Mysteries of the Deep

Mysteries' latest comes from The Spiral, whose debut release, Orange Sunshine, is a strange, cosmic unfolding, or a glimpse into another dimension that takes its influence from being, in fact, under the influence. The Spiral is a new project from Oliver Chapoy (formerly Certain Creatures), and the album is a sonic representation of a LSD-infused journey. The Spiral aims to capture not only a certain sound but a mood, as inspired by Chapoy’s own psychedelic wanderings in the mountains of Japan. The opening track, “Two Drops,” takes us down the proverbial rabbit hole, and we get the sense that we’re about to be transported to another world entirely. The tracks “Redshift” and “Blueshift” continue the transmutation and—nearing ten minutes each—are mini journeys in themselves. Frequency modulations and whirring oscillations make everything sound and feel wobbly. Similar to the come-up stage of a trip, there’s a sense we’re about to break through. By the time Orange Sunshine reaches its literal peak in “Moon over Minakami” we feel as if we’ve arrived in the center; this is very much the focal point of the album. This track is epic and euphoric, and is tied to a specific memory in Minakami. Chapoy says of his intentions with the album, "Much of this record is a sonic reinterpretation of my experience in Japan as an escape after such a tumultuous year." Chapoy is a master of playing with the spatial qualities of soundscape, and at times sounds appear in one ear and retreat to the other, which adds to the visceral sensory experience and strengthens the conceptual aspect. At its core, Orange Sunshine is an intentionally disorienting collection of collaged arrangements that work cohesively, and to mesmerizing effect. The ending too is a gorgeous dissolving of textures, like energy being dispersed over the infinite. As signaled by its name, so much of this album is what you’d expect: trippy, transportive, adventurous, densely packed, and highly immersive. However like all hallucinogenic voyages, so much of it is unexpected: Orange Sunshine truly surprises. Chapoy has found a distinct voice with The Spiral, and this debut shows he is an artist finding himself and his sound, ironically, by creating a world we can easily get lost in. Written, Produced, and Mixed by Oliver Chapoy at Ohm Sweet Ohm, Brooklyn, NY Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches ℗ 2021 Ohm Sweet Ohm (ASCAP) Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDLP011, 2021 mysteriesofthedeep.net

Mysteries of the Deep Podcast, Chapter CXXXVII by The Spiral (@ohm_sweet_ohm). Cover photo courtesy of Candace Price. The Spiral is a new project from Oliver Chapoy (formerly Certain Creatures). His debut album for Mysteries is out on May 28th! https://iamthespiral.bandcamp.com/album/orange-sunshine Red Moon Dreams Tracklist: 1. Donato Dozzy - 12h.7 2. Francisco Meirino - Manual Vintage Washing Machine 3. Frank Bretschneider - Neon Night 4. Harry Bertoia - Swift Sounds 5. Ø - Syväys 6. Rrose - Organ Study No. 1 (High-Low) 7. Jorge Reyes - Suddenly We Were Out Of The Dream 8. Cosey Fanni Tutti - Ritual Awakening 9. Mark Van Hoen - 20 10. Diane Hope - « Korean Temple Dawn » 11. Don Cherry - Tibet 12. Masahiko Togashi & Masayuki Takayanagi - Inner Pulsation 13. Entrancer - Decline XVII 14. Abdulla Rashem - Untitled 15. NASA Kepler Star 16. Push For Night - Upwelling 17. Luc Ferrari - Presque Rien Avec Filles 18. Gruppo di Improvvisazione 'Nuova Consonanza' - Eflot 19. Mica Levi - Delete Beach (Japanese) 20. Kroba Meets The Spiral - Unreleased 21. Shifted - Several Instances 22. Stomu Yamash'ta - Ten - Shingon, Photone 23. Takehisa Kosugi - Improvisation, Sep. 1975 Part 1 24. Charlemagne Palestine - theeOorgannnissstheeGgreattestttSsynthesizerrrEverrrrrrrr 25. Organic Dial - Dayglow Equalizer 26. DJ Nobu - Safari 27. Igor Wakhevitch - Twilight and Call of the Ascending Spirit 28. Jeff Mills - Cantazzo 29. Jeff Mills - Analyzing Andromeda 30. Jonathan Fitoussi - Totale éclipse 31. The Long Flanger - Modulating The Light 32. Ø - Tila 33. Auvinen - Usvassa Eksyminen 34. Annea Lockwood - Amazonia Dreaming 35. David Toop - Caberima Night Insects, Birds and Moths, Pt. 2 36. Jon Collin & Demdike Stare - Sketches of Everything Part 1 37. Ishq - Pluto Shift 38. LF58 - Rituale 39. Nsi - 16. 40. Rrose - Hymn to Moisture 41. Donato Dozzy - The Loud Silence 42. David Toop - Cuntinamo Piaruainai, Solo Shaman, Pt. 1 43. Anthony Child - Gratitude, Despair, Hope and Love 44. Jorge Reyes - Web Of Dreams 45. Experimental Audio Research - Automatic Music

