Summary: Titus & Armond White discuss the great movies of 1968, especially the Godard pictures then first brought to America, Les Carabiniers ('63), Weekend, & La Chinoise ('67), which form a sort of trilogy of the past, present, & future of Europe--from war to revolution. (We also talk about his latest, The Image Book.) We focus on Godard's ironic documentary style & prophecies about modern society, his criticism of left-wing terrorism & right-wing consumerism--both versions of materialism. We also point to one of his signs of the alternative: Goethe.
