Summary: Another Kazan/Brando collaboration turns up as the AFI’s #19: it’s Alex North’s score for the 1951 film adaptation of Tennessee Williams’ stage classic A Streetcar Named Desire. Why is North’s groundbreaking use of jazz so effective? Why was the music for the famous “Hey Stella!” scene deemed to be too sexy? And what does it … Continue reading "#7 – A Streetcar Named Desire"