After a 6 month hiatus, the Mysteries podcast returns with a stellar new mix from Anthony Child (Surgeon). Cover photo courtesy of Candace Price. @dynamic-tension https://anthony-child.bandcamp.com Tracklist: 1. Chris Watson - Lencten 2. Émile Zener - Laguna Cibernetica I 3. Michael Ranta - Absurd 4. Jon Anderson - Qoquaq Ën Transic - Naon - Transic Tö 5. Mac-Talla Nan Creag - Grugaigian Chant 6. Galen Tipton - honey (w S280F, Miedo Total) 7. Boredoms - (Tilde) 8. Chris Watson - El Divisadero 9. Black To Comm - Traum GmbH 10. Księżyc - Kapkowa 11. Anna von Hausswolff - Persefone 12. Shasta Cults - Console 13. Coil - Baby Food 14. Black To Comm - Licking the Fig Tree 15. William Selman - A New Old Firmament 16. Oneohtrix Point Never - Physical Memory 17. Charlie Morrow - Telephone Music 18. Ishq - Memories I Have Dreamed 19. Delia Derbyshire / Barry Bermange - Falling 20. Charles Cohen - Shopping Cart Lady 21. Jon Brooks - Fibre Optics 22. Bea Brennan - Focus 23. Chris Watson - Los Mochis 24. Teleplasmiste - An Unexpected Visit 25. Henry Wolf & Nancy Hennings - Towards the Bending of the Light

Picture a skyline. Then, fog cascading down the wooded hills of San Francisco, towards the Pacific. And rising up from that land is a tower — the radio antenna of the Sutro Tower — that reaches upwards like a metal claw, as if to harness all of the power of the sky. That is the image Christina Chatfield’s Sutro conjures and is also its point of inspiration. Christina Chatfield, based in SF, offers Mysteries an impressive, visionary full-length debut. Abound with polyphonic synth work and immersive tonal structures, these arrangements unfold into lush, cinematic soundscapes. Chatfield has long been a versatile producer with roots in techno, electro, ambient, shoegaze and more — and all of these influences come through in Sutro, creating an album with remarkable power and emotional depth. At times, tracks like “Nameless,” with its misty vocals layered over hypnotic synth, pay homage to the shoegaze greats. At other points, the album turns retro-futuristic, becoming a sonic rendering of the Sutro Tower itself. In “Pearls Scattered,” for example, an off-kilter synth melody lends eccentricity to an already moody atmosphere. Arguably the most immersive arrangements on the album are “Concatenate I” and its connected successor “Concatenate II,” as well as the richly textured, panoramic track “Drin.” As “Concatenate” derives its name from a linguistic programming concept meaning linking (things) together in a chain or series, it seems natural that the album extends “Concatenate” into two sequences. In both, synth arpeggiation guides the ear through maximalist landscapes accented by lush pads. “Drin” is melodic and sweeping, bringing to mind the ruins of the Sutro Baths, bathed in the glow of afternoon light. “Drin” especially is a microcosmic example of what happens in so many of the tracks on this album: they start quiet and evolve, until it’s clear the silence is teeming with life. The album closes with its title track, which leans into Chatfield’s techno sensibilities; its elegance leaves the ear satisfied. Altogether, the album nourishes and satisfies, for what Chatfield has composed is thoughtfully conceptualized and wholly complete. Releases March 26, 2021 Written and Produced by Christina Chatfield Mixed by Oliver Chapoy at Ohm Sweet Ohm, Brooklyn NY Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDLP010, 2021 mysteriesofthedeep.net

