than 2000 surviving works in his catalog. Nevertheless, he would be totally forgotten today but for a single event in 1723.<br> <br> <br> <br> In 1722, Johann Kuhnau (1660-1722) – the chief musician for the churches and municipality of Leipzig – went on to that great clavichord in the sky. The famous Georg Philipp Telemann (1681-1767), unhappy with his salary in Hamburg, applied for and was offered the job in Leipzig. But it was all a ploy to leverage a higher salary in Hamburg, which he received and where he remained. In early 1723, the paternal units of Leipzig then offered the job to Graupner, who accepted but whose boss – the Landgrave Ernst Ludwig of Hesse Darmstadt – refused to release him from his contract. Then the Leipzig authorities asked the violinist and composer Johann Friedrich Fasch (1688-1758) to apply for the job but having done so, Fasch had second thoughts and withdrew his application. Finally, with no other viable candidates in sight, the authorities in Leipzig grudgingly offered the job to their distant fourth choice: a keyboard and violin player and composer with a (well deserved) reputation for insubordination named Johann Sebastian Bach (1685-1750). Bach took the job and stayed on the job for the remaining 27 years of his life.<br> <br> <br> <br> Why then do we remember Johann Christoph Graupner? Because he was the second choice for a job for which Sebastian Bach was the fourth choice.<br> <br> <br> <br> Ferdinand Ries<br> <br> <br> <br> Ferdinand Ries (1784-1838)<br> <br> <br> <br> We mark the death on January 13, 1838 – 182 years ago today – of the German composer Ferdinand Ries at the age of 53. Ries composed some 200 works, including 8 symphonies, 8 piano concerti, a violin concerto, 3 operas and 26 string quartets. But it is not for his music that Ries is remembered but rather, for his association with Beethoven. Ries was Beethoven’s student and later, his secretary. But most of all, he was Beethoven’s friend, someone whose reminiscences of Beethoven stand as the single most indispensable first-person account of the great man that has come down to us. For which we are forever in Herr Ries’ debt.<br> <br> <br> <br> Richard Wagner<br> <br> <br> <br> Richard Wagner (1813-1883), ca. 1880<br> <br> <br> <br> On January 13, 1882 – 138 years ago today – the German composer Richard Wagner (1813-1883) put the finishing touches on the words and music of his final music drama, Parsifal. Never, in the long and storied history of Western music, has music more sublime and glorious been appended to words more vile and grotesque than in Parsifal. For a complete explanation of that statement I would humbly implore you to listen to or watch my Great Courses survey, <a href="https://robertgreenbergmusic.com/download/richard-wagner-music/">The Music of Richard Wagner</a>.<br> <br> <br> <br> The Accordion<br> <br> <br> <br> Early accordion, circa 1860<br> <br> <br> <br> Finally, on January 13, 1854 – 166 years ago today – a Philadelphia-based inventor named Anthony Foss received a patent for the accordion. Also known in English as a squeezebox and a squashbox,
