Word Podcast

Tim Rice didn't particularly like musicals. He was a rock and roll fan turned junior exec. In fact when Tim Rice met Andrew Lloyd Webber in the late 60s he had his eyes on a nice job running one of EMI's overseas outposts. But then there was Jesus Christ Superstar which was performed by the Grease Band and recorded at Olympic and sold in quantities nobody knew anything could sell and the next thing he knew he was a giant of the musical theatre and was writing with and for everyone. The perspective he's acquired in the course of a fifty-plus year career is unique and he's already distilled a lot of it into one volume of memoirs. He came along to The Islington so that Mark and David could encourage him to get on with the next volume. It was a delight to talk to him.

Tim Rice didn't particularly like musicals. He was a rock and roll fan turned junior exec. In fact when Tim Rice met Andrew Lloyd Webber in the late 60s he had his eyes on a nice job running one of EMI's overseas outposts. But then there was Jesus Christ Superstar which was performed by the Grease Band and recorded at Olympic and sold in quantities nobody knew anything could sell and the next thing he knew he was a giant of the musical theatre and was writing with and for everyone. The perspective he's acquired in the course of a fifty-plus year career is unique and he's already distilled a lot of it into one volume of memoirs. He came along to The Islington so that Mark and David could encourage him to get on with the next volume. It was a delight to talk to him.

Tim Rice didn't particularly like musicals. He was a rock and roll fan turned junior exec. In fact when Tim Rice met Andrew Lloyd Webber in the late 60s he had his eyes on a nice job running one of EMI's overseas outposts. But then there was Jesus Christ Superstar which was performed by the Grease Band and recorded at Olympic and sold in quantities nobody knew anything could sell and the next thing he knew he was a giant of the musical theatre and was writing with and for everyone. The perspective he's acquired in the course of a fifty-plus year career is unique and he's already distilled a lot of it into one volume of memoirs. He came along to The Islington so that Mark and David could encourage him to get on with the next volume. It was a delight to talk to him.

It was born in an unpromising flat in Tottenham, came to fruition in an old manor house in Oxfordshire, became, by accident, the soundtrack of a horror film that is still frightening people 45 years later and led, also by accident, to the foundation of one of the few British brands that's still a household name. It changed the lives of everybody who had anything to do with it. Richard Newman is the only person to have spent time talking to all the people who were involved and his book, 'The Making Of Mike Oldfield's Tubular Bells', has been re-published to mark the forty-fifth anniversary of the record's original release. He came to the Islington to talk to David and Mark about it.

It was born in an unpromising flat in Tottenham, came to fruition in an old manor house in Oxfordshire, became, by accident, the soundtrack of a horror film that is still frightening people 45 years later and led, also by accident, to the foundation of one of the few British brands that's still a household name. It changed the lives of everybody who had anything to do with it. Richard Newman is the only person to have spent time talking to all the people who were involved and his book, 'The Making Of Mike Oldfield's Tubular Bells', has been re-published to mark the forty-fifth anniversary of the record's original release. He came to the Islington to talk to David and Mark about it.

It was born in an unpromising flat in Tottenham, came to fruition in an old manor house in Oxfordshire, became, by accident, the soundtrack of a horror film that is still frightening people 45 years later and led, also by accident, to the foundation of one of the few British brands that's still a household name. It changed the lives of everybody who had anything to do with it. Richard Newman is the only person to have spent time talking to all the people who were involved and his book, 'The Making Of Mike Oldfield's Tubular Bells', has been re-published to mark the forty-fifth anniversary of the record's original release. He came to the Islington to talk to David and Mark about it.

When Ian Anderson left the family home in Blackpool to make his name in the music business his father flung him hid old overcoat. "It'll be cold out there," he said. That was more than fifty years ago. 2018 sees the fiftieth anniversary of the release of the first Tull album "This Was". This anniversary is being marked by a special tour which begins in April. When Ian was our guest at Word In Your Ear he talked about: going to the police station as a 15-year-old because he wanted to be a copper, how the name of his band was as much a surprise to him as anyone else, what it was like to go on before Hendrix at the Isle of Wight in 1969, how The Who outshone the Rolling Stones during the filming of "The Rolling Stones Rock And Roll Circus", why any idiot can manage his own band and why so few do, the secret of breaking America and why this tour is definitely the last.