Mysteries of the Deep has released its third and final compilation, rounding out the three-part seasonal series that began earlier this year. Each has been distinct and reflective of the season of its release; the first, released in spring, leaned towards the organic and ethereal. The second—a summer release—was oriented towards rhythmic vitality. And the third installment in the series, like the winter season, is deep, dark, and contemplative: a call to turn inwards. The thread that connects each track in Chapter Three is mood: each one of these tracks brings to mind the inward spaces of winter. From the smoky, ghost-like vocals of Xexzy’s “Lost” to the percussive fervor of Birds of Prey’s “Escapement,” this compilation offers a dynamic range of sounds, while remaining sonically coherent. Thomas Ragsdale’s “Kicking Ox” makes for a fitting opening, for its dark pulse and somber strings set the tone for what’s to follow. Much of this work seems to reflect the end of a long, chaotic year; often these arrangements are stark, unsettling and dystopian, like Push for Night’s tense, cinematic “Fingering the Fuse” and Israel Vines’ “Shallow Pursuits.” Elements like the ragged chords of Rafael Anton Irisarri’s “Haggard,” the steady, buried kick in Christina Giannone’s “Lapsed Contentment” or the sonic droplets of Radere’s “Harm Matrix,” lend to a sparse, wintry atmosphere. But, as within any bleak, snowy landscape, there’s the occasional sheen of light. Joachim Spieth’s “Luna,” and Rhaeticus’ “Standing on Concrete” are heightened and emotionally rich. Overall, the third and final release grounds itself in an identity that feels distinctly different from the first two chapters, and yet simultaneously completes the arc of the series, which has showcased over three dozen artists dedicated to their craft. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDCOMP003, 2020 mysteriesofthedeep.net

Mysteries of the Deep has released its third and final compilation, rounding out the three-part seasonal series that began earlier this year. Each has been distinct and reflective of the season of its release; the first, released in spring, leaned towards the organic and ethereal. The second—a summer release—was oriented towards rhythmic vitality. And the third installment in the series, like the winter season, is deep, dark, and contemplative: a call to turn inwards. The thread that connects each track in Chapter Three is mood: each one of these tracks brings to mind the inward spaces of winter. From the smoky, ghost-like vocals of Xexzy’s “Lost” to the percussive fervor of Birds of Prey’s “Escapement,” this compilation offers a dynamic range of sounds, while remaining sonically coherent. Thomas Ragsdale’s “Kicking Ox” makes for a fitting opening, for its dark pulse and somber strings set the tone for what’s to follow. Much of this work seems to reflect the end of a long, chaotic year; often these arrangements are stark, unsettling and dystopian, like Push for Night’s tense, cinematic “Fingering the Fuse” and Israel Vines’ “Shallow Pursuits.” Elements like the ragged chords of Rafael Anton Irisarri’s “Haggard,” the steady, buried kick in Christina Giannone’s “Lapsed Contentment” or the sonic droplets of Radere’s “Harm Matrix,” lend to a sparse, wintry atmosphere. But, as within any bleak, snowy landscape, there’s the occasional sheen of light. Joachim Spieth’s “Luna,” and Rhaeticus’ “Standing on Concrete” are heightened and emotionally rich. Overall, the third and final release grounds itself in an identity that feels distinctly different from the first two chapters, and yet simultaneously completes the arc of the series, which has showcased over three dozen artists dedicated to their craft. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDCOMP003, 2020 mysteriesofthedeep.net

