Re:Daydreaming [MSP-002]

Summary: Tracklist ： 1.Trash – Audace (Mark Geary – Eyes down mix) 2.Trash – Audace (XLII RMX) 3.Mind Game – Cloud Ni9e (Audace RMX) artwork : Masa (photo) / Alex (kanji) Release Date: 09/19/2010 Catalog Number: MSP-002 Digital (Wav/Mp3/Flac) Duration: 00:17:51 mastered by XLII at the FUBAR cave Digital download at Itunes | Juno || Amazon |Wasabeat and more.   Download the digest mix (Free)     And you thought remixing vocals was a convoluted science, Intsrumental remixing then must be a bag of fangs and filthy razors, To forge that track that perfects the science of self inflicted whiplash, comes down to the keen sense of knowing what elements to keep and discard. Leave it to Tokyo`s naughty noise demons to compose the formula and come up with dope remixes to an already doper [Daydreaming] ep. Enter Mark Greary`s remix of Trash. A smooth dub-step based track. While maintaining the heart, of the original track, Geary strips some of the hard elements of the original way and mystically reveals the spirit of the track. Described as a `creeper` track…best enjoyed with the eyes close and the mind open. If brain damage had a picture it would look like Xlii. Xlii takes the original Trash track and super glues a rocket to the back and (yes) launches that bad boy to cosmos. People that need to blame their dance skills on a track, this is the one. An electro tweaked out spacey twitch-fest for the newly teleported terrestials. Dj Audace`s remix of Mind Game is like what happens when a pregnant mom stands in front of the microwave one too many times. Audace sticks to the original feel of the hip-hop based track with a few aesthetics tweaks and an injection of rising strings. In the advancement of time this track is funky futuristic, geared at subtly rising the tension on the dancefloor. ボーカルのリミックスは入り組んだサイエンスみたいで、インストルメントのリミックスは小刀の小身と汚い剃刀の塊みたいだと思わ れていたかもしれない。　何もしないでも自発的に刺激を科すサイエンスを完全なものにするようなトラックを生み出すことがどの要 素を守り続けどの要素を切り捨てて行くのかを知るという鋭いセンスに辿りついた。 東京に潜在する悪ふざけが大好きで口うるさい悪魔に音の構成を託したところ、意味あり気でかっこいいリミックス 、 [Daydreaming] ep.を叩きつけてきた。 まずはマーク・ゲーリーのTrashリミックス。 スムーズダブステップをベースにしたトラック。オリジナルトラックの芯を残しつつもトラック の主要素を取り除き、トラックの核心を明確にした。気味の悪いトラックとして表現されている。。。。　目を閉じて、でも心の目は大き く開いて聞くと必ず楽しめます。 もし脳が打撃を受けた写真があるとすれば、それはXLIIが生み出す音だろう。オリジナルトラックを強力瞬間接着剤でロケットに貼り 付け、（もちろん）そのロケットはbad boys達を未知の宇宙へ連れ出す。自分のダンスを責めたい人には持って来いの作品です。 新たにテレポートさせられてしまった地球人の為のグイっとひっぱられるようなエレクトロです。 DJ AudaceのMind Gameのリミックスはヒップホップのベースを残しつつ、彼のスタイルと盛り上がるバイオリンを挿入。進化形のこのトラックはファンキーフューチャリスティックで徐々に盛り上がっていくダンスフロアに最適です。 ——————————– Artists Infos and profiles XLII www.fubar-rec.com XLII moved to Japan in 2004 following his first release, the album-sized mega-EP CD-R “Lethargy” in 2002. Since his move to the land of the rising sun (or rising fun as he likes to call it) he has collaborated and performed with some of the biggest names in the country’s underground hip hop and electronic music scenes, including Broken Haze, ASA, DJ Ken-One and Yamajin da Sportsman to name a few. He’s also released and featured on various releases across formats (vinyl, CD, digital) as both an MC and a producer (and also sometimes an engineer, but no one pays attention to those dudes when they check the credits, only the nerds). His most notable releases to date were in 2008. First on ASA’s ‘FAB2′ album (which he also engineered), which release peaked at #9 on Cisco charts, the country’s most famous and popular alternative charts. And then on Broken Haze’s ‘Raid System’ album single which went all the way to #1 on Cisco charts and also made the top 10 on iTunes Electronica charts. In July 2008 he released the ‘Time Slip’ EP on his own Fubar Recordings label, receiving a lot of attention and support throughout central Japan. A video from the ‘Time Slip’ EP track ‘Deserted’, directed [...]