Wagner, Freud and the End of Myth 5: Bryan Magee in conversation with Stephen Gee - Precursors of the Unconscious: Wagner and the Philosophers

Summary: Precursors of the Unconscious: Wagner and the PhilosophersBryan Magee in conversation with Stephen GeeWagner, Freud and the End of Myth: Day conference, Saturday 28 September 2013In this conversation we will explore Bryan Magee's long-standing work on music and philosophy with reference to the impact on Wagner's operas of 19th century philosophers, most notably Schopenhauer, and Wagner’s concomitant influence on philosophy through his association with Nietzsche. In their writing, all three men elaborated ideas about unconscious forces and desires at work in human affairs, famously anticipating Freud and modernism. No 20th century composer could avoid the influence of Wagner and there were many artistic developments, including the breakdown of tonality itself. Likewise, with the advent of psychoanalysis there was no going back to any ideal of a unitary self or a philosophical ‘subject’.Bryan Magee has had a lifelong engagement with philosophy and music. His work includes the award winning radio and TV series in which he interviewed contemporary thinkers such as Sir Alfred Ayer and Herbert Marcuse as well as exploring the ideas of philosophers of the past. His books include the autobiographical Confessions of a Philosopher and an acclaimed introduction to Karl Popper. He wrote The Philosophy of Schopenhauer and two books on Wagner; Aspects of Wagner and The Tristan Chord; Wagner and Philosophy. Like these two major figures in his creative life Bryan Magee has himself been a man of action as wells of ideas. In the1960s he made documentaries on prostitution, abortion and homosexuality and was Labour MP for Leyton in the 1970s and 80s. He has the gift of communicating his own love of ideas and music in a way that engages both aficionados and newcomers.Stephen Gee is a member and former Chair of The Site for Contemporary Psychoanalysis. He has contributed to Site conferences on Winnicott, Lacan, Homosexuality, and Class. He organised a rehearsed reading of Sarah Kane's '4:48 Psychosis' followed by a colloquium in which psychoanalysts of different schools talked about the issues raised by the play and the challenges facing people suffering with psychosis. He ran a performance group at the Studio Upstairs where he was also a supervisor. He is a member of the editorial group of the Site's psychoanalytic journal, and has written on the problematic history of psychoanalysis and homosexuality. He interviewed the director Phyllida Lloyd at The Site and at the English National Opera on her 2005 production of Wagner's Ring cycle. He has a private practice in South London and teaches regularly at The Site and on other psychoanalytic trainings.