Summary: We discuss the Dora Maar exhibition at Tate Modern, and especially enjoy seeing her fascinating fashion and street photography. ‘Dora Maar’, Tate Modern, London (to 15 March 2020): https://www.tate.org.uk/whats-on/tate-modern/exhibition/dora-maar ‘Modern Couples: Art, Intimacy and the Avant-garde’, Barbican Art Gallery, London (10 October 2018 – 27 January 2019): https://www.barbican.org.uk/whats-on/2018/event/modern-couples-art-intimacy-and-the-avant-garde Brian Dillon, ‘The Voraciousness and Oddity of Dora Maar’s Pictures’, The New Yorker (21 May 2019): https://www.newyorker.com/culture/photo-booth/the-voraciousness-and-oddity-of-dora-maars-pictures Liz Jobey, ‘The mesmerising art of Dora Maar’, Financial Times (15 November 2019): https://www.ft.com/content/0ee21c42-05a6-11ea-9afa-d9e2401fa7ca Dora Maar, ‘Untitled’ (c. 1934), MoMA: https://www.moma.org/collection/works/56376 Dora Maar, ‘Untitled’ (c. 1930), MoMA: https://www.moma.org/collection/works/56382 Hans-Christian Dany, ‘MA-1. Mode und Uniform’ (Edition Nautilus 2018): https://edition-nautilus.de/programm/ma-1-mode-und-unifo Antwaun Sargent, ‘The New Black Vanguard: Photography between Art and Fashion’ (Aperture 2019): https://aperture.org/shop/the-new-black-vanguard/ Patrick Baty, ‘The Anatomy of Colour’ (Thames & Hudson 2017): https://thamesandhudson.com/the-anatomy-of-colour-9780500519332