Mysteries of the Deep has released its third and final compilation, rounding out the three-part seasonal series that began earlier this year. Each has been distinct and reflective of the season of its release; the first, released in spring, leaned towards the organic and ethereal. The second—a summer release—was oriented towards rhythmic vitality. And the third installment in the series, like the winter season, is deep, dark, and contemplative: a call to turn inwards. The thread that connects each track in Chapter Three is mood: each one of these tracks brings to mind the inward spaces of winter. From the smoky, ghost-like vocals of Xexzy’s “Lost” to the percussive fervor of Birds of Prey’s “Escapement,” this compilation offers a dynamic range of sounds, while remaining sonically coherent. Thomas Ragsdale’s “Kicking Ox” makes for a fitting opening, for its dark pulse and somber strings set the tone for what’s to follow. Much of this work seems to reflect the end of a long, chaotic year; often these arrangements are stark, unsettling and dystopian, like Push for Night’s tense, cinematic “Fingering the Fuse” and Israel Vines’ “Shallow Pursuits.” Elements like the ragged chords of Rafael Anton Irisarri’s “Haggard,” the steady, buried kick in Christina Giannone’s “Lapsed Contentment” or the sonic droplets of Radere’s “Harm Matrix,” lend to a sparse, wintry atmosphere. But, as within any bleak, snowy landscape, there’s the occasional sheen of light. Joachim Spieth’s “Luna,” and Rhaeticus’ “Standing on Concrete” are heightened and emotionally rich. Overall, the third and final release grounds itself in an identity that feels distinctly different from the first two chapters, and yet simultaneously completes the arc of the series, which has showcased over three dozen artists dedicated to their craft. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDCOMP003, 2020 mysteriesofthedeep.net

Mysteries of the Deep has released its third and final compilation, rounding out the three-part seasonal series that began earlier this year. Each has been distinct and reflective of the season of its release; the first, released in spring, leaned towards the organic and ethereal. The second—a summer release—was oriented towards rhythmic vitality. And the third installment in the series, like the winter season, is deep, dark, and contemplative: a call to turn inwards. The thread that connects each track in Chapter Three is mood: each one of these tracks brings to mind the inward spaces of winter. From the smoky, ghost-like vocals of Xexzy’s “Lost” to the percussive fervor of Birds of Prey’s “Escapement,” this compilation offers a dynamic range of sounds, while remaining sonically coherent. Thomas Ragsdale’s “Kicking Ox” makes for a fitting opening, for its dark pulse and somber strings set the tone for what’s to follow. Much of this work seems to reflect the end of a long, chaotic year; often these arrangements are stark, unsettling and dystopian, like Push for Night’s tense, cinematic “Fingering the Fuse” and Israel Vines’ “Shallow Pursuits.” Elements like the ragged chords of Rafael Anton Irisarri’s “Haggard,” the steady, buried kick in Christina Giannone’s “Lapsed Contentment” or the sonic droplets of Radere’s “Harm Matrix,” lend to a sparse, wintry atmosphere. But, as within any bleak, snowy landscape, there’s the occasional sheen of light. Joachim Spieth’s “Luna,” and Rhaeticus’ “Standing on Concrete” are heightened and emotionally rich. Overall, the third and final release grounds itself in an identity that feels distinctly different from the first two chapters, and yet simultaneously completes the arc of the series, which has showcased over three dozen artists dedicated to their craft. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDCOMP003, 2020 mysteriesofthedeep.net

