Summary: <br> Batman has a terrifying team up with the Phantom Strangler, is paralyzed and has to rely on his team and dumb luck, and then has to team up with Sgt. Rock to battle Satan-or is it Hitler or both?<br> Affiliate link added.<br> Transcript below:<br><br> <br> Batman teams up with Green Arrow, Wonder Woman, Metamorpho, and of course his old buddy, Sergeant Rock. We’ll talk about it as we examine ‘Legends of the Dark Knight: Jim Aparo Volume One’, straight ahead.<br> Recently, DC has released a lot of books that have reprinted Batman comics from the 1970s and early 80s when a lot of them had been reprinted. Certainly, when I really got into reading through the trades they weren’t around a whole lot. One series of ‘Legend of the Dark Knight’ books focused on Jim Aparo, who a lot of people tend to overlook but was actually very influential on artists that followed. And I noticed that my library through Hoopla had access to that book, and that had a lot of the same titles as in the Showcase Presents Brave and the Bold, and even more. Though we’ll talk Mr. Aparo’s work and in today’s episode we’ll talk about all of the comics that were both in Showcase Presents Brave and the Bold Volume Two, and Legends of the Dark Knight: Jim Aparo Volume One, and we’ll finish the rest of the comics in that volume in our next episode. Aparo really began his work on Brave and the Bold as just a guest artist. He drew the Phantom Stranger character, so it was decided that he would draw Brave and the Bold Number Ninety-Eight which featured a guest appearance by the Phantom Stranger. And then in Issue 100 he took over the book for the most part all the way until Issue 196. And Brave and the Bold ran until Issue 200, so throughout the rest of the ’70s into the ’80s he would be the predominant artist on that title. He’s got a great style and it is just a beautiful way to draw Batman as well as the related characters. And he’s definitely at the peak of his ability here; in later years he got kind of burdened by just all of the books he was being asked to draw on, but here are some great examples of his work. <br> Issue Ninety-Eight, ‘Mansion of the Misbegotten’ is probably the scariest story in the book. In this story Batman goes to visit his old friend Roger Birnham Now Roger Birnham hadn’t been in the comics before, and he promises to watch out for Roger’s wife and young son. When Batman finds a funeral guest dead of a ritual murder he goes in to investigate and finds himself caught up in cult ritual. It’s a really chilling little story – pretty intense for the time, it’s not black R-Rated or anything but it’s definitely very creepy and haunting. And it shows the strength of Batman’s character that Batman’s able to do those sort of stories. He’s able to be in pretty much anything, whether it’s something that’s a bit on the supernatural side or if it’s aliens or if it’s something a little bit offbeat, or if it’s just a plain old crime story. Batman is pretty much able to carry any story you’d like to put him in, which is one of the strengths of the character. Now I will say that as usual I’m not going to comment on those stories that don’t really stand out to me, but a lot of these do stand out and are pretty interesting. <br> The next appearance, Issue 100 is called ‘Warrior in a Wheelchair’. In this story Batman is shot and put temporarily in a wheelchair until a surgeon can fly in from out of town, but he has got to stop the narcotics trade which he was trying to do when he got shot, and so he needs some help from his friends. And so he calls in four heroes to help him: Green Arrow and Green Lantern who are kind of a team at this point, along with Black Canary and Robin. Now in many ways I think the idea to put Batma...
