Summary: American Cinematographer's Jim Hemphill chats with Pain and Gain cinematographer Ben Seresin, ASC, BSC about working with director Michael Bay on this ambitious and kinetic film. Bay is an energetic director, as demonstrated by often shooting 60-90 setups in a single day and using over 20 different types of cameras for various effects. The end result is a film that is a bold visual statement that gives the cameras unique and innovative perspectives.
