Summary: Gary welcomes to the Booth two true Chicago theatre professionals - both long-time stage managers at <a href="https://booth-one.com/wp-content/uploads/2019/03/MalcolmEwen.jpg"></a>Steppenwolf Theatre - <a href="https://www.steppenwolf.org/artists/malcolm--ewen/" target="_blank" rel="noopener noreferrer">Malcolm Ewen</a> and <a href="https://www.steppenwolf.org/artists/laura-d.-glenn/" target="_blank" rel="noopener noreferrer">Laura Glenn</a>. No one has better behind-the scenes stories than great stage managers. Malcolm has been at Steppenwolf since 1987 and was most recently welcomed into the company's elite <a href="https://www.steppenwolf.org/ensemble/" target="_blank" rel="noopener noreferrer">Ensemble</a>, an honor he didn't even know was possible. He is the first stage manager to become an ensemble member. Malcolm has taken 4 shows to Broadway, including <a href="https://www.americantheatre.org/2016/12/23/an-oral-history-of-steppenwolfs-the-grapes-of-wrath/" target="_blank" rel="noopener noreferrer">The Grapes of Wrath</a> and <a href="https://www.steppenwolf.org/tickets--events/seasons/201011/edward-albees-whos-afraid-of-virginia-woolf/" target="_blank" rel="noopener noreferrer">Who's Afraid of Virginia Woolf</a>, which were both honored with Tony awards. He has also stage managed at the Goodman, Northlight, and Remains Theatres, among others. He has directed at the <a href="https://www.westonplayhouse.org/about/staff" target="_blank" rel="noopener noreferrer">Weston Playhouse Theatre</a> in Vermont during summers for 30 years.<br> <br> <a href="https://booth-one.com/wp-content/uploads/2019/03/LauraGlenn.jpg"></a>Laura has been with Steppenwolf for 25 years with an impressive resume of memorable shows including <a href="https://www.nytimes.com/1996/05/01/theater/theater-review-a-sam-shepard-revival-gets-him-to-broadway.html" target="_blank" rel="noopener noreferrer">Buried Child</a>, <a href="https://www.steppenwolf.org/tickets--events/seasons/2007-08/superior-donuts/" target="_blank" rel="noopener noreferrer">Superior Donuts</a>, and <a href="https://www.steppenwolf.org/tickets--events/seasons/2017-18/the-rembrandt/" target="_blank" rel="noopener noreferrer">The Rembrandt</a>. From her Actor's Equity bio: "I was fortunate enough to work with and be mentored by many great stage managers, including my hero, Malcolm Ewen. I have been a part of world premieres, great revivals, taken shows to international festivals and Broadway – both with Steppenwolf and my other creative home, <a href="https://northlight.org/" target="_blank" rel="noopener noreferrer">Northlight Theatre</a>."<br> <br> Laura and Malcolm address the age-old question, "What does a stage manager do?", with wit, sincerity and personal insight. As Gary well knows, having started his career in the theatre as a stage manager in New York, being an SM involves a myriad of responsibilities, including establishing a safe and collaborative space in which the actors and director can feel free to create, fail and try new ideas. There are also the tangible elements of scheduling, communicating, and upholding the Actors' Equity rule book, which Malcolm describes as jigsaw puzzle work.<br> <br> <a href="https://booth-one.com/wp-content/uploads/2019/03/MalcolmLaura.jpg"></a>The two colleagues and dear friends reminisce about past show experiences, including some of their most satisfying and rewarding projects - Bruce Norris' <a href="https://www.steppenwolf.org/tickets--events/seasons/2018-19/downstate/" target="_blank" rel="noopener noreferrer">Downstate</a> for Laura and Albee's Who's Afraid of Virginia Wolff for Mal. Laura talks about the special bond she had with the late John Mahoney. As a teacher of stage management, Malcolm has reminded his students to find their own rewards and reasons for individual achievement in a profession that can have very few accolades or public job recognition. Laura likens stage management to being a catcher on a bas...