Mysteries of the Deep has released its third and final compilation, rounding out the three-part seasonal series that began earlier this year. Each has been distinct and reflective of the season of its release; the first, released in spring, leaned towards the organic and ethereal. The second—a summer release—was oriented towards rhythmic vitality. And the third installment in the series, like the winter season, is deep, dark, and contemplative: a call to turn inwards. The thread that connects each track in Chapter Three is mood: each one of these tracks brings to mind the inward spaces of winter. From the smoky, ghost-like vocals of Xexzy’s “Lost” to the percussive fervor of Birds of Prey’s “Escapement,” this compilation offers a dynamic range of sounds, while remaining sonically coherent. Thomas Ragsdale’s “Kicking Ox” makes for a fitting opening, for its dark pulse and somber strings set the tone for what’s to follow. Much of this work seems to reflect the end of a long, chaotic year; often these arrangements are stark, unsettling and dystopian, like Push for Night’s tense, cinematic “Fingering the Fuse” and Israel Vines’ “Shallow Pursuits.” Elements like the ragged chords of Rafael Anton Irisarri’s “Haggard,” the steady, buried kick in Christina Giannone’s “Lapsed Contentment” or the sonic droplets of Radere’s “Harm Matrix,” lend to a sparse, wintry atmosphere. But, as within any bleak, snowy landscape, there’s the occasional sheen of light. Joachim Spieth’s “Luna,” and Rhaeticus’ “Standing on Concrete” are heightened and emotionally rich. Overall, the third and final release grounds itself in an identity that feels distinctly different from the first two chapters, and yet simultaneously completes the arc of the series, which has showcased over three dozen artists dedicated to their craft. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDCOMP003, 2020 mysteriesofthedeep.net

Mysteries of the Deep has released its third and final compilation, rounding out the three-part seasonal series that began earlier this year. Each has been distinct and reflective of the season of its release; the first, released in spring, leaned towards the organic and ethereal. The second—a summer release—was oriented towards rhythmic vitality. And the third installment in the series, like the winter season, is deep, dark, and contemplative: a call to turn inwards. The thread that connects each track in Chapter Three is mood: each one of these tracks brings to mind the inward spaces of winter. From the smoky, ghost-like vocals of Xexzy’s “Lost” to the percussive fervor of Birds of Prey’s “Escapement,” this compilation offers a dynamic range of sounds, while remaining sonically coherent. Thomas Ragsdale’s “Kicking Ox” makes for a fitting opening, for its dark pulse and somber strings set the tone for what’s to follow. Much of this work seems to reflect the end of a long, chaotic year; often these arrangements are stark, unsettling and dystopian, like Push for Night’s tense, cinematic “Fingering the Fuse” and Israel Vines’ “Shallow Pursuits.” Elements like the ragged chords of Rafael Anton Irisarri’s “Haggard,” the steady, buried kick in Christina Giannone’s “Lapsed Contentment” or the sonic droplets of Radere’s “Harm Matrix,” lend to a sparse, wintry atmosphere. But, as within any bleak, snowy landscape, there’s the occasional sheen of light. Joachim Spieth’s “Luna,” and Rhaeticus’ “Standing on Concrete” are heightened and emotionally rich. Overall, the third and final release grounds itself in an identity that feels distinctly different from the first two chapters, and yet simultaneously completes the arc of the series, which has showcased over three dozen artists dedicated to their craft. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDCOMP003, 2020 mysteriesofthedeep.net