When Ian Anderson left the family home in Blackpool to make his name in the music business his father flung him hid old overcoat. "It'll be cold out there," he said. That was more than fifty years ago. 2018 sees the fiftieth anniversary of the release of the first Tull album "This Was". This anniversary is being marked by a special tour which begins in April. When Ian was our guest at Word In Your Ear he talked about: going to the police station as a 15-year-old because he wanted to be a copper, how the name of his band was as much a surprise to him as anyone else, what it was like to go on before Hendrix at the Isle of Wight in 1969, how The Who outshone the Rolling Stones during the filming of "The Rolling Stones Rock And Roll Circus", why any idiot can manage his own band and why so few do, the secret of breaking America and why this tour is definitely the last.

When Ian Anderson left the family home in Blackpool to make his name in the music business his father flung him hid old overcoat. "It'll be cold out there," he said. That was more than fifty years ago. 2018 sees the fiftieth anniversary of the release of the first Tull album "This Was". This anniversary is being marked by a special tour which begins in April. When Ian was our guest at Word In Your Ear he talked about: going to the police station as a 15-year-old because he wanted to be a copper, how the name of his band was as much a surprise to him as anyone else, what it was like to go on before Hendrix at the Isle of Wight in 1969, how The Who outshone the Rolling Stones during the filming of "The Rolling Stones Rock And Roll Circus", why any idiot can manage his own band and why so few do, the secret of breaking America and why this tour is definitely the last.

In the course of a packed conversation with David Hepworth the Damon Runyon of Bermondsey touches upon Keith Chegwin and the Third Ear Band, carrying a coffin and recovering from cancer, the breathtaking profanity of Hughie Green and the staggering stupidity of certain BBC executives, the difficulty of dealing with 12-year-old TV producers who are labouring under the misapprehension that they understand pop history and what happened when he and Danny Kelly decided it was finally time to try getting stoned. As ever, all human life is there – as it is in his latest autobiographical volume, "Going On The Turn".

In the course of a packed conversation with David Hepworth the Damon Runyon of Bermondsey touches upon Keith Chegwin and the Third Ear Band, carrying a coffin and recovering from cancer, the breathtaking profanity of Hughie Green and the staggering stupidity of certain BBC executives, the difficulty of dealing with 12-year-old TV producers who are labouring under the misapprehension that they understand pop history and what happened when he and Danny Kelly decided it was finally time to try getting stoned. As ever, all human life is there – as it is in his latest autobiographical volume, "Going On The Turn".

In the course of a packed conversation with David Hepworth the Damon Runyon of Bermondsey touches upon Keith Chegwin and the Third Ear Band, carrying a coffin and recovering from cancer, the breathtaking profanity of Hughie Green and the staggering stupidity of certain BBC executives, the difficulty of dealing with 12-year-old TV producers who are labouring under the misapprehension that they understand pop history and what happened when he and Danny Kelly decided it was finally time to try getting stoned. As ever, all human life is there – as it is in his latest autobiographical volume, "Going On The Turn".

Robert Forster's new book 'Grant And I' features strongly in many people's lists of the music book of the year. He came to WIYE to talk to Mark and David about growing up in Brisbane, bonding with Grant McLennan over their shared affection for Ry Cooder, forming a band with like-minded people rather than people who could play, getting near enough to success to be able to taste it and why no band has anything new to say after twenty minutes. Robert's been on the podcast before and remains one of our favourites.

Robert Forster's new book 'Grant And I' features strongly in many people's lists of the music book of the year. He came to WIYE to talk to Mark and David about growing up in Brisbane, bonding with Grant McLennan over their shared affection for Ry Cooder, forming a band with like-minded people rather than people who could play, getting near enough to success to be able to taste it and why no band has anything new to say after twenty minutes. Robert's been on the podcast before and remains one of our favourites.

Robert Forster's new book 'Grant And I' features strongly in many people's lists of the music book of the year. He came to WIYE to talk to Mark and David about growing up in Brisbane, bonding with Grant McLennan over their shared affection for Ry Cooder, forming a band with like-minded people rather than people who could play, getting near enough to success to be able to taste it and why no band has anything new to say after twenty minutes. Robert's been on the podcast before and remains one of our favourites.