Word Podcast

Armando Iannucci's Hear Me Out is a collection of pieces about his first love, classical music. He decided early on that the Deep Purple and Lou Reed records favoured by his older brother didn't speak to him in the way that Holsts's Planet Suite did. His book explains why. In this wide ranging chat with Mark and David Armando talks about how it felt to not share the general enthusiasm for the sound of now and what he says to people when they try to get him on the dance floor at parties.

Armando Iannucci's Hear Me Out is a collection of pieces about his first love, classical music. He decided early on that the Deep Purple and Lou Reed records favoured by his older brother didn't speak to him in the way that Holsts's Planet Suite did. His book explains why. In this wide ranging chat with Mark and David Armando talks about how it felt to not share the general enthusiasm for the sound of now and what he says to people when they try to get him on the dance floor at parties.

Armando Iannucci's Hear Me Out is a collection of pieces about his first love, classical music. He decided early on that the Deep Purple and Lou Reed records favoured by his older brother didn't speak to him in the way that Holsts's Planet Suite did. His book explains why. In this wide ranging chat with Mark and David Armando talks about how it felt to not share the general enthusiasm for the sound of now and what he says to people when they try to get him on the dance floor at parties.

As a teenager Dylan Jones was one of that generation who saw David Bowie on “Top Of The Pops” in 1972 and felt he was talking directly to them. As an art student he worked as an extra on a Bowie film and even gave him a light for his cigarette. As the editor of such magazines as Arena and GQ he went on to interview Bowie numerous times. Now he’s put together “David Bowie: A Life”, a massive oral history of the man’s life and brilliant career. It draws on the recollections of everyone from old school friends like George Underwood through fellow musicians like Rick Wakeman to the artists, film makers and fashion leaders whose direction he affected. In this special extended chat with Mark Ellen and David Hepworth Dylan talks about everything Bowie, including how small he was in some directions and yet how big in others.

As a teenager Dylan Jones was one of that generation who saw David Bowie on “Top Of The Pops” in 1972 and felt he was talking directly to them. As an art student he worked as an extra on a Bowie film and even gave him a light for his cigarette. As the editor of such magazines as Arena and GQ he went on to interview Bowie numerous times. Now he’s put together “David Bowie: A Life”, a massive oral history of the man’s life and brilliant career. It draws on the recollections of everyone from old school friends like George Underwood through fellow musicians like Rick Wakeman to the artists, film makers and fashion leaders whose direction he affected. In this special extended chat with Mark Ellen and David Hepworth Dylan talks about everything Bowie, including how small he was in some directions and yet how big in others.

As a teenager Dylan Jones was one of that generation who saw David Bowie on “Top Of The Pops” in 1972 and felt he was talking directly to them. As an art student he worked as an extra on a Bowie film and even gave him a light for his cigarette. As the editor of such magazines as Arena and GQ he went on to interview Bowie numerous times. Now he’s put together “David Bowie: A Life”, a massive oral history of the man’s life and brilliant career. It draws on the recollections of everyone from old school friends like George Underwood through fellow musicians like Rick Wakeman to the artists, film makers and fashion leaders whose direction he affected. In this special extended chat with Mark Ellen and David Hepworth Dylan talks about everything Bowie, including how small he was in some directions and yet how big in others.

"My Dad said that if I joined a rock band I would be an alcoholic, a drug addict and skint. Turns out he was right." So writes Chris Difford in "Some Fantastic Place", a startlingly candid autobiography. An old friend of the pod he came along to Word In Your Ear to talk to Mark and David about the strange dynamics within bands, the reason musicians don't talk to each other, the attractions of relaxants and stimulants and the challenges of managing Bryan Ferry. Amazing stuff.

"My Dad said that if I joined a rock band I would be an alcoholic, a drug addict and skint. Turns out he was right." So writes Chris Difford in "Some Fantastic Place", a startlingly candid autobiography. An old friend of the pod he came along to Word In Your Ear to talk to Mark and David about the strange dynamics within bands, the reason musicians don't talk to each other, the attractions of relaxants and stimulants and the challenges of managing Bryan Ferry. Amazing stuff.

"My Dad said that if I joined a rock band I would be an alcoholic, a drug addict and skint. Turns out he was right." So writes Chris Difford in "Some Fantastic Place", a startlingly candid autobiography. An old friend of the pod he came along to Word In Your Ear to talk to Mark and David about the strange dynamics within bands, the reason musicians don't talk to each other, the attractions of relaxants and stimulants and the challenges of managing Bryan Ferry. Amazing stuff.

The guest on our snug Chesterfield was Daniel Rachel, who won the Penderyn Prize for best music book of 2017 for his "Walls Come Tumbling Down", a triumphant oral history of the story of Rock Against Racism, 2-Tone and Red Wedge.

The guest on our snug Chesterfield was Daniel Rachel, who won the Penderyn Prize for best music book of 2017 for his "Walls Come Tumbling Down", a triumphant oral history of the story of Rock Against Racism, 2-Tone and Red Wedge.

The guest on our snug Chesterfield was Daniel Rachel, who won the Penderyn Prize for best music book of 2017 for his "Walls Come Tumbling Down", a triumphant oral history of the story of Rock Against Racism, 2-Tone and Red Wedge.

Johnny Rogan almost didn't make it to this Word In Your Ear. He was so absorbed in a discussion about biography with friend of the podcast Mark Lewisohn that he had a small traffic accident that almost sidelined him for the evening. Anyway, he made it and brought along both volumes of his mammoth new account of their complex career. To help tell their story we were also delighted to welcome another friend of the pod Sid Griffin. It's all here: the folk revival, Swinging London, psychedelia, square glasses, country music, personality conflicts and some very sad ends.

Johnny Rogan almost didn't make it to this Word In Your Ear. He was so absorbed in a discussion about biography with friend of the podcast Mark Lewisohn that he had a small traffic accident that almost sidelined him for the evening. Anyway, he made it and brought along both volumes of his mammoth new account of their complex career. To help tell their story we were also delighted to welcome another friend of the pod Sid Griffin. It's all here: the folk revival, Swinging London, psychedelia, square glasses, country music, personality conflicts and some very sad ends.

Johnny Rogan almost didn't make it to this Word In Your Ear. He was so absorbed in a discussion about biography with friend of the podcast Mark Lewisohn that he had a small traffic accident that almost sidelined him for the evening. Anyway, he made it and brought along both volumes of his mammoth new account of their complex career. To help tell their story we were also delighted to welcome another friend of the pod Sid Griffin. It's all here: the folk revival, Swinging London, psychedelia, square glasses, country music, personality conflicts and some very sad ends.