Mysteries of the Deep has released its third and final compilation, rounding out the three-part seasonal series that began earlier this year. Each has been distinct and reflective of the season of its release; the first, released in spring, leaned towards the organic and ethereal. The second—a summer release—was oriented towards rhythmic vitality. And the third installment in the series, like the winter season, is deep, dark, and contemplative: a call to turn inwards. The thread that connects each track in Chapter Three is mood: each one of these tracks brings to mind the inward spaces of winter. From the smoky, ghost-like vocals of Xexzy’s “Lost” to the percussive fervor of Birds of Prey’s “Escapement,” this compilation offers a dynamic range of sounds, while remaining sonically coherent. Thomas Ragsdale’s “Kicking Ox” makes for a fitting opening, for its dark pulse and somber strings set the tone for what’s to follow. Much of this work seems to reflect the end of a long, chaotic year; often these arrangements are stark, unsettling and dystopian, like Push for Night’s tense, cinematic “Fingering the Fuse” and Israel Vines’ “Shallow Pursuits.” Elements like the ragged chords of Rafael Anton Irisarri’s “Haggard,” the steady, buried kick in Christina Giannone’s “Lapsed Contentment” or the sonic droplets of Radere’s “Harm Matrix,” lend to a sparse, wintry atmosphere. But, as within any bleak, snowy landscape, there’s the occasional sheen of light. Joachim Spieth’s “Luna,” and Rhaeticus’ “Standing on Concrete” are heightened and emotionally rich. Overall, the third and final release grounds itself in an identity that feels distinctly different from the first two chapters, and yet simultaneously completes the arc of the series, which has showcased over three dozen artists dedicated to their craft. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDCOMP003, 2020 mysteriesofthedeep.net

Mysteries of the Deep has released its third and final compilation, rounding out the three-part seasonal series that began earlier this year. Each has been distinct and reflective of the season of its release; the first, released in spring, leaned towards the organic and ethereal. The second—a summer release—was oriented towards rhythmic vitality. And the third installment in the series, like the winter season, is deep, dark, and contemplative: a call to turn inwards. The thread that connects each track in Chapter Three is mood: each one of these tracks brings to mind the inward spaces of winter. From the smoky, ghost-like vocals of Xexzy’s “Lost” to the percussive fervor of Birds of Prey’s “Escapement,” this compilation offers a dynamic range of sounds, while remaining sonically coherent. Thomas Ragsdale’s “Kicking Ox” makes for a fitting opening, for its dark pulse and somber strings set the tone for what’s to follow. Much of this work seems to reflect the end of a long, chaotic year; often these arrangements are stark, unsettling and dystopian, like Push for Night’s tense, cinematic “Fingering the Fuse” and Israel Vines’ “Shallow Pursuits.” Elements like the ragged chords of Rafael Anton Irisarri’s “Haggard,” the steady, buried kick in Christina Giannone’s “Lapsed Contentment” or the sonic droplets of Radere’s “Harm Matrix,” lend to a sparse, wintry atmosphere. But, as within any bleak, snowy landscape, there’s the occasional sheen of light. Joachim Spieth’s “Luna,” and Rhaeticus’ “Standing on Concrete” are heightened and emotionally rich. Overall, the third and final release grounds itself in an identity that feels distinctly different from the first two chapters, and yet simultaneously completes the arc of the series, which has showcased over three dozen artists dedicated to their craft. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDCOMP003, 2020 mysteriesofthedeep.net

Mysteries of the Deep has released its third and final compilation, rounding out the three-part seasonal series that began earlier this year. Each has been distinct and reflective of the season of its release; the first, released in spring, leaned towards the organic and ethereal. The second—a summer release—was oriented towards rhythmic vitality. And the third installment in the series, like the winter season, is deep, dark, and contemplative: a call to turn inwards. The thread that connects each track in Chapter Three is mood: each one of these tracks brings to mind the inward spaces of winter. From the smoky, ghost-like vocals of Xexzy’s “Lost” to the percussive fervor of Birds of Prey’s “Escapement,” this compilation offers a dynamic range of sounds, while remaining sonically coherent. Thomas Ragsdale’s “Kicking Ox” makes for a fitting opening, for its dark pulse and somber strings set the tone for what’s to follow. Much of this work seems to reflect the end of a long, chaotic year; often these arrangements are stark, unsettling and dystopian, like Push for Night’s tense, cinematic “Fingering the Fuse” and Israel Vines’ “Shallow Pursuits.” Elements like the ragged chords of Rafael Anton Irisarri’s “Haggard,” the steady, buried kick in Christina Giannone’s “Lapsed Contentment” or the sonic droplets of Radere’s “Harm Matrix,” lend to a sparse, wintry atmosphere. But, as within any bleak, snowy landscape, there’s the occasional sheen of light. Joachim Spieth’s “Luna,” and Rhaeticus’ “Standing on Concrete” are heightened and emotionally rich. Overall, the third and final release grounds itself in an identity that feels distinctly different from the first two chapters, and yet simultaneously completes the arc of the series, which has showcased over three dozen artists dedicated to their craft. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDCOMP003, 2020 mysteriesofthedeep.net

