Summary: This is the second in our 3 part series on upper structures. Last week we looked at the major seventh chord and this week we pivot to the minor seventh chord. The upper structure for this chord keeps everything diatonic and isn't very hard to understand. Again, we utilize the 9th, 11th, and 13th and learn how to play these notes as a substitute chord. Remember that you have to have the basic chord tones completely down and memorized before moving on to this material. These notes and structures are the key to unlocking the most interesting sounds over any chords. Have fun and let me know if you have any questions!<br> <br> WANT THE PDF THAT GOES ALONG WITH THIS EPISODE??<br> Head over to our Patreon page and when you donate $3 or more a month you get this PDF and every other. We will also be bringing you many extras exclusively to our patrons including transcriptions and a FREE gift of our latest Ebook, The Diatonic Method.<br> <br> We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support!<br> <br> SIGN UP TO BE A PATRON TODAY!<br> <br> <br> <br> <br> #mc_embed_signup{background:#fff; clear:left; font:14px Helvetica,Arial,sans-serif; } /* Add your own MailChimp form style overrides in your site stylesheet or in this style block. We recommend moving this block and the preceding CSS link to the HEAD of your HTML file. */<br> <br> <br> Subscribe to our mailing list and get your FREE copy of 10 Essential Charlie Parker Lines!<br> * indicates required<br> Email Address *<br> <br> <br> First Name <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> <br> (function($) {window.fnames = new Array(); window.ftypes = new Array();fnames[0]='EMAIL';ftypes[0]='email';fnames[1]='FNAME';ftypes[1]='text';}(jQuery));var $mcj = jQuery.noConflict(true);
