Summary: Cinematographer Tat Radcliffe connects with AC via Skype to discuss the gritty period thriller ’71, which he calls “a political piece, a documentary piece and a psychodrama.” Radcliffe details the filmmakers’ desire to achieve “a level of raggedness” that suited the suspense, how they integrated Super 16 and digital capture, and how they gave the extensive night exteriors an appropriately “hellish” feel.