Mysteries of the Deep has released its third and final compilation, rounding out the three-part seasonal series that began earlier this year. Each has been distinct and reflective of the season of its release; the first, released in spring, leaned towards the organic and ethereal. The second—a summer release—was oriented towards rhythmic vitality. And the third installment in the series, like the winter season, is deep, dark, and contemplative: a call to turn inwards. The thread that connects each track in Chapter Three is mood: each one of these tracks brings to mind the inward spaces of winter. From the smoky, ghost-like vocals of Xexzy’s “Lost” to the percussive fervor of Birds of Prey’s “Escapement,” this compilation offers a dynamic range of sounds, while remaining sonically coherent. Thomas Ragsdale’s “Kicking Ox” makes for a fitting opening, for its dark pulse and somber strings set the tone for what’s to follow. Much of this work seems to reflect the end of a long, chaotic year; often these arrangements are stark, unsettling and dystopian, like Push for Night’s tense, cinematic “Fingering the Fuse” and Israel Vines’ “Shallow Pursuits.” Elements like the ragged chords of Rafael Anton Irisarri’s “Haggard,” the steady, buried kick in Christina Giannone’s “Lapsed Contentment” or the sonic droplets of Radere’s “Harm Matrix,” lend to a sparse, wintry atmosphere. But, as within any bleak, snowy landscape, there’s the occasional sheen of light. Joachim Spieth’s “Luna,” and Rhaeticus’ “Standing on Concrete” are heightened and emotionally rich. Overall, the third and final release grounds itself in an identity that feels distinctly different from the first two chapters, and yet simultaneously completes the arc of the series, which has showcased over three dozen artists dedicated to their craft. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDCOMP003, 2020 mysteriesofthedeep.net

Mysteries of the Deep has released its third and final compilation, rounding out the three-part seasonal series that began earlier this year. Each has been distinct and reflective of the season of its release; the first, released in spring, leaned towards the organic and ethereal. The second—a summer release—was oriented towards rhythmic vitality. And the third installment in the series, like the winter season, is deep, dark, and contemplative: a call to turn inwards. The thread that connects each track in Chapter Three is mood: each one of these tracks brings to mind the inward spaces of winter. From the smoky, ghost-like vocals of Xexzy’s “Lost” to the percussive fervor of Birds of Prey’s “Escapement,” this compilation offers a dynamic range of sounds, while remaining sonically coherent. Thomas Ragsdale’s “Kicking Ox” makes for a fitting opening, for its dark pulse and somber strings set the tone for what’s to follow. Much of this work seems to reflect the end of a long, chaotic year; often these arrangements are stark, unsettling and dystopian, like Push for Night’s tense, cinematic “Fingering the Fuse” and Israel Vines’ “Shallow Pursuits.” Elements like the ragged chords of Rafael Anton Irisarri’s “Haggard,” the steady, buried kick in Christina Giannone’s “Lapsed Contentment” or the sonic droplets of Radere’s “Harm Matrix,” lend to a sparse, wintry atmosphere. But, as within any bleak, snowy landscape, there’s the occasional sheen of light. Joachim Spieth’s “Luna,” and Rhaeticus’ “Standing on Concrete” are heightened and emotionally rich. Overall, the third and final release grounds itself in an identity that feels distinctly different from the first two chapters, and yet simultaneously completes the arc of the series, which has showcased over three dozen artists dedicated to their craft. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY Design by Gabriel Benzur Words by Taylor Bratches Worldwide Distribution: wordandsound → what people play © Mysteries of the Deep MOTDCOMP003, 2020 mysteriesofthedeep.net