Summary: The FT's arts writer reports on Mat Collishaw's transition from conceptual shock artist to ‘proper’ draughtsman - and why, unlike revolution or virgin birth, an economic recession makes a poor subject for art
Summary: The FT's arts writer reports on Mat Collishaw's transition from conceptual shock artist to ‘proper’ draughtsman - and why, unlike revolution or virgin birth, an economic recession makes a poor subject for art